CALL FOR ENTRIES
SLANT FILM FESTIVAL
Bold Asian American Images
10th Annual Shorts Film Festival
Houston, Texas. May 22, 2010.
Deadline: Postmark by January 30, 2010
Slant: Bold Asian American Images, an annual film festival of short films seeks
works by Asian American filmmakers. Now in its 10th year, Slant will showcase
an eclectic mix of the best in emerging Asian American cinema. All genres are
accepted.
Slant is hosted by the Aurora Picture Show, a nonprofit microcinema dedicated to
showing non-commercial film, video, and new media. Aurora's primary interest is
curating high quality group programs that give exposure to emerging artists and
new works.
Program Content: All genres, including narrative, experimental, film art/video
art, documentary and animation.
Eligibility: Filmmakers or film content should be Asian American or Asian
Canadian.
Running Time: Each work should run 30 minutes or less.
Guidelines here: www.slantfestival.org
Kearny Street Workshop will stop using yahoogroups at the end of 2009. We have started our own online community on Ning. Here, you can find the same content we have been sharing through yahoogroups: event invites, job opportunities, artist calls and more.
Plus, you are able to interact with us and with each other by joining us at kearnystreet.ning.com. It costs nothing to join and you can create your own profile, upload your artwork, comment, talk about events. Take a look!
You can find "Sign Up" at the top right corner of the screen to join our community. Please make the move from yahoogroups to kearnystreet.ning.com so we can connect with you and help our community grow.
MEN OF COLOR Erotica: Burrow Publishing is seeking submissions for an
erotica anthology (gay and bisexual) to be released in 2010. Stories
should prominently feature men of color, be fresh and unique, and have
an engaging storyline and character development. The deadline for
submissions is December 15. For additional information and
requirements, please visit www.burrowpublishing.com.
River Teeth's editors and editorial board conduct a yearly national contest to identify the best book-length manuscript of literary nonfiction. The winner will be announced in March of the prize year. The winner will receive $1,000 and publication by the University of Nebraska Press.
The 2010 Contest Deadline is December 31, 2009.
General Guidelines:
1. Manuscripts must be between 150-400 pages long
2. Manuscripts must be double-spaced
3. Include a title page with title only
4. Include a cover page with title and contact information
5. Include a $25 contest fee
6. Postmark Deadline is December 31 , 2009.
7.
MMail entries to:
RIVER TEETH
Ashland University
401 College Ave.
Ashland, OH 44805
All Books Published by The University of Nebraska Press
For more information and contest guidelines, visit www.ashland.edu/riverteeth, or contact Sarah Wells, Managing Editor, at <riverteeth(at)ashland.edu> (replace (at) with @).
The mountain is back and fully operational. Please submit your poetry, fiction
and nonfiction to <editors(at)shakinglikeamountain.com> (replace (at) with @)
As always, it helps greatly
to read us and review our submission guidelines before you do.
Arroyo Literary Review is now accepting submissions of poetry and fiction (7,000 word max).
Arroyo looks to publish bold, honest writing from Northern California and beyond.
Presenting the third annual
Locus @ Kearny Street Workshop Do It Yourself Music Video Contest
co-presented by the San Francisco International Asian American Film Festival
Once again, Locus@KSW is teaming up musicians and bands with filmmakers from the
Asian American community to make music videos that will premiere at a special
event in February 2010 and compete for an opportunity to screen at the 2010 San
Francisco International Asian American Film Festival.
We've produced some amazing videos through this annual program. DIY teams have
duked it out online two years in a row for a coveted spot in the SFIAAFF. Last
year, two DIY music videos made it into the film festival: Mud's Careless,
directed by Matthew Abaya won the popular vote and Denizen Kane's Holdin' Up the
Wall, directed by Jason Mateo won the jury prize. These and all of the 2009 Do
It Yourself Music Videos can be seen at http://www.asianamericanmedia.org.
Musicians and filmmakers interested in participating in the 2010 contest should
get in touch with us by emailing brandon@.... No prior experience
with making music videos is necessary. Locus@KSW will match you up with a band
or filmmaker. Due to logistics for the premiere event, all participants,
especially musicians who are invited to perform at the premiere, should be local
to the San Francisco Bay Area (although this isn't required if you're willing to
make the trip!)
Asian American musicians and filmmakers interested in making no to low budget
music videos with other Asian American musicians and filmmakers just need to
submit a short bio about themselves along with the following:
• Solo musicians and bands must have a CD quality recording of the song you
would like to use in a music video. Please email us a link to your website or
other online venue with music samples.
• Filmmakers must have their own video camera, editing software, and a sample of
their work. If you have a sample of your work posted online, please email us a
link your work. If you do not have your work posted online, email us and we can
make arrangements to get a sample from you.
**We would also like to encourage participants to seek out their own partners.
Filmmakers, if you know a band that you've been wanting to make a music video
with and you contact them about collaborating for this project, feel free to
email us a collaborative submission. Musicians, same thing. Also, in the true Do
It Yourself spirit, we are also open to self-made videos by those of you
musician/filmmakers out there that really do it all yourself. If you want to
make a music video, we want to give you a place to show your talent to the
community in 2010.
The deadline to let us know that you are interested in participating is December
15, 2009. If you know any budding directors, producers, story tellers, bands,
singers, songwriters and MC's looking to get involved with a community network
that shares the love of making music videos please forward this call to them.
Email your submissions to brandon@... or visit www.kearnystreet.org
for more info.
Issue 47: Submission Info
SLOPE is currently requesting submissions for Issue 47—works loosely or strictly related to and investigating the intersection of film and poetry—either loosely or strictly, in the form of film and video, poetry, essays, interviews, hybrids, ( ), ( ), and ( ).
Think of Cocteau's Orpheus Trilogy. Cocteau as Poet. Michel Gondry’s The Science of Sleep. Marianne Moore. Charlie Kaufman's Synecdoche, NY. Kurosawa’s Dreams. Blake’s The Tyger. Guilherme Marcondes' The Tyger. William Carlos Williams. Rabbit Light Movies. Leger's Ballet Mecanique. Zukofsky. Elizabeth Willis' Turneresque. Bergman's Wild Strawberries. Linh Dinh's What's Showing?Anne Carson's TV Men. HD the film critic. HD the actress. HD the Imagist. Alain Resnais' Hiroshima Mon Amour. Frank O'Hara. FRANK O'HARA! Godard's Alphaville and Breathless. Stretch each connection to its most magnanimous.
Submission Period: 12/1/09 - 2/15/10
Send all submissions to:<slope.editors(at)gmail.com> (replace (at) with @)
with the words “Submission: Slope 47” in the subject line. Address all questions to the above email address,"Attn: 47 Editor".
The Kundiman Poetry Prize for Asian American writers
New York— Kundiman, Inc. is pleased to announce the inauguration of the Kundiman Poetry Prize in partnership with Alice James Books.
The prize is open to emerging and established Asian American poets. The award of $2,000, publication of the winning manuscript, and sponsorship of a reading make this a highly desirable prize.
Alice James Books is a cooperative poetry press with a mission is to seek out and publish the best contemporary poetry by both established and beginning poets, with particular emphasis on involving poets in the publishing process. For more on Alice James Books, go to http://www.alicejamesbooks.org/.
Kundiman was founded in 2002 to provide opportunities for Asian American poets to perfect their skills through education and performance and to promote Asian American literature as a vital part of American letters. Its programs include a summer poetry retreat, held annually since 2004 and a reading series in New York City.
Kundiman’s partnership with Alice James Books for The Kundiman Poetry Prize is made possible through the support of Fordham University. For more information on Kundiman, go to http://www.kundiman.org.
For the last forty years, the Fine Arts Work Center in Provincetown, MA, has run the largest & longest residency Fellowship in the United States for emerging visual artists & writers. Artists who have not had significant recognition for their work & writers who have not yet published a book with significant distribution are welcome to apply. Fellows receive a seven-month stay (October 1-May 1) at the Work Center & a $650 monthly stipend. Fellows do not pay or work in exchange for their fellowships in any way. Fellows are chosen based on the strength & promise of their work. Former Visual Arts Fellows include Ellen Gallagher, Jack Pierson, Lisa Yuskavage, Angela Dufresne, Geoffrey Chadsey, & Lamar Peterson. Former Writing Fellows have won every major national award in writing including the National Book Award & six Pulitzer Prizes. The list of former Fellows includes Denis Johnson, Louise Glück, Jhumpa Lahiri, & Yusef Komunyakaa.
The postmark deadline for the 2010-11 Writing Fellowships is December 1, 2009. 2010-2011 Visual Arts Fellowship applicants may apply online beginning December 1, 2009. Online submissions must be received by midnight February 1, 2010. FAWC will accept slide applications for one more year. Applicants submitting slides, must have their applications postmarked by February 1, 2010. For details, please visit: http://www.fawc.org/fellowships/
Root Division, an arts & education
non-profit organization in San Francisco, is currently seeking volunteers
to teach one hourart classes
in one of our partner elementary or middle school after-school programs.
Sessions are six weeks long, and classes are
held once a week in the afternoons. You pick the day that works best for you,
AND you get to choose what types of projects you want to teach.We help you put together lesson plans
and gain valuable experience running your own class. Your small gift of time
& creativity has a big impact on these young children, especially since
many of them don’t have art in their schools.
If interested, please send an email to: youthed@....
PAWA (Philippine American Writers and Artists) & Achiote Press Presents: Community & Academic Writing Programs: A Panel for Emerging Writers
When: 12/06/2009, 2 pm Where: San Francisco Public Library, Latino Room B (lower level), 100 Larkin at Grove Free and Open to the public, refreshments will be provided
The California Bay Area houses a diverse array of writing programs, both community-based and academic. For this event, an exciting panel of writers will provide information to emerging writers of color who are thinking of applying to various writing programs and need some guidance. We believe it’s so valuable for writers of color who have gone through community based writing programs and MFA (Masters of Fine Arts) programs to share their knowledge and experiences with others. A question and answer session will follow.
Some questions that will be discussed: Why did you decide to attend a community based writing workshop and/or an MFA program? How did you decide on where to apply? Why did you attend the program you attended? What was the structure of your program? What were the positive and negative aspects of your program?
Panelists include: Rashaan Alexis Meneses (St Mary’s, Fiction MFA) Claire Light (San Francisco State University, Fiction MFA) Vickie Vertiz (VONA, KSW IWL) Craig Santos Perez (University of San Francisco, Poetry MFA) Oscar Bermeo (VONA, KSW IWL, louderArts) Vanessa Huang (VONA, KSW, Kundiman)
CALL FOR FILMS from Queer Women of Color Filmmakers
For our "TWO-SPIRITS: RECLAIMING REMEMBERANCE"
screening at the
6th Annual Queer Women of Color Film Festival
Queer Women of Color Media Arts Project (QWOCMAP) invites Two-Spirit First Nations, American Indian, Native American, Indígenas and indigenous people of the Americas, Africa, Asia, and Pacific Islands who are queer women of color to submit short films to our 6th annual Queer Women of Color Film Festival, to be held June 11-13, 2010 at the Brava Theater, in San Francisco.
Before Columbus arrived in the Americas, Two-Spirits: lesbian, gay, bisexual, transgender Native Americans were revered and honored in their cultures as ambassadors, treaty negotiators and spiritual leaders. Colonists also forced themselves into our ancestral homes in Africa, Asia and the Pacific Islands. Our powerful and tender stories were forcibly silenced, but today they can heal our communities while putting a different spin on notions like “traditional values” and issues like same-sex marriage and immigration. So send us your stories of credence, creation and creative resistance. Send us stories that allow us to remember the truth and hope for justice and love.
Please attach this form with the preview copy of your film, along with a CD of stills, Press Kit and any other promotional materials.
Name of Filmmaker:
Race/Ethnicity:
Nationality:
Gender:
Sexual Orientation:
Full Mailing Address:
Email Address:
Phone Number:
1. Title of Film, Total Running Time, Year of Completion
2. Synopsis of Film (one sentence, 15 to 20 words)
3. Filmmaker Biography (one sentence, 15 to 20 words)
4. How do you envision your film fitting within the context of our Festival Focus on Two-Spirits?
If you no longer wish to receive these emails, please reply to this message with "Remove Me" in the subject line or simply click on the following link:
Remove Me
Queer Women of Color Media Arts Project
QWOCMAP 59 Cook Street San Francisco CA 94118
Grist is seeking essays on craft and poetics, in any genre,
and personal essays that focus on a specific writer's work.
Send your best prose to <djacks30(at)utk.edu> (replace (at) with @)
in rich text or doc format (but not docx) by Dec 30, 2009.
Darren Jackson
John Hurt Fisher Research Assistant, and
Non-Fiction Editor, Grist: The Journal for Writers
Department of English
301 McClung Tower
University of Tennessee-Knoxville
Knoxville, TN 37996-0430
Silk Road Review, a Literary Crossroads, invites submissions of poetry, fiction and nonfiction for upcoming issues. The magazine will celebrate its fifth year of production and expand to two print issues per year in 2010. This is a great time to submit your work to the magazine.
We are interested in publishing compelling and finely crafted writing from locations around the world. We are also producing a special issue on “secret places” and welcome writing that would fit the topic.
Silk Road takes submissions through our online submissions system.
Visit Silk Road’s website for more information on the magazine and how to submit. http://silkroad.pacificu.edu
Kartika Review is accepting submissions for upcoming issues of our online Asian-American literary magazine.
We accept fiction, flash fiction, creative nonfiction, poetry, and visual art by Asian-American (west, east, central, south, and southeast Asian) writers and artists.
We are a quarterly journal. We read submissions all year. Simultaneous submissions are okay, but please notify us immediately if your work has been accepted elsewhere.
Kartika Review serves the Asian-American community and those involved with Diasporic Asian-inspired literature. We scout for compelling Asian American creative writing and artwork to present to the public at large. Our editors actively solicit contributions from established virtuosos in our community in hopes their works here will inspire the next generation of virtuosos. We also want to promote emerging writers and artists we foresee to be the future powerhouses of their craft. Ultimately, Kartika strives to create a literary forum that caters to and celebrates the wordsmiths of the Asian Diaspora.
Winter Fellowship at the Fine Arts Work Center in Provincetown, MA
For the last forty years, the Fine Arts Work Center in Provincetown, MA, has
run the largest and longest residency Fellowship in the United States for
emerging visual artists and writers. Artists who have not had significant
recognition for their work and writers who have not yet published a book
with significant distribution are welcome to apply. Fellows receive a seven
month stay (October 1-May 1) at the Work Center and a $650 monthly stipend.
Fellows do not pay or work in exchange for their fellowships in any way.
Fellows are chosen based on the strength and promise of their work. Former
Visual Arts Fellows include Ellen Gallagher, Jack Pierson, Lisa Yuskavage,
Angela Dufresne, Geoffrey Chadsey, and Lamar Peterson. Former Writing
Fellows have won every major national award in writing including the
National Book Award and six Pulitzer Prizes. The list of former Fellows
includes Denis Johnson, Louise Glück, Jhumpa Lahiri, and Yusef Komunyakaa.
The postmark deadline for the 2010-11 Writing Fellowships is December 1,
2009.
2010-2011 Visual Arts Fellowship applicants may apply online beginning
December 1, 2009. Online submissions must be received by midnight February
1, 2010. FAWC will accept slide applications for one more year. Applicants
submitting slides, must have their applications postmarked by February 1,
2010.
We are now accepting submissions for Volume IV Issue 2, the collaborative issue. For this issue, we are looking for works that are collaborative in nature: poem collaborations, call-and-response, or poet/painter (or other medium) pairs/trios, etc. If there are two or more collaborators, and the project involves poetry, we might be interested. In addition to poems, we are looking for relevant essays and interviews that speak to the collaborative process.
Fifth Wednesday Journal is accepting submissions for the Spring 2010 issue. Submissions for this issue will close on
December 31, 2009. We publish poetry, short fiction, creative
nonfiction, and black and white photography.
All work must be submitted with our online submissions manager.
Please visit the website for complete guidelines and instructions. www.fifthwednesdayjournal.org
PAWA (Philippine American Writers and Artists) & Achiote Press Presents:
Community & Academic Writing Programs: A Panel for Emerging Writers
When: 12/06/2009, 2 pm Where: San Francisco Public Library, Latino Room B (lower level), 100 Larkin at Grove Free and Open to the public, refreshments will be provided
The California Bay Area houses a diverse array of writing programs, both community-based and academic. For this event, an exciting panel of writers will provide information to emerging writers of color who are thinking of applying to various writing programs and need some guidance. We believe it’s so valuable for writers of color who have gone through community based writing programs and MFA (Masters of Fine Arts) programs to share their knowledge and experiences with others. A question and answer session will follow.
Some questions that will be discussed: Why did you decide to attend a community based writing workshop and/or an MFA program? How did you decide on where to apply? Why did you attend the program you attended? What was the structure of your program? What were the positive and negative aspects of your program?
Panelists include: Rashaan Alexis Meneses (St Mary’s, Fiction MFA) Claire Light (San Francisco State University, Fiction MFA) Vickie Vertiz (VONA, KSW IWL) Craig Santos Perez (University of San Francisco, Poetry MFA) Oscar Bermeo (VONA, KSW IWL, louderArts) Vanessa Huang (VONA, KSW, Kundiman)
Teaching Artist - 4 contract postions
The Asian Art Museum invites applications from teaching artists to participate
in an exciting program for local public high school youth "Art Speak". This is
an opportunity for teaching artists to cultivate meaningful interactions with
local youth and expand their roles as artists in the community.
Art Speak 2010 focuses on the upcoming exhibition Shanghai, featuring a diverse
range of work in many mediums from that dynamic city between 1850 and the
present. Shanghai will be on view from February 12 to September 5, 2010.
Four teaching artists will be selected to contribute lesson(s) to a
project-based arts curriculum for teens centering on two central themes pulled
from the Shanghai exhibition: IDENTITY and PLACE. Each teaching artist will
implement their own lesson(s) with the Art Speak participants during four
Saturday Studio Sessions in the spring. Projects will be representative of the
media on view in the exhibition: painting, illustration, photography,
architecture, printmaking, bookmaking/zines, poster art or other ephemera. The
program also includes a cultural and artistic exchange between Art Speak
participants and youth in Shanghai. The culmination of the program will be an
exhibition of the Art Speak youth's work at the museum.
Schedule
On January 23, 2010, the artists will participate in an all day professional
development workshop led by World Savvy (http://worldsavvy.org), and follow up
workshops on Sundays, February 28, March 28 and April 25. Subsequently each
artist will work four Saturdays from 12-4pm on one of the following schedules:
March 6, 13, 20, and 27; April 3, 10, 17, and 24 or May 1, 8, 15, and 22.
Payment
Each artist will receive a contract rate of $2000 for approximately 40 hours of
work (16 hours of teaching and 24 hours of professional development training).
Qualifications
Selected artists will have solid experience teaching art to high school age
students as well as a focus in at least one area of the mediums listed above.
The artists will have explored contemporary social and political issues in their
art, including themes of transformation, identity and place, and how they are
informed by immigration, globalization, the media and one's environment. In
addition to strong teaching and interpersonal skills, the artists will
demonstrate a collaborative spirit, cultural openness, and commitment to
education.
Apply
Register online at this website, providing cover letter, copy of resume, and
photos of selected work. Applications by mail will also be considered at HR,
Asian Art Museum, 200 Larkin Street, San Francisco 94102. Deadline for
applications is Friday, November 30, 2009.
www.asianart.snaphire.com
invited: short stories, poems,
creative non-fiction,
photos & artwork
submissions open: 01. Nov 2009 submissions close: 30. Nov 2009
issue is planned for: January 2010
send:
send 1-3 poems, texts up to ~2000 words, and/or 2-3 images (low
resolution or link is fine). please include a line about your work /
about you, and website or blog links.
previously published works are welcome, online publications are preferred, please include the link to the original publication
simultaneous submissions: are fine, please indicate this in the submission, and redraw simultaneous submissions as soon as they are accepted elsewhere.
GENERAL GUIDELINES: Our tastes are eclectic. We like fresh, vivid language,
and we like stories and poems that are actually about something -- that
acknowledge a world beyond the writer's own psyche. If they have an edge, if
they provoke us to think or make us laugh, so much the better. We strongly
suggest reading a previous issue or two before submitting.
While we particularly welcome poetry and short "screen-reader-friendly"
prose or cross-genre pieces (< 1000 words), we do on occasion publish longer
work. We encourage hypertext and new media (Flash .swf) submissions, also
photographs and original graphics.
All readings are "blind" (authors' names and other identifiers are removed).
Writers may submit up to 5 poems, prosepoems or flash fictions (500 words
max), or 2 longer prose pieces. While we prefer to see work that has not
been previously published, we do consider work that has appeared in
small-circulation print journals. Simultaneous submissions are fine, but
please let us know promptly if you place a piece elsewhere.
As always, we're featuring our contest: "A Picture Worth 500 Words."
Details on website.
HOW TO SUBMIT: Email submissions to submissions(at)tattoohighway.org, as
Rich Text Format (RTF) attachments or as plain text in the body of your
message, and with TH20 in the subject line. For hypertext and Flash
submissions, provide us with an URL where we may view the work online. Send
graphics in .jpg format.
---------- Forwarded message ---------- From: Keely Hyslop<keely.hyslop@...>
Date: Sat, Nov 14, 2009 at 11:00 AM Subject: Call for Submissions to Tea Party Magazine, Deadline Nov. 20 To: cw-students@...
CALL FOR SUBMISSIONS: THE UNEXPECTED ISSUE
TEA PARTY magazine (www.teapartymagazine.com) seeks submissions of
fiction, poetry, photography, visual art, comics, interviews, and
feature articles for its upcoming issue #19, THE UNEXPECTED ISSUE, to
be published in June 2010.
What does UNEXPECTED mean to you? What words, images, or associations
does it conjure? Send us your work about unexpected transformations,
experiences, or encounters; sucker punches; reversals of fortune;
surprise parties; diamonds in the rough; epiphanies; calamities;
playfulness; Freudian slips; underdogs taking the prize; kindness from
strangers or enemies; random urine tests; fight-or-flight scenarios;
putting your foot in your mouth; or that time things just didn’t turn
out the way you planned. Better yet, send us something completely
unexpected.
Be sure to include “UNEXPECTED SUBMISSION” and what kind of work you
are submitting in your subject heading. Example: Unexpected
Submission: Poetry
THE NITTY-GRITTY
* Honorarium: Tea Party pays an honorarium of $10 to $50 for all
work accepted. Each contributor receives three copies of the issue, as
well as an invitation to the magazine release party. Some contributors
from each issue will have the opportunity to read their work at this
event.
WHAT TEA PARTY MAGAZINE IS LOOKING FOR
Tea Party magazine focuses on the intersection of creativity and
social justice. We especially support voices of artists and writers
who are grappling with issues of social justice and are often
marginalized or underrepresented. The common denominator of Tea Party
contributors is a creative and progressive approach to their work,
whether it’s through art, literature, activism, or science. Humor is
always welcome! The editors are strongly committed to maintaining
diversity of voice within each issue.
WHAT TO SEND US
* FICTION: Send one double-spaced, typed story up to 5,000 words.
Make sure your name is on each page. Translations of original works
welcome.
* ESSAYS: Send one double-spaced, typed essay per submission up to
5,000 words. Essays should relate to the theme through an arts and/or
culture lens, preferably with social/political analysis, while still
meeting the guidelines for strong feature writing. (i.e. doesn’t make
the mistake of being too complex, abstract or losing sight of human
stories).
* POETRY: Send 3-5 poems per submission (no more than 10 pgs
total). Translations of original works welcome.
* ART, PHOTOGRAPHY, & COMICS: Send 3-5 images of high resolution
(at least 300 dpi) and either sent as a TIFF or EPS files only (no
JPEGs, PDFs, GIFs, PSDs, or indexed color files). Visual works must
also be publishable in black and white or in a sepia color format (not
full color) so the higher the contrast the better. Please make sure
all images are in grayscale (no RGB, CYMK files, no rich black). Be
aware that images created in some programs automatically are color
files, even if they LOOK black and white.
* INTERVIEWS: Send 1-2 interviews up to 7,000 words/each with an
artist, writer, or activist who has developed a substantial body of
work, and is considered a major innovator or visionary in their field.
We also especially welcome interviews with a homeless of formerly
homeless artist or writer, as well as interviews with interviewees
from an underrepresented community (i.e. incarcerated, veterans, and
so on).
HOW TO SUBMIT YOUR WORK
* We prefer e-mail submissions. Please send as an attachment or
pasted into the body of an e-mail. Be sure to include your name,
mailing address, e-mail address and phone number on the cover letter,
as well as your name on each numbered page. Include a brief bio (50
words or less) with your submission. Please address your submission to
Nágila Manfrim at TeaPartyMagazine@.... Snail mail: If you have
no computer access you may send submissions to the following address:
Attn: Tea Party Magazine Submissions, 1925A Eleventh Avenue, Oakland,
CA 94606. Enclose a SASE for our response (include additional postage
if work is to be returned). We do not return unsolicited work. Reports
on submissions within 6 months. Though we prefer previously
unpublished works, we do consider previously published work as well as
novel excerpts. Simultaneous submissions are fine if you give us 2
months of lead time before submitting the same work somewhere else.
Clearly mark envelope to the appropriate genre editor's attention
(e.g. “Fiction Editor”).
* Sample Issues: If you have never read Tea Party before, we
strongly suggest you look at an issue before submitting work. Sample
back issues are $5, e-mail or call us and we’ll send you one.
As a non-profit arts & culture magazine based in Oakland and San
Francisco, we publish work by writers, artists, intellectuals, and
activists from diverse cultures, communities, and fields of study. Our
core focus is the intersection of creativity and social justice. Tea
Party magazine supports all people who struggle against oppression for
self-determination by presenting a venue in which we can tell the
truth about our lives, reveal what has been hidden, and/or present a
vision of liberation and a strategy towards it.
Begin forwarded message:
> From: Purple Moon Dance Project <project@...>
> Date: November 11, 2009 4:57:02 PM PST
> To: Purple Moon Dance Project <project@...>
> Subject: Purple Moon Dance Project call for DreamSpeakers nominations
>
> Dear Friend of Purple Moon,
>>>
>>> Do you know a woman in our community who has a rich culture,
>>> identity and background that has shaped her art making and
>>> inspired you? An artist who creates beautiful, powerful work
>>> that is not seen or heard nearly enough? We want to honor this
>>> woman in our next
>>> "In Honor of Our DreamSpeakers" celebration to be held May 2010!
>>>
>>>
>>>
>>> In 2007, Purple Moon Dance Project's 15th anniversary year, we
>>> held our first “In Honor of our DreamSpeakers” celebration,
>>> honoring 10 artists. These women were chosen because of their
>>> ability to inspire us, reflect our own brilliance, and light our
>>> way through their work.
>>>
>>> In May 2010 we will present our third “In Honor of Our
>>> DreamSpeakers” to recognize women who tell our stories, heal our
>>> spirits and hearts, embody our wisdom, and preserve and enrich
>>> our culture through their artistic excellence.
>>>
>>> We invite you, our community, to nominate women who you would
>>> love to see honored as a DreamSpeaker. Thank you for taking the
>>> time to fill out the attached nomination form to remember the
>>> women who speak to your dreams.
>>>
>>> You can read more about our last DreamSpeakers event on our
>>> website: Purplemoondance.org
>>>
>>> With gratitude,
>>>
>>> Michelle Fletcher
>>>
>>> Admin Associate
>>>
>>>
>>> Diversity made physical"
>>>
>>>
>>> 26 7th St., 6th fl.
>>> San Francisco, CA 94103
>>> 415-552-1105 p 415-864-6703 fax
>>> project@...
>>>
>>> Be on the look out for our upcoming events: The 4th biennial
>>> Community Healing Garden Festival in 2010, “In Honor of Our
>>> DreamSpeakers” and “When Dreams are Interrupted...” tour!!!
>>>
-------------------
Shizue Seigel
415-221-0487
shiz1@...http://shizueseigel.com
------------------
Books: In Good Conscience: Supporting Japanese Americans During the
Internment, AACP, Inc, 2006 (second printing 2009), 320pp.
Century of Change, private commission, 2002, 198 pp.
Anthologies and journals:
Empty Shoes: Poems on the Hungry and the Homeless, Patrick T.
Randolph, ed., Popcorn Press 2009
Stone's Throw on-line journal, September 2009
My Words are Gonna Linger: The Art of Personal History, Association
of Personal Historians. 2008
Cheers to Muses, Asian American Women Artists Association, 2007
Group art exhibitions:
2009:
Photography Show Supervisor Eric Mar's Office, San Francisco City Hall
Dia de los Muertos, SOMArts, San Francisco
20th Anniversary show, Asian American Womens Artists Association, San
Francisco
CONTROL, Womens Caucus for the Arts, South Bay and Peninusual Chapters
Zero NW Zero WMD, WCA Artwaves International, Mexico City
St. Luke's Cardiovascular Center, Asian American Womens Artists
Association, San Francisco
Hybridity: Explorations of Cross-Cultural Identities, SOMArts
2008:
Cultural Resilience, Manilatown
Fast Food, Frankenart Mart
Behind Closed Dollars, Manilatown
2007:
Fetish: The Culture of Fear and Desire, Kearny Street Workshop
Digital Offerings/Dia de los Muertos, SOMArts
The Second (After) Life digital gallery, SOMArts