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Messages 4963 - 4992 of 4992   Oldest  |  < Older  |  Newer >  |  Newest
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4963
Hi group! I believe that finding new ways to surprise yourself is absolutely necessary in our line of work. I liked the paper catalogues that came with the...
Klas Dykhoff
ljudprofessorn
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Oct 3, 2009
3:38 pm
4964
I totally agree... burroughsian-style sonic cutup is a great way to derail a non-productive fugue. There was an app called soundraider which would plunder your...
atl
r0t0pan
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Oct 3, 2009
3:39 pm
4965
Mornin' I find that bouncing ideas of others is very enlightening, but I suppose "others" could be replaced by code. It started by having one sound designer...
Minto, Ben
qlimpent
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Oct 3, 2009
3:40 pm
4966
The advantage you get from randomly listening to sounds, which you aren't likely to get through suggestions from other sound designers, is that the random...
Randy
earcircus
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Oct 3, 2009
10:50 pm
4967
Of course, if your buddy sound designers are sufficiently irrational... Could be just as good! : )...
Randy
earcircus
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Oct 4, 2009
12:26 am
4968
Hello everyone, Another thing to consider might be Brian Eno's oblique strategies. He developed a series of cards to be used when you don't know where to go ...
Gustavo Costantini
cgustavof
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Oct 4, 2009
4:09 pm
4969
Regarding Eno's Oblique Strategies, if you're on Twitter, you might like to follow http://twitter.com/Oblique_Chirps - you'll get an Oblique Strategy every...
paulchauncy
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Oct 4, 2009
4:30 pm
4970
Thanks, Paul! By the way, sometimes using clichés is a good advice. Also being obvious to some extent. Many times, young directors or students are desperate...
Gustavo Costantini
cgustavof
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Oct 4, 2009
5:42 pm
4971
Yes, one of the eternal questions... How much ambiguity is too much ambiguity? This is an interesting thread. One reason that "oblique strategies" are...
Randy
earcircus
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Oct 7, 2009
5:18 pm
4972
Hi Randy, I agree about weirdness/ greatness ratio and, of course, the ambiguity phobia of studio executives. As you say, the middle ground is a problem, and...
Gustavo Costantini
cgustavof
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Oct 8, 2009
1:27 pm
4973
Hi, Gustavo! At Skywalker we have a sound effects librarian who does some of the categorization of sounds. All of us try to use emotion-based descriptive...
Randy
earcircus
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Oct 8, 2009
6:32 pm
4974
Hello to everyone! It`s a common approach in other design areas, like product design. It`s used by writers too. They use it as a way to bring fresch ideas or a...
soundesigned
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Oct 9, 2009
5:07 am
4975
Hi All, This idea of how much ambiguity can work made me think of Ilya Khrjanovsky's "4" aka "Chetyre" which is a stunning example of a film which finds a...
thermisonic
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Oct 9, 2009
5:08 am
4976
Aha you've met them then :) One man's chaos is another man's harmony It can end up a bit like Chinese Whispers, which can be seen as random, or more like...
Minto, Ben
qlimpent
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Oct 9, 2009
5:08 am
4977
Ben, could you explain further your idea of audio exquisite corpse-ing? I'm familiar with the surrealist game, but I don't think I understand the audio...
Robin
notafraud
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Oct 9, 2009
5:08 am
4978
http://en.wikipedia.org/wiki/Exquisite_corpse...
Randy
earcircus
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Oct 9, 2009
8:14 pm
4979
This is a fascinating topic. I appreciate everyone's contribution. I read a NY Times article recently that I think relates to this topic: ...
Pete
mixmonkeypete
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Oct 10, 2009
11:18 am
4980
I don't think there's necessarily anything wrong with ambiguity to such extremes. As a spectator, some of my favorite art encounters have been with great...
Robin
notafraud
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Oct 11, 2009
9:03 pm
4981
Mornin' My usage of the term came about after the process .... Its seems to be more accepted if something has a name We had a fight between two cars - much...
Minto, Ben
qlimpent
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Oct 11, 2009
9:05 pm
4982
Thanks Ben, that's really helpful!...
Robin
notafraud
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Oct 11, 2009
9:25 pm
4983
Hi Robin, Pete, In my case, I was referring to the ambiguity excess present in some - otherwise- very conventional narrative fiction film. I not only don't ...
Gustavo Costantini
cgustavof
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Oct 12, 2009
1:54 pm
4984
Thanks Gustavo! :) I think you're very right. I'd love to get the opinion of the folks on this list. A lot of what we talk about, and this discussion is...
Robin
notafraud
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Oct 12, 2009
6:10 pm
4985
Hi Robin, I don't have successful strategies for anything! However, I always try to be involved in the projects from the very beginning, at least for talking,...
Gustavo Costantini
cgustavof
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Oct 12, 2009
8:45 pm
4986
Frankly, I've spent a significant part of my career trying to shoehorn "sound design" into scenes that had been designed by writers and directors oblivious to...
Randy
earcircus
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Oct 13, 2009
6:11 pm
4987
"unexploded" territory maybe? sorry. I'd love to hear or read more stories about some of my favorite films, especially Lynch. Hope you will write some memoirs,...
Lou Judson
inaudio
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Oct 13, 2009
6:30 pm
4988
Hi everybody: It´s wonderful to read perspectives and the hands on of talented people as Gustavo. It is very intreresting the way you work but as you say...
iVÁN MORALES
i.morales33
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Nov 7, 2009
7:32 am
4989
Hi Ivan, and thanks for the kind words. Fortunately, in this site we can enjoy a lot of sensitive and talented people. Most of all, people that take care of...
Gustavo Costantini
cgustavof
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Nov 7, 2009
2:08 pm
4990
HI all! Randy/ Gustavo -  I think a book that scales past the "intro to sound" would be fantastic, and so many young sound designers, such as myself, would...
Alison Gregory
gory_dj
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Nov 7, 2009
4:38 pm
4991
Gary Rydstrom has been promising to write a book on sound design someday. When he gets around to it I know it will be wonderful. I'll probably do one, but it...
Randy
earcircus
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Nov 9, 2009
2:26 am
4992
Ok, I know this is a longshot. A movie I mixed is being sent out for consideration for the Oscars in all categories, by the production company. The screeners...
bigbadhenchman
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Nov 9, 2009
2:44 am
Messages 4963 - 4992 of 4992   Oldest  |  < Older  |  Newer >  |  Newest
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