Don't hesitate to forward this mail to people who could be interested in it.
If you have a website you may set the link of my show on it if you wish.
Thanks to those who send me the wonderful cd's.
Links of music are welcome but I can't use them in my show.It's technically too complicated to use them.Only if you can send them by mail as a cd version it would be possible that I can use them for the show.
If you would like to receive the weekly playlist just send a mail to moacrealsloa@... with in the subject field "playlist".
All feedback is welcome in english , french , german or dutch.
Kind
regards,
Nico
Nico Bogaerts Sounds and Emotions 60 Rue De L'Obus 1070 Brussels Belgium Europe
To be removed from the list, simply reply to this message with the word 'remove' in the subject field.Don't forget to mention the original e-mail adress at which you received the message if it is a forwarded mail
---------- Forwarded message ---------- From: AnalogousProjects<AnalogousProjects@...>
Date: Fri, Dec 11, 2009 at 6:13 PM Subject: AnalogousProjects Call for Works: Artificial Intelligence and Analogous Interactions at the International Computer Music Conference 2010 To: AnalogousProjects Subscriber <nicklesley@...>
(Mailing list information, including unsubscription instructions, is located at the end of this message.)
..committed to Interaction Art and all things emergence-related.
/// CALL FOR WORKS /// ARTIFICIAL INTELLIGENCE AND ANALOGOUS INTERACTIONS AT ICMC 2010 ///
Analogous invites proposals for presentation at Analogous Interactions events for the International Computer Music Conference, taking place in New York City in June 2010. Works should explore the intersection of computer music and emergent phenomena -- including, but not limited to, generative sound- and video-works, performative ecologies and installations, live-coding and musical improvisation, reality-based games and social experiments, biomedical hacking and new technology, artificial intelligence and chaordic systems. Works should be "nondeterministic", having an unpredictable and/or live element, and should be appropriate for a performance, an installation, or a social event. (Both works-in-progress and finished works will be considered.)
Visit http://music.oc.cct.lsu.edu/author/submit.php to submit work for ICMC 2010. Applicants may submit more than one work, however, a separate proposal must be made for each. Select Analogous Interactions for AI-related works. The deadline for submissions is December 31st, 2009.
Submissions must include the following:
* Title of Work.
* Artist(s) Contact Information.
* Topic Area: Select Analogous Interactions.
* Project Keywords.
* Project Abstract.
* PDF file containing:
* Type of work: Choose from Performance, Installation, or Social Activity.
* An Artist Biography (250-word maximum).
* An Artist Statement (250-word maximum).
* A Project Description (350-word maximum).
* Detailed Technical Specifications (100-word maximum).
* Zipped folder containing three appropriate excerpts and/or other samples of the work to be presented (MP3-formatted audio files, MP4-formatted video files, and/or PDF schematics).
PIMA 701, the first-semester seminar, will be having their end-of-semester performance on Friday, Dec. 18 at 8pm in Brooklyn College's New Workshop Theater. Enter the campus at Hillel Place, and bear left past Gershwin Hall, towards Whitman Hall. Just past the amphitheater you will see a sign for the New Workshop Theater. Admission is free. We hope to see you there . . .
Greetings -
Urban Research Theater will offer two intensive one-day workshops in January.
RIVER OF SONG
Led by Ben Spatz
Monday, 12pm-5pm
January 4, 2009
PHYSICAL TRAINING FOR ACTORS
Led by Massimiliano Balduzzi
Monday, 12pm-5pm
January 11, 2009
Both workshops will take place at Brooklyn College.
The fee is $50 for either workshop or $75 for both.
For more information, please visit:
www.urbanresearchtheater.com
With specific questions or to secure a place, please email:
ben@...
Hi All,
If you are in walking, there is an interesting photography panel tonight
put together by a friend.
Sorry for the short notice!
Best,
Antonio Serna
- - - -
Aperture Foundation, The Photography Program at Parsons the New School
for Design, and The Vera List Center for Art and Politics at The New
School present:
Confounding Expectations X: Photography in Context
The Projected Photograph
Cross Hall (2008), Wall-recessed mixed media diorama, peephole, live
video feed projection, Dimensions variable
Thursday, December 10, 2009
7:00pm
FREE Admission
Tishman Auditorium
66 West 12th Street, New York City
Seating is on a first-come, first-serve basis
The Aperture Foundation, the Photography Department at Parsons The New
School for Design, and the Vera List Center for Art and Politics present
a new season of panel discussions focusing on photography. The second
event of this season will explore the multiple ways in which
contemporary artists have utilized projection and installation
strategies to display still photographic images, creating immersive and
cinema-like experiences in museum and gallery environments. Departing
from the large-scale, tableau treatments of the photographic image
printed and framed as wall-based objects, exemplified in works by Jeff
Wall, Andreas Gursky, and Gregory Crewdson, in recent years contemporary
artists have increasingly employed projection devices––ranging from
analogue to digital high-definition––to display photographic images as
immaterial light projections, often incorporating temporal and
audio-visual elements that evoke experiences recalling cinematic
contexts but yet retain distinctly photographic qualities.
Moderator:
George Baker is an Associate Professor of Modern and Contemporary Art
and Vice-Chair of UCLA, Department of Art History. He is an editor at
October magazine and October Books. He is the editor of James Coleman
(MIT Press) and a frequent contributor to Artforum. Baker received his
Ph.D. from Columbia University, and is a graduate of the art history
program at Yale University and the Independent Study Program of the
Whitney Museum of American Art. He has received, amongst others, an
Andrew Mellon Fellowship in the Humanities, CASVA and Whiting Foundation
fellowships, and a postdoctoral fellowship from the Getty Research
Institute. Currently, he is working on disparate projects including a
revisionist study of Picasso’s modernism and a shorter book on the work
of three women artists--Zoe Leonard, Tacita Dean, and Sharon
Lockhart--to be entitled Lateness and Longing. The latter is part of a
larger project that Baker has termed “photography’s expanded field,”
detailing the fate of photography and film works in contemporary
cultural production.
Panelists:
Andrea Geyer uses both fiction and documentary strategies in her image
and text based installations. She investigates historically evolved
concepts such as national identity, gender and class in the context of
the ongoing re-adjustment of cultural meanings and social memories
within current politics. Her work has been shown in documenta12,
Kassel, at the 2009 Athens Biennal and the 2008 Turin Biennale, Italy;
as well as the Whitney Museum of American Art, New York; Witte de With,
Amsterdam; Gasworks and the Serpentine Gallery London; LACE, Los
Angeles; Hessel Museum, Bard College; Apex Art and Artist Space, New
York; Generali Foundation, Vienna; Landings and the Henie Onstad
Kunstsenter, Oslo; Photofestival Knooke, Netherlands; Kunsthaus
Baselland, Switzerland; IASPIS, Stockholm. In 2008 she had solo
exhibitions at the Galerie Thomas Zander, Cologne and Galerie Hohenlohe,
Vienna. She was a Vera List Center for Arts and Politics Fellow in 2007
and has received grants from the New York Foundation of the Arts and Art
Matters. She has published two books: Audrey Munson: The Queen of the
Artist Studio (Art in General, NY) and Spiral Lands / Chapter 1 (Koenig
Books, London) She is currently an Assistant Professor of New Genre, at
Parsons the New School for Design.
Paul Pfeiffer is the recipient of numerous awards and fellowships, most
notably becoming the inaugural recipient of The Bucksbaum Award given by
the Whitney Museum of American Art (2000), as well as being a recipient
of The Alpert Award in the Arts for Visual Arts (2009). Pfeiffer was an
artist-in-residence at the Massachusetts Institute of Technology,
ArtPace in San Antonio, Texas, and the Atlantic Center for the Arts in
New Smyrna, Florida. In 2003, a traveling retrospective of his work was
organized by the MIT List Visual Arts Center and the Museum of
Contemporary Art, Chicago. Pfeiffer’s work has also been shown at the
Museum of Modern Art, the Whitney, the Guggenheim, P.S.1 Contemporary
Art Center, The Studio Museum in Harlem, The Project, Gagosian Gallery
(New York), San Francisco Art Institute, the Walker Art Center, SITE
Santa Fe, Artangel, Thomas Dane Limited, Whitechapel Art Gallery and
White Cube (London), Castello Rivoli and Gio Marconi (Italy),
Kunst-Werke and carlier l gebauer (Germany), the Cairo Biennial 2003
(Egypt), the Museum of Contemporary Art, Shanghai (China), the Singapore
Art Museum, and the 2008 Biennale of Sydney (Australia). Pfeiffer was
recently the subject of a major career spanning solo exhibition at the
Museo de Arte Contemporáneo de Castilla y León (Spain) in 2008, and
currently has solo exhibitions at the Nationalgalerie im Hamburger
Bahnhof in Berlin and at BAIBAKOV art projects in Moscow. Pfeiffer lives
and works in New York.
Krzysztof Wodiczko is renowned for his large-scale slide and video
projections on architectural facades and monuments. He has realized more
than 80 such public projections in Australia, Austria, Canada, England,
Germany, Holland, Ireland, Israel, Italy, Mexico, Poland, Spain,
Switzerland, and the United States. Since the late eighties, his
projections have involved the active participation of marginalised and
estranged city residents. Simultaneously, he has been designing and
implementing a series of nomadic instruments and vehicles for homeless,
immigrant, and war veteran operators for their survival and
communication. Since 1985, he has held many major retrospectives at such
institutions as the Walker Art Center, Minneapolis; Museum Stuki, Lodz;
Fundacio Tapies, Barcelona; Wadsworth Athenaeum, Hartford; La Jolla
Museum of Contemporary Art, San Diego; Contemporary Art Center, Warsaw;
and the Zacheta National Gallery of Art, Warsaw. Wodiczko's work has
been exhibited in Documenta, Paris Biennale, Sydney Biennale, Lyon
Biennale, Venice Biennale, Whitney Biennial, Yokohama Triennale, and in
many other major international art festivals and exhibitions. He is a
professor in the Visual Arts Program and directs the Interrogative
Design Group at MIT.
The lecture series is presented with generous support from the Kettering
Family Foundation and the Henry Nias Foundation. The program is made
possible in part by public funds from the New York State Council on the
Arts and the New York City Department of Cultural Affairs.
tns_parsons_mid_R_pos.jpg
Please join PPL for the final production of our newest work! Perhaps you’ve seen it in development…now come see the final product!
Workforce/ Forced Work documents the emotional and physical patterns of American workers and uses them to map connections between private, personal experience and public, political structures. Using multi-layered rhythms of crude video, stop motion clay animation, music, sampled sound, and live performance, the piece pulls the everyday grind into the realm of sur-reality and excruciatingly sincere emotional reaction. (Running time: just a little under 1 hour)
Text, direction, and design by Esther Neff Composition and sound design by Brian McCorkle Performed by: Meredith Kitz, Matthew Stephen Smith, and Chelsea O'Connor Additional video by Meredith Kitz
Workforce, Forcedwork will be performed at 217 E. 42nd St Space through chashama (4,5,6,7 to Grand Central)
We hope you will join us for an afternoon on nonsense and wisdom. Bring yourself 100 of your closest friends to Learning Curve; A series of propositions about meta education and collaboration by Brooklyn College's Collaborative Stratosphere Group.
Venue: Marian Spore 55 33rd St., 4th Floor Industry City, Brooklyn Sunday December 6th 1-6 pm D,M,N,R Trains to 36th Street
If the two last links doens't work try the first one and go to "luister"!!!!!
Title;
Played;
Label;
Time;
Total Time;
Once Youth With A Crispy Beard;
Beneva Vs Clark Nova;
How Is Annie Records / Fenętre Records;
4'12";
4'15";
Streched Stroke;
Uwe Oberg & Xu Fengxia;
NurNichtNur;
6'01";
10'16";
Yellow Bass & Silver Crnet III N° 1 & 2;
Circulasione Totale Orchestra;
Rune Grammofon;
32'29";
42'45";
Vloed;
Onde;
OndeMusic;
20'07";
62'52";
Rationale;
Mike Khoury & Piotr Michalowski;
Abzu Recordings;
5'32";
68'39";
Escape With The Queen Of Bohemia;
Eldad Tarmu Chamber Jazz Ensemble;
Instant Encore;
5'19";
73'58";
Kammerton;
Matthias Spillmanns;
Unit Records;
6'13";
80'11";
Enjoy the musical trip!
Don't hesitate to forward this mail to people who could be interested in it.
If you have a website you may set the link of my show on it if you wish.
Thanks to those who send me the wonderful cd's.
Links of music are welcome but I can't use them in my show.It's technically too complicated to use them.Only if you can send them by mail as a cd version it would be possible that I can use them for the show.
If you would like to receive the weekly playlist just send a mail to moacrealsloa@... with in the subject field "playlist".
All feedback is welcome in english , french , german or dutch.
Kind regards,
Nico
Nico Bogaerts Sounds and Emotions 60 Rue De L'Obus 1070 Brussels Belgium Europe
To be removed from the list, simply reply to this message with the word 'remove' in the subject field.Don't forget to mention the original e-mail adress at which you received the message if it is a forwarded mail
Santos Party House 96 Lafayette St Manhattan, NY 10013 USA Call Our 24 Hour Hotline: 212.714.4646
11/24 @ 9PM Felix Kubin live with guest DJ JG Thirlwell and DISKONO
 Nov 24, 2009
downstairs Doors @ 9 PMÂ $12.00
FELIX KUBIN Felix Kubin, born in 1969, lives and works against gravitation. His activities comprise futurist pop, electroacoustic and chamber orchestra music, radio plays, performance projects, workshops and cultural activities as a curator. In 1998 he founded his own record label Gagarin Records. For 20 years, he has released a vast number of albums and played more than 70 international festivals for electronic contemporary music, among them Sonar, Mutek, Ars Electronica, ISEA, Donaufestival and Wien Modern. He likes to move between hi and low culture, clubs and concert halls, as his main concern is the shifting of contexts and expectations.
“Refreshingly perverse” (WIRE, UK)
“Felix Kubin is a Devil in Gods clothes. He plays organs like Jussi Tennilä (Siilinjärven Ponnistus) does slalom, fastly but surely, strongly but lovingly. If there'd be one man to send to the aliens as an example of the mankind, that'd be Felix Kubin.“ (Aavikko, Finnland)
“Wearing a fetching green suit, an endearing glint in his eye and surrounded by antique technology (not a laptop in sight), Kubin's concise, offbeat pop songs each contain more tunes than an entire bierkeller jukebox“ (Tom Mugridge, MZK magazine, UK)
“Noise, rhythm, melody and madness“ (These Records, UK)
"Hamburg's purveyor of dadatronic experimentalist pop music"Â (Radio CBC, Brave New Waves)
“There’s a twinkle in his eye when Retro-Futurist Felix Kubin, born 1969 in Hamburg, invites you to embark on a tour of his unique world of Avantgarde-Electro-Pop. Dada-Humor is the cherry on his cake, NDW and Kraftwerk his rearguard as he rushes to meet the future, a whirlwind on the manual, a futuristic ambassador of light, a hammering fist in the garden of fear. In his luggage there’re the old synthesizers and the new problems that he negotiates in film music, short films, sound installations, multiphonic concerts and audio plays. It’s not for nothing that his own label is named, after the Russian cosmonaut, Gagarin Records.” (Someone) Felix Kubin homepage
JG THIRLWELL JG Thirlwell is a composer / producer / performer based in Brooklyn who works under many pseudonyms including Foetus, Steroid Maximus, Manorexia, Baby Zizanie and Wiseblood.
If there is a common thread to his varied musical styles it is a dramatic intensity and an evocative, cinematic quality. JG has recently completed commissions for Kronos Quartet, Bang On A Can and League of Electronic Musical Urban Robots and is also a member of the "freq_out" sound-art collective, who create on-site sound and light installations. He performs with a chamber ensemble version of Manorxia and also scores "The Venture Brothers", a hit cartoon show on Adult Swim/Cartoon Network. JG Thirlwell homepage
DISKONO Founded in the spring of 1998 and described as a "a Scottish multi media cabal masquerading as a record label,” DISKONO was initially based in Central Scotland but befitting its constitution as a complex carbohydrate, the constituent pieces of its chemical structure are now strewn all over the globe; New York, London, Brussels, etc. The known and affiliated elements of DISKONO were/are Klaus Oldanburg, Ruth Random, Findo Gask, Dr. Barnes Advocaat, Gunter Saxenhammer, Ttocshagg Forfib, Joel Ongthorne, Kosten Koper; although these may be pseudonyms for the same person or persons. Together or alone, they/he/she operate a record label releasing sound art & "avant-garde flicks of the wrist" as well as curated savory and pretentiously artistic projects such as the exhibition Revisionland by Alejandra and Aeron of Lucky Kitchen (which won an Award of Distinction in Digital Music at Prix Ars Electronia 2002) and physical remix series of 7" records with Aerospace Soundwise, The British Composer of the Year Winner for Sonic Art (2008) Janek Schaefer. DISKONO also released music by figures such as Felix Kubin, Alejandra and Aeron, Pimmon, JaDa, People Like Us, Francisco Lopez, Boards Of Canada, Goodiepal, V/Vm, Hrvatski, Aavikko." Diskono homepage
Tickets available at: OTHER MUSICÂ 15 East 4th St New York, NY 10003
EVENT # 4
Felix Kubin Guest Appearance on WFMU's Ken Freedman Show on Wednesday, November 24 (9AM-Noon) http://www.wfmu.org/playlists/KF
The Scott Haggart / Lary Seven / Felix Kubin Trio will further expand the territory of DISKONO 017 – a conceptual 12” vinyl record assembled over the course of seven years.
 The original edit is “psychotopologically derived from a 0.7 millisecond recorded extract of a DISKONO performance (2000).” Obsessively and secretly expanded is a 0.7-millisecond sound into a 1:17 second composition that took many years to superimpose and further re-sample the original fragment into a strict bombardment of fractal concrete sound. Within a “tradition of discrete spectrality” and with the satisfactory feeling brought about by orchestrating a 1:17 second work, it become inevitable for Scott to extend the invitation to six others thus creating alternate versions (seven in total) using the original as source material/inspiration. Strict adherence was required by the invited artists Lary Seven, EVOL, Felix Kubin, White Daughter, Charlie McAlister, and Jan Van Den Dobbelsteen to a rule of such versions being 1:17 seconds in duration so as to absurdly explore the potentials of this 0.7-millisecond sound. – DISKONO
“Here the label’s taking a decidedly different direction… this one’s all DISKONO member Scott Haggart doing an art-record consisting of a one-minute [seventeen-seconds] conceptual piece on the a-side (cut mid-record for maximum [sonic] effect), then a series of re-workings of said by Lary Seven, EVOL, Felix Kubin, White Daughter, Charlie McAlister, and Jan Van Den Dobbelsteen on the flip… Where the original is a statically-charged burst of raw electricity, the reworkings take in just about every conceivable sound-alteration method; from Lary Seven’s “magnetic” reworking to EVOL’s woozy sliding pitch-scale, to Felix’s crackling chatter.”
 – Keith Fullerton Whitman
Founded in the spring of 1998 and described as a “a Scottish multi media cabal masquerading as a record label,” DISKONO was initially based in Central Scotland but befitting its constitution as a complex carbohydrate, the constituent pieces of its chemical structure are now strewn all over the globe; New York, London, Brussels, etc. The known and affiliated elements of DISKONO were/are Klaus Oldanburg, Ruth Random, Findo Gask, Dr. Barnes Advocaat, Gunter Saxenhammer, Ttocshagg Forfib, Joel Ongthorne, Kosten Koper; although these may be pseudonyms for the same person or persons. Together or alone, they/he/she operate a record label releasing sound art & “avant-garde flicks of the wrist” as well as curated savory and pretentiously artistic projects such as the exhibition Revisionland by Alejandra and Aeron of Lucky Kitchen (which won an Award of Distinction in Digital Music at Prix Ars Electronia 2002) and physical remix series of 7″ records with Aerospace Soundwise, The British Composer of the Year Winner for Sonic Art (2008) Janek Schaefer. DISKONO also released music by figures such as Felix Kubin, Alejandra and Aeron, Pimmon, JaDa, People Like Us, Francisco Lopez, Boards Of Canada, Goodiepal, V/Vm, Hrvatski, Aavikko.”
 Â
"Diskono consciously foster the spirit of vigilance and insurrection, through inspired logical chicanery and stolen rhetoric from texts such as Guy Debord’s Society Of The Spectacle and Raoul Vaneigem’s The Revolution Of Everyday Life (in which the French commentator called, among other things, for revolution to rescue artistic creativity from the morally corrupting influence of commerce).” – The Wire
Lary Seven is a multimedia alchemist able to coax profane, inscrutable sounds and images from numerous and mysterious devices. His work has been described as that of a magician or scientist — one who may not always be certain of the outcome, but who is determined to see it through to its (il)logical end. Since the late seventies, Lary has been building, soldering, photographing, recording, mixing, filming, playing, collecting, re-interpreting and creating in order to make something happen. He’s the founder of the Analogue Society and co-founder of Plastikville Records and Directart Productions Ltd. Lary has released work on Touch, Diskono, Ectoplasm, Plastikville and Plastiktray records. He has performed in many countries in Europe as well as in the U.S. and Canada. Mr. Seven lives and works in Manhattan’s East Village and is one of the last remaining vestiges of a once-vibrant community. For this presentation, Lary Seven will have an undefined interaction with:
photo by Soenke Held
Felix Kubin, born in 1969, lives and works against gravitation. His activities comprise futurist pop, electroacoustic and chamber orchestra music, radio plays, performance projects, workshops and cultural activities as a curator. In 1998 he founded his own record label Gagarin Records. For 20 years, he has released a vast number of albums and played more than 70 international festivals for electronic contemporary music, among them Sonar, Mutek, Ars Electronica, ISEA, Donaufestival and Wien Modern. He likes to move between hi and low culture, clubs and concert halls, as his main concern is the shifting of contexts and expectations.
“Refreshingly perverse” (WIRE, UK)
“Felix Kubin is a Devil in Gods clothes. He plays organs like Jussi Tennilä (Siilinjärven Ponnistus) does slalom, fastly but surely, strongly but lovingly. If there’d be one man to send to the aliens as an example of the mankind, that’d be Felix Kubin.“ (Aavikko, Finnland)
“Wearing a fetching green suit, an endearing glint in his eye and surrounded by antique technology (not a laptop in sight), Kubin’s concise, offbeat pop songs each contain more tunes than an entire bierkeller jukebox“ (Tom Mugridge, MZK magazine, UK)
“Noise, rhythm, melody and madness“ (These Records, UK)
“Hamburg’s purveyor of dadatronic experimentalist pop music” (Radio CBC, Brave New Waves)
“There’s a twinkle in his eye when Retro-Futurist Felix Kubin, born 1969 in Hamburg, invites you to embark on a tour of his unique world of Avantgarde-Electro-Pop. Dada-Humor is the cherry on his cake, NDW and Kraftwerk his rearguard as he rushes to meet the future, a whirlwind on the manual, a futuristic ambassador of light, a hammering fist in the garden of fear. In his luggage there’re the old synthesizers and the new problems that he negotiates in film music, short films, sound installations, multiphonic concerts and audio plays. It’s not for nothing that his own label is named, after the Russian cosmonaut, Gagarin Records.” (Someone)
Woody Tanger Auditorium, Brooklyn College Library (Ground Floor)
2900 Bedford Avenue, Brooklyn New York 11210
2 or 5 Train to Flatbush or Q train to Newkirk Avenue
Felix Kubin is a Hamburg-based artist, whose various experiments and epithets include radio playwright, composer of futurist + dadatronic experimental pop as well as chamber orchestra music, filmmaker, incendiary performer, record label owner, lecturer and curator. He has made artwork in all sorts of fields since the 1980s, after studying illustration and animation at the University of Applied Sciences in Hamburg (Hochschule für Angewandte Wissenschaften). He has given workshops and lectures across Europe at numerous universities, just completing a masterclass at the University of Arts in Berne, Switzerland and is currently a guest lecturer at the University for Music and Theatre in Leipzig. For the first time in the USA, Felix will talk about his artistic processes and projects, including the highly controversial KED (Kommunistische Einheitspartei Deutschlands—Communist Unity Party of Germany) and Liedertafel Margot Honecker. KED was a fake dada-socialist party, utilizing idealized German youth in uniform and the musical Liedertafel's propagandized subversions of the German Democratic Republic. This is performance art that perverts apathy or complacency. Felix will discuss how the political and the social have affected the German Underground and the influence of "utopia" on its most active participants. Utopian thinking as a starting point for economics, social and artistic movements, and for an 11 year old kid sitting in a bedroom with a Korg MS-20 synthesizer, free enough with self-confidence to destroy music, will all be covered. Open to all, free event.
Felix Kubin will also be performing at the following during his New York visit:
Issue Project Room on Sunday 11/22 at 8 pm with Scott Haggart and Lary Seven
Santos Party House
96 Lafayette St Manhattan, NY 10013 USA Call Our 24 Hour Hotline: 212.714.4646
11/24 @ 9PM Felix Kubin live with guest DJ JG Thirlwell and DISKONO
 Nov 24, 2009 downstairs Doors @ 9 PM $12.00
FELIX KUBIN Felix Kubin, born in 1969, lives and works against gravitation. His activities comprise futurist pop, electroacoustic and chamber orchestra music, radio plays, performance projects, workshops and cultural activities as a curator. In 1998 he founded his own record label Gagarin Records. For 20 years, he has released a vast number of albums and played more than 70 international festivals for electronic contemporary music, among them Sonar, Mutek, Ars Electronica, ISEA, Donaufestival and Wien Modern. He likes to move between hi and low culture, clubs and concert halls, as his main concern is the shifting of contexts and expectations.
“Refreshingly perverse” (WIRE, UK)
“Felix Kubin is a Devil in Gods clothes. He plays organs like Jussi Tennilä (Siilinjärven Ponnistus) does slalom, fastly but surely, strongly but lovingly. If there'd be one man to send to the aliens as an example of the mankind, that'd be Felix Kubin.“ (Aavikko, Finnland)
“Wearing a fetching green suit, an endearing glint in his eye and surrounded by antique technology (not a laptop in sight), Kubin's concise, offbeat pop songs each contain more tunes than an entire bierkeller jukebox“ (Tom Mugridge, MZK magazine, UK)
“Noise, rhythm, melody and madness“ (These Records, UK)
"Hamburg's purveyor of dadatronic experimentalist pop music"Â (Radio CBC, Brave New Waves)
“There’s a twinkle in his eye when Retro-Futurist Felix Kubin, born 1969 in Hamburg, invites you to embark on a tour of his unique world of Avantgarde-Electro-Pop. Dada-Humor is the cherry on his cake, NDW and Kraftwerk his rearguard as he rushes to meet the future, a whirlwind on the manual, a futuristic ambassador of light, a hammering fist in the garden of fear. In his luggage there’re the old synthesizers and the new problems that he negotiates in film music, short films, sound installations, multiphonic concerts and audio plays. It’s not for nothing that his own label is named, after the Russian cosmonaut, Gagarin Records.” (Someone) Felix Kubin homepage
JG THIRLWELL JG Thirlwell is a composer / producer / performer based in Brooklyn who works under many pseudonyms including Foetus, Steroid Maximus, Manorexia, Baby Zizanie and Wiseblood.
If there is a common thread to his varied musical styles it is a dramatic intensity and an evocative, cinematic quality. JG has recently completed commissions for Kronos Quartet, Bang On A Can and League of Electronic Musical Urban Robots and is also a member of the "freq_out" sound-art collective, who create on-site sound and light installations. He performs with a chamber ensemble version of Manorxia and also scores "The Venture Brothers", a hit cartoon show on Adult Swim/Cartoon Network. JG Thirlwell homepage
DISKONO Founded in the spring of 1998 and described as a "a Scottish multi media cabal masquerading as a record label,” DISKONO was initially based in Central Scotland but befitting its constitution as a complex carbohydrate, the constituent pieces of its chemical structure are now strewn all over the globe; New York, London, Brussels, etc. The known and affiliated elements of DISKONO were/are Klaus Oldanburg, Ruth Random, Findo Gask, Dr. Barnes Advocaat, Gunter Saxenhammer, Ttocshagg Forfib, Joel Ongthorne, Kosten Koper; although these may be pseudonyms for the same person or persons. Together or alone, they/he/she operate a record label releasing sound art & "avant-garde flicks of the wrist" as well as curated savory and pretentiously artistic projects such as the exhibition Revisionland by Alejandra and Aeron of Lucky Kitchen (which won an Award of Distinction in Digital Music at Prix Ars Electronia 2002) and physical remix series of 7" records with Aerospace Soundwise, The British Composer of the Year Winner for Sonic Art (2008) Janek Schaefer. DISKONO also released music by figures such as Felix Kubin, Alejandra and Aeron, Pimmon, JaDa, People Like Us, Francisco Lopez, Boards Of Canada, Goodiepal, V/Vm, Hrvatski, Aavikko." Diskono homepage
Tickets available at: OTHER MUSICÂ 15 East 4th St New York, NY 10003
EVENT # 4
Felix Kubin Guest Appearance on WFMU's Ken Freedman Show on Wednesday, November 24 (9AM-Noon) http://www.wfmu.org/playlists/KF
RAUDIO IIIII : now available for free download on the app store!
The Raudio IIIII application gives unlimited 24/7 streaming access to the
full collection of 5 years of Raudio's one pure sound thing web streams
(on any 3G network or wifi connection), including net sound classics like
Leif Inge's 9 Beet Stretch (a recording of Beethoven's Ninth Symphony
digitally strectched with pitch correction to last for 24 hours), the
Sound Injury archives, leve ookoi!, Back to Berlin and many more.
The app was launched on friday november 13th in the Paradiso in
Amsterdam.
Quote from the Sandberg Institute's director and art tycoon Jos Houweling's
speech: "This first Dutch use of a device like the iPhone as a platform for
works of the arts of sound is a shake without precedent" ...
Thanks to the many artists that contributed their work to the 20 never-ending
web streams that now have come all together in a beautiful one-thing portable
app. Listen anytime, anywhere.
http://www.harsmedia.com/SoundBlog/Archief/00703.php
"It's all yours now ..."
Have a great day!
--
Harold Schellinx
http://www.harsmedia.com
A performance/demonstration of our little Opera for Toys. A multimedia performance
written for and incorporating serially controlled toys and found-objects,
video, physical computing, and sound art.
ROULETTE presents
20 Greene St (between Canal and Grand St)
Admission $15 Students/Seniors/Under 30s $10 MEMBERS FREE
TICKETS/RSVP: 212.219.8242
http://www.roulette.org/
Jody Redhage & Fire in July
Wed Nov 18 - 8:30 PM
"Adventurous cello songstress Jody Redhage" (Time Out NY) is "a new
music dynamo…Redhage is cultivating a growing repertoire of indie art
song that breaches genre boundaries and makes for stirring listening"
(MusicWorks). Singing cellist Jody Redhage presents a night of 21st
century art song. The concert features a solo set of compositions
Redhage has commissioned for voice, cello, and electronics by some of
today's most talented emerging composers including Missy Mazzoli, Paula
Matthusen, and Wil Smith; and a set of her original art songs with her
chamber ensemble Fire in July, including talented and versatile
improvisers Ken Thomson on clarinet & bass clarinet, and Tim
Collins on vibraphone.
Ensemble Tori: Five Directions
Fri Nov 20 - 8:30 PM
Three of Korea's most vibrant young traditional musicians meet up with
a group of New York's cutting edge jazz/new music musicians in a sonic
adventure: Ensemble Tori. Inspired by exuberant Korean folk and
classical forms, jazz, and new music, The Tori Ensemble features Yoon
Jeong Heo (geomungo-zither), Erik Friedlander (cello), Kwon Soon Kang
(vocals), Young Chi Min (daegum-flute, changgo-drum), Ned Rothenberg
(clarinets, shakuhachi-flute),and Satoshi Takeishi (percussion).
Tonight guest stars Zeena Parkins (harp), Ikue Mori (electronics),
Sylvie Courvoisier (piano), and Min Xiao Fen (pipa/vocals).
CHILDRENS CONCERT! $5
JANINE NICHOLS
Sat Nov 21 - 2:00 PM
Roulette Children's Concerts offer pre-K to fifth-graders the chance to
listen and interact with adventurous, professional composers and
musicians of a variety of genres. This month vocalist Janine Nichols
presents cover songs by Nick Cave, Vic Chesnutt, Neill Cardinal Furio,
and more! $5 Admission.
Tim Berne: Los Totopos
Sat Nov 21 - 8:30 PM
Los Totopos is a new band which will be performing new compositions by
saxophonist Tim Berne as well as his arrangement of a rarely heard
Julius Hemphill suite dating back to 1977. Los Totopos is Matt Michell
(piano,electronics), Ches Smith (multiple percussion), Oscar Noriega
(clarinets) and Tim Berne (alto saxophone, composer, arranger).