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#3800 From: Hans Andréa <hansandrea1@...>
Date: Fri Dec 11, 2009 10:09 am
Subject: Part 1 Chapter 5: Diagon Alley (8)
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I finished my last post on this subject by talking about the microcosm as a spherical force field with 12 main and numerous lesser magnetic focal points. These focal points are astral, i.e. desire-substance, and so determine what sort of person we are. Our whole character, with all our likes and dislikes, with all our talents and weaknesses, our phobias and loves, is determined by these "stars" in our personal firmament.
 
I want to point out that "as above, so below", and so the same structure applies to the cosmos and the macrocosm. In other words, our world also has these 12 major focal points, which we know as the signs of the zodiac. These 12 focal points govern the whole of humanity, and we can see the results in the daily news. War, famine, Greenpeace, genocide, and Amnesty International are some of the phenomena energised by the 12 Masters of Fate. We must also realise that, both microcosmically and cosmically, these 12 forces are the results of our past actions. We ourselves, individually and collectively, have made them into what they are. Originally they were the 12 gates of Heaven, but we have turned them into what they are now.

Back to Diagon Alley. Hagrid tells Harry there are four houses at Hogwarts. At this stage Harry has only heard of two: Slytherin and Hufflepuff. This is an important part of the story, because Harry hears that all the evil wizards, including Voldemort, have been in Slytherin. This knowledge is what makes Harry insist to the sorting hat that he doesn't want to be in Slytherin.
 
This is actually an extremely important clue to the whole story of Harry Potter. He rejects evil right from the start. He knows that Voldemort belonged to Slytherin, and so he rejects this from the outset and continues to do so throughout the story. Never at any time does he waver or hesitate in his rejection of what Voldemort stands for.
 
I see Voldemort not just as the embodiment of evil, but as the essence, the core-being, of life in this fallen universe. I mentioned above that in our microcosm and in our cosmos there are 12 focal points of astral power. Another aspect of these 12 forces is an astral fire that burns in the middle of the cosmos and microcosm. Perhaps you can imagine the twelve light, like spotlights in the sky, all pointing at a central point, and creating a bright fiery light where they meet. We all have this fire burning in our microcosm, and in Harry Potter it's personified by Voldemort.
 
This is not a very flattering idea to most of us, but we have to understand that from a divine point of view everything that does not conform to the Divine Plan is wrong. Compared to the pure, sublime Light of God, the light burning in the middle of our microcosm, and in the cosmos, is very dark, dismal and wrong. In Christian traditions this latter light is called Lucifer. It's important to understand that Lucifer/Voldemort is not evil from our limited earthly point of view. As I said above, the 12 lights contain all our talents, and also our longing to do good. However doing good in our world is always temporary, partial, and eventually turns into its opposite. The forces of good in this world always meet strong opposition, as you must know from the news and from personal experience, but the forces of evil are always opposed too, and the more intense the evil, the more courageous the forces that oppose it. It is within the very nature of this universe that good cannot manifest itself permanently, but evil is always temporary too. And so this whole partnership of good and evil, this twin of two opposing forces, is symbolised by Voldemort. And when Harry rejects Voldemort, and hence Slytherin, he is rejecting the values of this universe. As the son of Lily, the bud of the flower of eternal life, and of James, the longing to return to God, Harry rejects the forces of good and evil right from the outset.
 
Love to you all from Hans


#3799 From: Victoria Jones <victoriahjones@...>
Date: Thu Dec 10, 2009 1:15 pm
Subject: Re: Re: Alchemy Conference Part 3
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Cathy wrote: 
I hadn't realized that Harry's scar is in the same place where Christian Rosycross has a wound How interesting that "in both stories this is connected with love, and symbolises a spiritual victory." It reminds me of Jung's feeling that even in the dark places, there is gold to be found and the importance of facing and owning our "shadow" side.

Vj:
Yes, Jung wrote of the importance of not only integrating the masculine and feminine components within one's own being, but also of the importance of integrating the characteristics, acts, tendencies one rejects within oneself, which in Jungian and Freudian terms is referred to as the "shadow."   The ego defense known as "projection" is a strong indicator that the shadow is at work---for example, if on the surface, you are polite--syrupy sweet, outwardly demonstrating respect for the work and views of another, yet, behind the scenes you gossip to others and say things like so and so has relationship problems, so and so did this, so and so did that, you can be sure you are projecting your very own tendencies and/or issues onto so and so.  Depending on the extent that the shadow is in control (unconcious disowned parts of self), the ego can go to work and make all sorts of mischief (and cause trouble for others in their relationships) as it attempts to continue disowning parts of itself by projecting them onto other people, organizations, religions, etc.


#3798 From: "Cathy" <SnowyHome@...>
Date: Wed Dec 9, 2009 10:35 pm
Subject: Re: Alchemy Conference Part 3
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Hans posted:

I want to start with some obvious similarities between The Chymical Wedding and
Harry Potter. Please keep in mind that there are many more than I can list here
today.

Cathy:
It was amazing to see all the  similarities listed  so clearly; and know that
"there are many more" not listed.

All this information laid out so clearly  really leaves no doubt, in my opinion,
that J.K. Rowling is familiar with "The Chymical Wedding."

I hadn't realized that Harry's scar is in the same place where Christian
Rosycross has a wound How interesting that "in both stories this is connected
with love, and symbolises a spiritual victory."  It reminds me of Jung's feeling
that even in the dark places, there is gold to be found and the importance of
facing and owning our "shadow" side.

The phrase which stayed with me most was "the Divine Temple in the human heart"
from the sentence,  "The power Dumbledore is referring to is love. These two
rooms are the same, namely the Divine Temple in the human heart."

A few questions that came up during the reading:

The number four and the number seven seem very significant. Any further details
on those numbers?

Regarding "the ancient man living in a tower," wondering if that is similar to
Jung's archtype of the "wise old man."

I'm familiar with the symbolic meaning of "the griffin, the phoenix, the
serpent, the unicorn and the raven.  What is the symbolic meaning of the "lion?"

The paragraphs regarding  the altar on top of the Sepulchre of Venus were very
interesting. Any further details on the symbolism of "the unknown Tree" which
the angel held in his arms.

With love,
Cathy

#3797 From: Hans Andréa <hansandrea1@...>
Date: Fri Dec 4, 2009 3:43 pm
Subject: Part 1 Chapter 5: Diagon Alley (7)
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Harry goes into Madame Malkin's Robes to get his school robes. He sees another boy there, "with a pale, pointed face."
 
We learn later that this is Draco Malfoy, son of Lucius and Narcissa Malfoy neé Black. I believe that almost every character represents an aspect within the alchemist, and I believe Draco symbolises the spinal cord in which a force circulates, called 'the serpent fire'. In my Latin dictionary draco is defined as "a kind of snake, dragon; a constellation so called."
 
I see Narcissa Black as the personification of the physical body. Narcissus was the young man in the Greek legends who fell in love with his own image when he looked into a still pool.
 
Lucius comes from lux, meaning "light". I see him as the brain of the normal educated westerner, with what Jan van Rijckenborgh calls "the brain god" that lives inside it. This is the idea that modern man thinks himself  enLIGHTened, owns the world and all its life forms, and, with the sciences invented by his brain, will solve all the problems of the world and create a wonderful existence. Lucius exemplifies this arrogant attitude brilliantly.
 
Together the physical body and the brain have a child: the spinal cord with the serpent fire inside it. Lucius has "grey eyes", just like the grey matter of the brain, and he is very pale, as is Draco. Draco's face is long and pointed, just like the spinal cord.
 
Jan van Rijckenborgh states the composition of the soul as being:
 
  • the blood
  • the hormones
  • the nerve fluid
  • the serpent fire
  • the consciousness
 
The serpent fire is an unconscious force, but it is the essential part of the soul that we could describe as being the "root" of the soul. It is inimical to the New Soul, as it is created by our microcosmic Voldemort before the birth of the personality. Hence we could describe it as "the old soul".
 
All this is symbolised wonderfully in Harry Potter. Harry instantly dislikes Draco because of his arrogance, his air of superiority, and especially his disdain at Hagrid, who we know is the messenger who has come to look after the New Soul. Draco is the "Slytherin" aspect of the seeker, and so he admires Severus Snape, the occultist and head of Slytherin.
 
It's interesting to see that Draco is also the name of a constellation of stars. At the end of the story we see that Draco names his son Scorpius, another constellation. It is the tradition of the Black family to name the children after constellations or stars. We have Sirius, Regulus, Andromeda and Bellatrix (Narcissa's sisters), etc. This means to me that the House of Black is the fallen microcosm. The microcosm is a spherical force field with focal points of magnetic power on its circumference. There are twelve main ones, but numerous lesser ones. If we're looking at the microcosmic sphere from the inside, these magnetic focal points are like stars and constellations in our own mini-sky, so to speak. Each one of these magnetic points have a powerful influence on our personality and determine who we are. As the microcosm is "fallen" in terms of the Divine Plan, it is called "black".
 
We all have our inner Regulus, our Bellatrix, our Draco and our Scorpius. But fortunately we also have our Sirius. 
 
Love to you all from Hans


#3796 From: Hans Andréa <hansandrea1@...>
Date: Fri Dec 4, 2009 1:37 pm
Subject: Alchemy Conference Part 3
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I want to start with some obvious similarities between The Chymical Wedding and Harry Potter. Please keep in mind that there are many more than I can list here today.

 

Both Christian and Harry are handed a written invitation by an unusual person during a storm. This invitation in both cases is to go to a very large and ancient castle for seven periods of time: Christian seven days, Harry seven years. When they arrive, both are given a meal lit by candles floating in the air and served by invisible servants. Both castles have paintings in which the figures move. In both cases a very strict woman meets them and tells them their behaviour will be judged. Harry has a scar on his forehead while Christian Rosycross has a wound in the same place. In both stories this is connected with love, and symbolises a spiritual victory.

 

On his journey to the castle, Christian Rosycross faces four roads of which he must choose one. He chooses the right path by rejecting evil (the raven). Harry faces the selection into one of four houses at school, and chooses the right one by rejecting evil ("not Slytherin!"). He has just heard that all the evil wizards come from Slytherin.

 

During the stories, both heroes cross a stretch of water containing mermaids. In both stories there are references to Paracelsus and John Dee, names familiar to students of alchemy. There is a long list of real and mythical animals associated with alchemy which are mentioned in both stories, including the lion, the griffin, the phoenix, the serpent, a three headed dog, the unicorn, and the raven. A funeral at which a phoenix is present is conducted in both stories.

 

Both stories feature as the mastermind behind the whole sequence of events an ancient man living in a tower with a spiral staircase.

 

In Harry Potter there is a symbol known as the dark mark. It shows a serpent coming out of the jaws of a skull, and is the sign of Voldemort, whose aim is to gain immortality. In The Chymical Wedding this same symbol occurs to indicate eternal life.

 

These are just some of the more or less obvious similarities. However the more important and profound the spiritual truths being described, the more hidden the similarities are.

 

As mentioned before, Christian Rosycross visits a forbidden, subterranean room called "the sepulchre of Venus", as mentioned before. Venus symbolises Divine Love.

 

Harry Potter tries to enter a forbidden, subterranean room but finds the door cannot be opened by any magical tool he possesses. Dumbledore later tells him that that room contains a force that is at once more wonderful and terrible than death, than human intelligence, than the forces of nature. It is the power held within that room that you possess in such quantities. The power Dumbledore is referring to is love. These two rooms are the same, namely the Divine Temple in the human heart.

 

On top of the Sepulchre of Venus is an altar. I quote from the Foxcroft translation of 1690:  This was triangular and had in the middle of it a Kettle of polished Copper, the rest was of pure Gold and pretious Stones; In the Kettle stood an angel, who held in his Arms an unknown Tree.

 

If you visualise this description you will be able to see the very great similarity here to what in Harry Potter is called the Sign of the Deathly Hallows. This is shown on the spine of Harry Potter and the Deathly Hallows and consists of an equilateral triangle containing a circle touching all sides, and a straight line from the apex of the triangle, through the circle, down to the middle of the base. The circle symbolises the kettle, or cauldron, and the straight line the tree.

 

The Sign of the Deathly Hallows represents three magical objects in a fairy tale. The triangle symbolises an invisibility cloak, the circle a resurrection stone, which can bring beloved ones back to life, and the line a wand of supreme power. Anyone owning all three objects at once, is supposed to be able to defeat death, which Harry does.

 

And that is what both Harry Potter and The Chymical Wedding are really about: defeating death. On his parents' gravestone Harry reads the words, "The last enemy that shall be destroyed is death," a quote from Paul's First Letter to the Corinthians. JK Rowling said about this quote, and another quote she takes from the Bible, that "they sum up, they almost epitomise, the whole series."



#3795 From: Hans Andréa <hansandrea1@...>
Date: Mon Nov 30, 2009 6:29 pm
Subject: Re Alchemy Conf. 2 Question (part 2)
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--- On Mon, 30/11/09, Cathy <SnowyHome@...> wrote:
When I was reading Jung last night, he said that the masculine and the feminine must be reconciled. This must be why there is a King and a Queen. But somehow, I don't understand why it cannot be one... a King or a Queen. Why the consort?
 
Thanks for your comments in your last post, Cathy. Not only are they very interesting to me, but I'm sure they must be quite encouraging for others who can receive inspiration from the journey you're making in this wonderful world of liberating ideas.
 
Thanks also for the new question! Once again a very profound question, going right into the basics of the structure of the universe. We need questions like that.
 
This is what I understand about the duality of forces within the universe. There always needs to be a passive and an active aspect to everything. There is the creative principle, but to complete the process, there has to be the conceiving, birth-giving aspect. For anything to work, for anything to be complete, it has to have a positive and a negative aspect. One aspect is radiant, fiery, originating, creating. The other is receptive, reflecting, reacting, completing. When the Universe was created, the Spirit, as the male aspect, the Father, created the microcosms. The Mother, the Macrocosm, received the microcosms into her bosom, so to speak, and nurtured and fed the microcosms to enable them to develop.
 
This is a universal law that applies to all seven cosmic planes, and hence it also operates in our world. This what Jan van Rijckenborgh said in Chapter 12 just before the first quote I put in my previous post:
 
Two natures speak in the human being born of nature, two voices: the voice of good and the voice of evil. Both have a positive and negative aspect, a male and female pole. That is why they are represented in the upper room, in the head sanctuary, by four figures: the two kings with their consorts.
[...] and further on:
The fact that the negative aspect of the black king is so old and decrepit is also worthy of note. The aspect of man symbolised here is on the verge of the grave, while the negative aspect of the grey king is very young and full of vitality. Now it is no longer obstructed by evil, which is in the process of dying, the urge towards goodness has discovered a new possibility, the possibility of the great self-surrender to the Other One, which must grow. Therefore this aspect, too, is on the verge of the grave.
 
You will know that in Harry Potter the grey king, Lupin, also marries a woman much younger than himself: Tonks.
 
As I said before, Snape does not have an ancient wife as, for the sake of the narrative, he has to be a bachelor, always in love with Lily, and sacrificing himself for her son in the end. Actually I prefer that, as it's such exquisitely sublime and beauteous symbolism. Snape is the archetypal occultist, who sees Eternal Life in Lily, but she cannot return his advances because occultism is not the Way back to God.
 
I have the feeling that your question has not been fully answered, but that's good, because it will give you the opportunity to ponder on this a lot more, and also it will give other members the chance to add more substance to my answer. I'm sure there are members who know a lot more about the feminine/masculine polarity of the universe.
 
Jan van Rijckenborgh often discusses these two poles in all his books.
 
Thanks again for your invaluable contributions to the discussion, Cathy.
 
To other members: please join in.
 
Love to you all from Hans


#3794 From: "Cathy" <SnowyHome@...>
Date: Mon Nov 30, 2009 12:21 am
Subject: Re Alchemy Conf. 2 Question (part 2)
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Dear Hans,

   I am posting on each segment of your response to my question. There is so much
to absorb and so well worth the time to re-read it, reflect on it , and post. As
I read it the entire piece, much of what I am experiencing is beyond words and I
find it impacting my journey immensely and providing openings within.

    In the second section beginning with Chapter 12 You posted:
"When we refer to the black king and his wife as "evil", you should understand
this in the sense of gnostic philosophy. What is evil? It is not only those
things which are villainous, inferior or very bad. Evil in the sense of the
Gnosis is everything that binds bodily man to the nadir of materiality and seeks
to make him look for his destiny here?" and "What is good? Good, as meant by
gnostic philosophy, is everything that causes bodily man to seek in the nadir of
materiality - where his destiny is not to be found - for a solution, a way to
satisfy a deeply felt need for a genuine and pure life."

   I admit I had no knowledge of what these terms means in terms of the Gnostic
sense of them so I am grateful to now become familiar with their meaning. How
many times have I felt drawn, then trapped and finally  disappointed by looking
in the "nadir of materiality" for a "solution, a way to satisfy a deeply felt
need for genuine and pure life." And yet all those experiences laid the
framework for my yearning for something purer, something Eternal.

  You posted:
In this way, we discover that good and evil are closely related to each other
and that they are inseparable in this world of perishability. We find that each
continually demonstrates the opposing aim of the other, and that they constantly
keep each other dialectically in motion.

    I needed to hear this  and understand it because I had often challenged this
notion in past posts. I could not see why simply "doing good" was not enough and
not the goal. But I certainly have observed in myself and others that most of
the good we do is somehow tainted with selfishness, even if it is merely the pat
on the back I give myself for being so "good" to someone, or the idea that we
know what is best for someone. (and how ofen it turns out we are wrong and
something worse happens.) So often, within the seeds of that "good" are the
seeds of "bad". How can one know, at this level, what is best for anyone... even
for ourselves.This insight in this section, hopefully, will lead to a surrender
of wanting to control..not only the lives of others but my own and place all in
the unseen hands of the Power that knows the Way.

   When you explained about the grey king and queen (illustrated Snape and Lupin
in Harry Potter), it became clear to me that each time I set out to do good, it
is with the "grey king and queen" at my side. So often when I focus on "a new
mode of life," it has been according to my idea of the grey king and doing good
(never expecting the opposite which is also at work). After reading this, I
finally understand that the grey king has to be de-capitated so that we are not
all running around thinking we are only doing good and thereby delaying the
purification process (the disolution of the endura) which will lead us into the
uneen hands of Pure Love, a pure love which does not keep us enmeshed in karma.
I see that this will truly happen when we surrender and  step back and let the
Eternal Soul lead the way.

   You posted:
"When a human being realises the futility of this rotation of the wheel, a
mighty yearning for a solution, a way out, arises in the good aspect; a longing
and striving for a positive goodness which can really be accomplished. This
goodness is the goodness of the origin, which does not possess a dual nature."

    Since the human mind by its nature only deals in polarities, it now makes
sense to me that we will be doomed to duality (good and bad, joy and sorry,
birth and death, etc.)until our minds are transfigured.

  At the beginning of this section, you posted:
  "Two natures speak in the human being born of this nature, two voices: the
voice of good and the voice of evil. Both have a positive and a negative aspect,
a male and a female pole."

Question:
  When I was reading Jung last night, he said that the masculine and the feminine
must be reconciled.  This must be why there is a King and a Queen. But somehow,
I don't understand why it cannot be one... a King or a Queen. Why the consort?

With love,
Cathy

#3793 From: "Cathy" <SnowyHome@...>
Date: Sun Nov 29, 2009 4:39 am
Subject: Carl Jung on Myth
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I found an interesting quote while reading some Carl Jung today. Since Jung is
someone who thought Alchemy is the answer, I thought his would be appropriate
here.

The quote is: "God always speaks mythologically."

That seems to fit right in with the Harry Potter Septology which speaks so much
to us.

Cathy

#3792 From: "Cathy" <SnowyHome@...>
Date: Sat Nov 28, 2009 12:24 am
Subject: Re: Alchemy Conf. 2 Question (part 1)
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Dear Hans,

     Thank you for giving such an in-depth response to my question. I've only
begun reading it tonight; and I thought I would respond to it in parts as I read
it.

Hans posted:  In fact he explains it in scattered passages in the last chapters
of his book, which deals with the Chymical Wedding only up to a certain point.
He does not proceed past the third level of the Tower of Olympus because we
would have to discuss states that cannot be understood with the ordinary
consciousness, states with which we can find no comparison in our
three-dimensional world.

Cathy:  I have found mainly through studying the calibration and spiritual
teachings of Dr. David Hawkins that at certain vibrational levels we have more
access to the higher non-linear spiritual dimensions. Your comments are helpful
in reminding me that I can't "storm the gates of heaven." As our vibrational
level raises higher (or one could say as the process of disolving the endura
proceeds), much will make sense to us that did not make sense before the
Alchemical stages and purifications process.

I like your use here of the phrase, "put off your shoes from your feet for the
place on which you are standing is holy ground." So much of our ego-based,
I-maintainance dialectic self  has to be "put off", surrendered, let go of
before we can truly experience such holiness. The "I do not know" awareness
allows so much more receptivity to Truth than the dialectic mind which  thinks
it knows it all already.

I also like very much that we are dealing with three of the most important books
available to us (in my opinion too): the Bible, The Chymical Wedding, and Harry
Potter.

Your paragraph giving a recap on the characters in  Harry Potter related to "The
Chymical Wedding" was full of clarity on the symbolism. The more I see the
correspondences in the Harry Potter Symbolism, the more I understand why those
books have drawn me in such a powerful and compelling way.

Hans posted:
Every single one of us will one day go this Royal Way, whether it be tomorrow or
in a million years.

That is my favorite line!

I'd like to add one of my favorite lines from Walt Whitman, "Now voyager, that
untold want by land or sea ne'er granted, set forth to seek and find."

Maps like The Chymical Wedding as well as the myth of Harry Potter
make the seeking and finding so much clearer.

Again, thank you for your response to my question. I'll be reading the entire
response this weekend. I'm sure it will provide much insight for reflection.

With love,
Cathy

#3791 From: Hans Andréa <hansandrea1@...>
Date: Fri Nov 27, 2009 11:29 am
Subject: Re: Question on Alchemy Conference 2
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--- On Wed, 25/11/09, Cathy <SnowyHome@...> wrote:
I understand the symbology of the four kings and queens and their needing to be decapitated since you wrote ,"four of these monarchs personify the earthly aspects of good and evil in their negative and positive aspects." Since the other two are the "soul and the spirit of the seeker", why did they have to be decapitated? Is it because it is the nature-born soul? And, why the "spirit of the seeker" as well. Is that because what it sought - the Spirit-Soul - has been found?
 
Hans:
Thanks again, Cathy, for asking this very important question. I am thrilled that members are asking this sort of question, because it means that people are ready to discuss subjects of the highest sublimity and mystery.
 
I've been thinking about this deeply in the last couple of days, and I feel that the only way I can help us understand this question is to consult the only authority I know on this: Jan van Rijckenborgh. Furthermore, he deals with this question only in one book: The Alchemical Wedding of Christian Rosycross. And even then he does not explain it very deeply. In fact he explains it in scattered passages in the last chapters of his book, which deals with the Chymical Wedding only up to a certain point. He does not proceed past the third level of the Tower of Olympus because We would have to discuss states that cannot be understood with the ordinary consciousness, states with which we can find no comparison in our three-dimensional world. We would have to resort to purely intellectual, technical explanations which would mean nothing to you, and which would not further your inner development in the least. And by doing so we would be dragging down the sublimity of these things and violating them.
 
I conclude from this that we are discussing the sort of subject that is almost out of reach for us mortals imprisoned in this dualistic universe. However it is symbolised in Harry Potter, in The Chymical Wedding, and the Bible, and so we can try to enter this area at the top of the mountain with great respect, taking care to put off your shoes from your feet, for the place on which you are standing is holy ground, as Moses was told (Exodus 3:5).
 
To put the question in Harry Potter terms: Why did Snape, Lupin and Tonks have to die? Why did Dumbledore have to die? Why did Harry have to face death without defending himself, and enter King's Cross, where he chose to come back to earthly life?
 
Just to recap something for new members: in the past I have pointed out that the black king of The Chymical Wedding is symbolised in Harry Potter by Severus Snape, the grey king by Remus John Lupin, the grey king's young wife by Nymphadora Tonks, the young king by Dumbledore, and the young queen by Harry Potter. The wife of the black king is not featured in Harry Potter because Snape was in love with Lily Potter, which is a motivation that is a basic theme underlying the whole narrative. In the New Testament Jesus symbolises the young king and queen, and the two criminals symbolise the black and grey kings.
 
I am now going to quote large sections of what Jan van Rijckenborgh says about this symbolism and what it means for all of us. Every single one of us will one day go this Royal Way, whether it be tomorrow or in a million years' time.
 
Chapter 12: You will of course recognise the six royal personages. Two natures speak in the human being born of this nature, two voices: the voice of good and the voice of evil. Both have a positive and a negative aspect, a male and a female pole. That is why they are represented in the upper room, in the head sanctuary, by four figures: the two kings with their consorts.
  
When we refer to the black king and his wife as "evil", you should understand this in the sense of gnostic philosophy. What is evil? It is not only those things which are villainous, inferior or very bad. Evil in the sense of the Gnosis is everything that binds bodily man to the nadir of materiality and seeks to make him look for his destiny here.
  
What is good? Good, as meant by gnostic philosophy, is everything that causes bodily man to seek in the nadir of materiality - where his destiny is not to be found - for a solution, a way to satisfy a deeply felt need for a genuine and pure life.
  
In this way, we discover that good and evil are closely related to each other and that they are inseparable in this world of perishability. We find that each continually demonstrates the opposing aim of the other, and that they constantly keep each other dialectically in motion.
 
This is a very accurate description of the relationship between Lupin and Snape as described in Part 3 of Harry Potter. Snape is extremely horrible to Lupin and makes sure he leaves at the end of the year, and yet it is Snape who gives Lupin the medicine that makes him harmless, so that he can teach at Hogwarts.
 
What one builds up the other breaks down. In this way, the human being in the nature of death is and remains far from his destiny. The four royal personages in the upper room symbolise this idea.
 
When a human being realises the futility of this rotation of the wheel, a mighty yearning for a solution, a way out, arises in the good aspect; a longing and striving for a positive goodness which can really be accomplished. This goodness is the goodness of the origin, which does not possess a dual nature.
 
When this yearning arises in a person, [symbolised by James Potter] a yearning born of experience, the heart sanctuary becomes open for the radiation of the monadic nucleus [symbolised by Lily Potter]; then the young princess, that so strange soul-being [symbolised by Harry Potter] is born. It is this young soul-princess whom we meet as the fifth figure in the upper room. Beside her we see a young prince, the personification of the influence of the Seven-Spirit [symbolised by Albus Dumbledore], which is already noticeable and never gives up.
 
"Monadic nucleus" means the mathematical centre of the microcosm; the Lily in the heart.
 
Thus the new soul-power [Harry]  and the power of the Holy Spirit [Dumbledore] although not yet crowned - for the wedding, the unification, has yet to occur - find themselves in the midst of the ancient princes of dialectical nature. This is certainly a remarkable, exceptional situation.
 
As soon as a human being refuses to accept dialectics [this dualistic world] and therefore says farewell to it, evil dies. As soon as a human being calls the soul [Harry] to life, good in its relative sense dies also. The entity concerned has then been emancipated. He has become free. At that same time the soul in the heart and the spirit in the pineal gland [Dumbledore's office] come to him; the newly called king and queen who are not yet crowned.
 
What does this mean? The soul and spirit manifestations, not of the earth, earthly, must enter the nature-born form and allow themselves to be taken prisoner [as Jesus did] in this figure of death. They too must enter the burial pit of the nature of death. Thus for these two, the great sacrifice means at the same time a death.  That is why the Gospel according to John states: "God so loved the world that He gave his only begotten son, that whoever believes in Him might not perish but have everlasting life."
 
So now you will recognise the meaning of the mighty symbol of the skull on the little altar, in which a snow-white serpent lies coiled [the dark mark];  it is the symbol of the true eternal life, the life that must arise out of death.
 
So it is understandable that at the end of the Fourth Day of the alchemical wedding a critical point approaches, a moment which is at the same time a climax and a nadir; a Golgotha - the death of the six royal personages.
 
This perishing which leads to life was called the endura by the previous brotherhood [the Cathars] and in original Christianity it was known as the voluntary death in Jesus the Lord, the death that leads to resurrection. He who is willing to lose his life for My sake, shall find it."
 
OK, the above is a summary of what happens. But it does not as yet explain why the young king and queen, Dumbledore and Harry, have to die. Jan van Rijckenborgh makes some more reference to this in Chapter 16. He is now explaining the symbolism of the burial of the six (empty) coffins, while above the graves a great flag on which a phoenix, symbol of the resurrection, is painted. We know that at Dumbledore's funeral there is a phoenix too.
 
How should we understand this charade? [the charade of burying empty coffins] It places emphasis on the fact that the enduristic death of the seven aspects of the old consciousness [the six monarchs plus the executioner, who is also killed], even though accomplished voluntarily by the pupil in his inner being, is not in the least comparable to death in nature. It is a death unto life, a total neutralisation of the old nature in order to awaken the new nature. That is why the Gnosis [i.e. the Gnostic teachings] has always explained that the death of Jesus the Lord was only apparent, only a fiction.
 
Now we're getting somewhere! We are learning that it's not a real death, but a neutralisation of the old consciousness. We should note here that we are talking about NOT the end of consciousness, but a neutralisation, i.e. a temporary state in which the consciousness is stilled, silenced. The caterpillar is withdrawing into its pupa, so that a wonderful butterfly can emerge! The caterpillar is going to die, but is reborn as a butterfly.
 
The enduristic death is not an event which is over in a flash, in a few seconds, but one which concerns a period of life in which the I is brought to mortification. It is a period in which the nature-being is stilled, a period of isolation, but at the same time of great, expanding riches. It is a time in which the first ray of the Seven-Spirit, the new high priest, the new will, enters and one's life takes on a new horizon, and one begins to be liberated from the shadows of ordinary consciousness.
 
This makes it clear that this whole question of death and resurrection is a matter of consciousness. It's all happening in our head! When Harry is talking to Dumbledore in King's CROSS he asks: 'Is this real? Or has this been happening inside my head?'
 
And Dumbledore answers: 'Of course it is happening inside your head, Harry, but why on earth should that mean it is not real?'
 
Back to Jan van Rijckenborgh. He gives us more clues in Chapter 18, which discusses the trip across the lake (where, incidentally, he explains why Harry doesn't have a scar at King's Cross).
 
The human being who has died as to the ego journeys to the serene astral field of the manifestation of divine life. This enduristic signature means that the entire sevenfold consciousness is, as it were, shut off from the nature of death. It becomes inaccessible to the forces active in the nature of death and awakens to a new world, and tastes and experiences the nature, the essence of this new space.
 
In other world, his consciousness is entering the Kingdom of Heaven, the Sixth Cosmic Plane.
 
Chapter 22: The First and the Second Death
So let us return to the lowest floor of the tower of Olympus mentioned at the close of the Fifth Day, and realise clearly that only those who have lost their I-centrality may enter. Such persons have followed to the end the Johannine [John the Baptist's] path of I-breaking and have passed through the death of the endure. All the figures that played a role in the ego have been beheaded, just as John the Baptist was, and as living-dead they are brought to the tower of Olympus for the completion of the process of transfiguration.
 
I've included this to show that all this is symbolised in various ways in the Bible too.
 
A short quote from Chapter 24 which explains the neutralisation of the six consciousness aspects in another way. The bodies of the six monarchs and the head of the executioner have all been placed in an object with an odd, long shape.
 
In this elongated object you will recognise the serpent-fire system [the tree of life; the spinal column and the brain] crowned at its top by the head sanctuary. It is the tomb of the six beheaded princes: the two aspects of the objective consciousness, the two aspects of the subjective consciousness and the two aspects of the new consciousness in the candidate. Thus, at the critical moment of their meeting, of their becoming linked, these six became paralysed, neutralised.
 
Here's something to think about long and hard!
 
Chapter 25: The Resurrection of the New Man
 
The endura begins through a pure, factual threefold way of life, as a result of which a new ensouling element with two poles becomes connected with the consciousness and the subconsciousness. It is impossible for this connection to come about by itself. This is why a critical force develops, as a result of which the consciousness is neutralised: the pupil enters a state that can be compared with an absolute "nothingness". From this negation, from this ceasing to be a human being of this nature, the candidate must awaken. He must be led to resurrection from this "death", by following a "way of the cross".
 
The apotheosis:
 
The alchemists are faced with a golden globe containing the essence of the bodies of the six monarchs and the head of the executioner. They cut open the globe and discover an egg, symbol of the potential New Life.
 
That life exists. It must and will manifest itself. The symbolic colour of the spirit is gold, for the colour of the aura when the spirit has entered the astral body resembles gold. [note all the references to gold in Harry Potter!] And the colour of the pineal cavity when it contains the new forces and possibilities cannot be anything else than gold. Thus it forms a golden globe, and when it is opened to reveal a golden egg displaying a golden-white radiance, this indicated that rebirth, the resurrection, has become a fact.
 
On the third day, the empty grave is left behind in the garden of Joseph of Arimathea. The new man stands in the circle of God's eternity, on the third floor of the tower of Olympus.
 
The egg containing the entire new life emerges from the golden globe; the One comes from the circle. From the circle, which is like a tomb, Jesus the Lord arises, the man who is at the same time God.
 
This is a very long winded way of answering a question, but we are discussing a mystery, the Mystery of Eternal Life itself. For some of you the above may be a total mystery in itself, and you may not understand any of it. I would say, if you're interested, read it again and again, and think about it deeply. I would urge all of you to read the text from Chapter 12 onwards, because these things can't be understood in isolation. It involves a process with many aspects.
 
The main point is that this whole question of death and resurrection is a question of consciousness. I emphasise again: there is no loss of consciousness involved. It is a question of the consciousness becoming totally stilled and shut off from this universe, while at the same time it is opened up for the Real Universe, the Kingdom of God. All the aspects of the consciousness are involved, including that of the New Soul (Harry) and the influence of the Spirit in the head (Dumbledore). Why is it called a death? To emphasise that it is the END of life as we know it. It IS a total rebirth of the New Consciousness, in which nothing of the old consciousness remains.
 
Just one more quote from Jan, in his booklet, A New Call.
 
You should try to understand the meaning of the words "He who is willing to lose his life for My sake, shall find it" clearly. Whoever wants to practise self-surrender which is necessary for the practice of transfiguristic alchemy, will experience a merging of the consciousness of the old I in the new I. The old soul will dissolve, while at the same time, without any vacuum, a new soul will resurge. The being of death will be swallowed up; the being of eternity will greet the dawn.
 
Or, as JK Rowling said in the words of Paul, The Last enemy that shall be destroyed is death.
 
Love from Hans
 
PS Please feel welcome to ask me to explain some of the quotes above. Some of them contain terms and expressions which may not be familiar to you.


#3790 From: "Cathy" <SnowyHome@...>
Date: Wed Nov 25, 2009 7:11 pm
Subject: Re: Death & Resurrection Question (and posting on the List)
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Hans posted: "It's the same as asking, "Why does Jesus (and the two criminals)
have to die on the cross? Why does Dumbledore have to die? Why does Harry have
to die? And Sirius? Why does Orpheus have to pass Cerberus and go into the
underworld?"

Dear Hans and Everyone,

    Thank you for your response to my asking the question Hans. I hesitated to
ask that question since I thought perhaps I was the only one who did not
understand that particular symbology. I'm glad now that I did ask it because
your paragraph above takes my question to the deepest dimension. This does prove
that any and all questions are important.  I hoped mine would not be too basic
(something I should have known the answer to but didn't); but I realize now that
it certainly pays to ask whatever questions we have.

   Hans posted: "I don't have any free time at the moment, but as soon as
possible I will give as complete and challenging an answer as I can."

     Comments, questions and responses concerning the lecture are helpful to me
since "The Alchemical Wedding"  illuminates the same process and Path described
in the Harry Potter Septology.  The discussion of the lecture brings me closer
to the deepest messages in the Harry Potter series.

   No rush at all Hans. A response on "death and resurrection" is well worth the
wait! And perhaps it will give members time to post their questions and comments
too.  Someone's post may be the very question we  ourselves hesitate to ask but
most need answered. Looking forward to your response Hans when time permits, and
posts from other members as well. It feels important to keep the List alive with
the magic and mystery of Harry so that the process of Alchemy stays alive in us.

With love,
Cathy

#3789 From: Hans Andréa <hansandrea1@...>
Date: Wed Nov 25, 2009 7:54 am
Subject: [harrypotterforseekers] Deatn and Resurrection (Question on Alchemy Conference 2)
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Wow, this is THE big question! Before the Divine Man in us can come back to life, to eternal Life in union with God, why does everything in the old human being have to die first, including the New Soul, and the Spirit of God which is about to unite with the New Soul? This is in my opinion one of the most important and exciting questions imaginable, and it actually prompts me to ask, "why has no one ever asked this? Surely this is a fundamental question?"
 
It's the same as asking, "Why does Jesus (and the two criminals) have to die on the cross? Why does Dumbledore have to die? Why does Harry have to die? And Sirius? Why does Orpheus have to pass Cerberus and go into the underworld?"
 
So thank you very much for asking this, Cathy! Full marks to you for thinking about this profound issue, and for having the gumption to put this question in public!
 
I don't have any free time at the moment, but as soon as possible I will give as complete and challenging an answer as I can. I don't think we can ever understand this process of death and resurrection fully until we have gone through it, but we can certainly contemplate this to our fullest capacity and try to come to an elementary understanding at least. This is probably the mystery of Mysteries!
 
If only more members would ask this sort of question, we'd have a really powerful group with incredibly interesting and informative discussion. Come on, all you other members, how about pulling your socks up and sending in questions?
 
Cathy, would you please also post your question to Summa Scientia? This is a wonderful question for discussion there too.
 
Love from Hans 


--- On Wed, 25/11/09, Cathy <SnowyHome@...> wrote:

From: Cathy <SnowyHome@...>
Subject: [harrypotterforseekers] Question on Alchemy Conference 2
To: harrypotterforseekers@yahoogroups.com
Date: Wednesday, 25 November, 2009, 2:03

 
Dear Hans,

I understand the symbology of the four kings and queens and their needing to be decapitated since you wrote ,"four of these monarchs personify the earthly aspects of good and evil in their negative and positive aspects." Since the other two are the "soul and the spirit of the seeker", why did they have to be decapitated? Is it because it is the nature-born soul? And, why the "spirit of the seeker" as well. Is that because what it sought - the Spirit-Soul - has been found?

I understand about the four monarchs being reduced to paste; but why are those other two are reduced to paste as well (even though they are later resurrected) . I'm thinking that the monarch/soul is the nature-born soul? You mention that the "seeker has to sacrifice himself completely, including his entire past, his good and evil aspects and his soul and spirit. I understand and accept that except for the part about sacrificing his "soul" unless it means nature-born soul. Does it?

I'm not able to phrase the question as clearly as I would like to do. This particular symbology about those two monarchs is new to me. But I think you will get the gist of what I am asking.

I especially love the first paragraph of your second post on part of the lecture. Because I do, I'd like to understand the symbology of "The Alchemical Wedding" as clearly as I can.

With love,
Cathy



#3788 From: "Cathy" <SnowyHome@...>
Date: Wed Nov 25, 2009 1:03 am
Subject: Question on Alchemy Conference 2
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Dear Hans,

     I understand the symbology of the four kings and queens and their needing to
be decapitated since you wrote ,"four of these monarchs personify the earthly
aspects of good and evil in their negative and positive aspects." Since the
other two are the "soul and the spirit of the seeker", why did they have to be
decapitated? Is it because it is the nature-born soul? And, why the "spirit of
the seeker" as well. Is that because what it sought - the Spirit-Soul - has been
found?

   I understand about the four monarchs being reduced to paste; but why are those
other two are reduced to paste as well (even though they are  later
resurrected). I'm thinking that the monarch/soul is the nature-born soul? You
mention that the "seeker has to sacrifice himself completely, including his
entire past, his good and evil aspects and his soul and spirit. I understand and
accept that except for the part about sacrificing his "soul" unless it means
nature-born soul. Does it?

    I'm not able to phrase the question as clearly as I would like to do. This
particular symbology about those two monarchs is new to me. But I think you will
get the gist of what I am asking.

    I especially love the first paragraph of your second post on part of the
lecture. Because I do, I'd like to understand the symbology of "The Alchemical
Wedding" as clearly as I can.

With love,
Cathy

#3787 From: Hans Andréa <hansandrea1@...>
Date: Fri Nov 20, 2009 10:19 am
Subject: Alchemy Conference 2
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I now want to turn to The Chymical Wedding of Christian Rosycross.

 

I cannot emphasise enough the importance of this intensely spiritual manifesto. In my opinion it is a roadmap to absolute life, free of limitations, of suffering, evil and death and free of the ignorance, doubt and despair that mark life on this planet. By absolute life I mean eternal life with a divine purpose, united with God Who is Love, in total harmony with all of life, in a state of rapture that is beyond our understanding.

 

The only problem is that The Chymical Wedding is purely symbolic and very veiled. I will give a very brief, succinct summary of what the symbolism is saying. However I recommend reading The Alchemical Wedding of Christian Rosycross by Jan van Rijckenborgh for a detailed explanation of the symbolism. Jan van Rijckenborgh was an alchemist who lived in the Netherlands last century and brought the message of liberating alchemy between 1945 and 1968. His book The Alchemical Wedding contains a beautiful modern translation of The Chymical Wedding, which is now nearly 400 years old. Van Rickenborgh's books are on sale here at the conference.

 

The story of The Chymical Wedding is about Christian Rosycross who is invited to attend a wedding in a royal castle. He symbolises the alchemist or seeker who is desperately seeking union with God. He has to cleanse and purify himself completely, in every respect. He is then weighed by the Holy Spirit to see whether his virtues are heavy enough. He and the other successful candidates are taken to meet six kings and queens, who are later decapitated and their bodies taken to an island. Four of these monarchs personify the earthly aspects of good and evil in their negative and positive aspects, and the other two the soul and the spirit of the seeker. This means the seeker has to sacrifice himself completely, including his entire past, his good and evil aspects, and his soul and spirit.

 

His personal servant takes him on a tour of the castle, and he finds the Sepulchre of Venus. He enters the sepulchre and sees naked Venus, asleep as if in a deep trance. The candidates are taken to the island which has on it a very large building called the Tower of Olympus. Here they have to perform alchemical processes which dissolve the bodies of the six monarchs, and reduce them to a paste which is poured into the moulds of two  human beings. The Holy Spirit enters them and the young king and queen symbolising the soul and the spirit are resurrected. They all return to the castle where Christian Rosycross is accused of seeing Venus naked. He admits this and is sentenced to being gatekeeper. The story ends saying there are two pages missing, but that Christian has returned home.

 

The point of the story is to show that the return to God requires absolute purification, followed by a death through self-sacrifice of all aspects of the personality. Finally there is a resurrection through the Holy Spirit, which means eternal life in union with God, but the compassion for humanity which wells up from the opened Temple of Venus in the heart compels the liberated seeker to come back to earth and become a gate keeper to hold open the gate for seekers of liberation.

 

To be continued.

 
Love from Hans


#3786 From: "Cathy" <SnowyHome@...>
Date: Sat Nov 14, 2009 11:44 pm
Subject: Re: Alchemy Conference 1
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I've already posted on the over-all impact the lecture has had on me. I I am
glad we will be discussing the lecture here. It really takes more than one
reading...and certainly deserves more than one reading.

I'm reminded of Hans saying the audience was very attentive. No wonder they were
with an opening which includes:  "My discovery is that the message in the the
Harry Potter Septology contains the most fundamental and powerful message
imaginable for humanity: liberation from evil, from suffering from death. In one
word: Alchemy!" Hans once told me that every real Path includes the processes
and stages of Alchemy. The more I reflect on my readings in the past and new
material I am learning, the more true that becomes for me. For me, Alchemy is
the key which unlocks so many beautiful teacings I've found in the past and
helps me discard those which are merely exoteric and not esoteric. Dogma does
not have the allure it once had for me. I no longer feel bound to and by it.

Interesting that Hans wrote that he made his discovery 7 years ago... that
number 7 again! And now, Hans has not only "shouted it to the rooftops," of his
neighborhood (those he knows and the HPFS List); but he has delivered this
important message to the Theosophy Society in England and to the Alchemy
Conference in America. The world has been mesmerized by the Harry Potter
Septology and now they can find out why!

What a gift to have this "Divinely inspired" series available to us and in
fiction form, which in the case of Myth, often goes within deeper/ or to the
deeper mind, than non-fiction books. Carl Jung wrote that there are certain
things which can only be revealed to us through myth.

  Timothy Freke said at a seminar, "In the ancient depictions in Gnostic imagery
the sense of "I" is represented by a dot within a circumference - the inner
world of imagination reaching to the outer world." I think the tale of Harry has
awakened the imagination of so many readers as well as awakened the intuition. 
I also think that Mr. Freke, whose Gnostic work is wonderful, would also agree
that our Essence, our Soul, is that central dot in Gnostic imagery. When the
Rose awakens in our Hearts or experiences a new birth, we see the world
differently. We see it for what it is and for what it is not. And, "The Truth
shall set us free."

I resisted reading Timothy Freke for so long and wondered and criticized Hans
for mentioning his books. Now I find so much in Mr. Freke's work which is
providing an opening for me, helping to "pull me up from the pit". The present
combination of Hans' Lecture and Mr. Freke's books has been so beneficial to me.

I also need to go back to the HPFS Website since some of the animals that are in
the book which are mentioned in the lecture are not familiar to me in an
alchemical sense...for instance, the lion.

It is fascinating to me that "Parts 5, 6 and 7 symbolize the Nigredo, Albedo and
Rubedo phases of alchemy." Knowing this brings the books even more alive for me.
I want to read those  books again (and the 7th which I have not read ... and
can't figure out why unless it is that I don't want the series to end.) I feel
the books will be so much more meaningful to me on an deeper level now.

Is anyone else on the list still re-reading the books? Are they finding, as I
am, that the lecture is shedding more Light on the books and on our Path?

Cathy

#3785 From: Hans Andréa <hansandrea1@...>
Date: Fri Nov 13, 2009 1:04 pm
Subject: Alchemy Conference 1
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Dear Friends,
 
As I said previously, I will paste my alchemy lecture in small sections, in the hope they will raise questions and discussion points from you.
 
Here is the first section.
 
Warm regards from Hans
 

The Alchemy of Harry Potter

 

Ladies and Gentlemen,

 

I want to share with you today a discovery which I started making about 7 years ago, and which I am continuing to make. What I have discovered is so extraordinary, so sublime and so exciting that I have felt the need to shout this from the rooftops for the last 7 years. My discovery is that the Harry Potter Septology contains the most fundamental and powerful message imaginable for humanity: liberation from evil, from suffering, and from death. In one word: Alchemy!

 

The aim in my lecture today is to start off showing you a small sample of the obvious alchemical symbols in Harry Potter. I want to show you especially the remarkable similarities between Harry Potter and the great Rosicrucian manifesto of 1616: The Chymical Wedding of Christian Rosycross.  This is an important point, because this manifesto is one of the most exalted and intensely powerful spiritual works ever written.

 

After that I want to explain to you how alchemy can liberate us from evil, suffering and death. I want to get down into the deepest essence of what alchemy is really about, and to point out the extraordinarily exciting significance of the transmutation from lead to gold, and the elixir of life. These are symbols for a process that can and should take place in the human being, and brings about radical and fundamental changes in the entire human system, including the physical, the etheric, the astral and the mental bodies, as well as the consciousness itself. Finally, and most importantly, I want to show you how this radical and fundamental change that liberates us completely, is symbolised in that divinely inspired story of Harry Potter.

 

In the précis of my lecture on the conference website I have quoted JK Rowling herself as saying I've never wanted to be a witch, but an alchemist, now that's a different matter. To invent this wizard world, I've learned a ridiculous amount about alchemy. That is certainly very evident in the books.

 

On my website harrypotterforseekers.com I have listed many of the alchemical references. There is the give away title of Book 1, Philosopher's Stone, references to historical alchemists like Nicholas Flamel, John Dee and Paracelsus, animals that occur in alchemical works, such as the phoenix, the peacock, the toad, the lion etc. The colours of alchemy are featured prominently, such as Harry's green and Voldemort's red eyes, the colours of the Houses of Hogwarts, the names of characters such as Albus Dumbledore, Sirius Black, and Rubeus Hagrid. Parts 5,6 and 7 symbolise the Nigredo, Albedo and Rubedo phases of alchemy. The seven elements of Hermes Trismegistus are contained in the titles of the parts of Harry Potter in their correct order. Hermione and Ron can easily be identified as personifying the alchemical elements mercury and sulphur, and as the quarrelling couple. This is all shown on my website and I feel it would be a pity to spend a lot of time listing them here.

 

Harry Potter is saturated with alchemical symbols, and once you have in your mind that it is a symbolic alchemical story you will come across more symbolism yourself if you read the story with discernment.



#3784 From: "Cathy" <SnowyHome@...>
Date: Wed Nov 11, 2009 12:30 am
Subject: Re: Freind to Harry
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So sorry for the loss of your friend Hans.... and the loss to List members as
well.
It is as Emily Dickinson wrote, "The pain is on our side, the Joy on his." I
know you know this.
He certainly has been a friend to all at Hogwart's.

Cathy

#3783 From: gina karicas <efiaje1@...>
Date: Mon Nov 9, 2009 7:17 pm
Subject: Re: Bob van Berkel
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I am very sorry for the loss to the list, and above all, for the loss of your friend. May his vogage into the next realm be wonderful.

Gina (Wind Dancer ) Efi
         Granny Turtle
~~~~~~~~
 
It is not the function of the Government to keep the citizen from falling into error; it is the function of the citizen to keep the Government from falling into error."
US Supreme Court
American Communications Assn. vs Douds
339 US 382 (1950)
 


#3782 From: Hans Andréa <hansandrea1@...>
Date: Mon Nov 9, 2009 5:52 pm
Subject: Bob van Berkel
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Dear Friends,
 
Today I attended the cremation ceremony of one of our members, Bob van Berkel.
 
Bob was one of the first members of Harry Potter for Seekers, and he was fascinated by the discussion, although he didn't feel his English was good enough to participate very much.
 
He recently accompanied me to a meeting of young people where I was invited to speak on the subject of the beautiful symbolism in Harry Potter. Bob read the extracts from the books, and he did this in a beautiful, clear voice.
 
He used to translate many of my posts to this group for the Dutch sister group, Harry Potter voor Zoekers.
 
Bob's heart was exhausted from his two year battle against Lime's Disease. Just before he died, he regained conscious mess for a moment, and asked, "Where's the ship that is taking me home?"
 
And so that's how I want to think of Bob: he's gone on a long voyage.
 
To the well ordered mind, death is but the next adventure!
 
Love to you all from Hans


#3781 From: "iris_ft" <iris_ft@...>
Date: Fri Nov 6, 2009 9:47 pm
Subject: Re: The Alchemy Conference in Los Angeles
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Congratulations, Captain Hans!

Love from France,

Amicalement
Iris

#3780 From: "Cathy" <SnowyHome@...>
Date: Sun Nov 1, 2009 11:33 pm
Subject: Alchemy Lecture on HPFS Website
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I cheated. I went to the HPFS Website and while I was setting up the printer to
print out the lecture, I read the last paragraph. That paragraph is so beautiful
that I can't wait to read the entire lecture. The depth within and beyond those
words penetrated right into my Heart.

   If anyone is considering not reading the entire lecture, read the last
paragraph and I think you will be unable to resist reading the entire lecture
after that.


Cathy

#3779 From: "Cathy" <SnowyHome@...>
Date: Sun Nov 1, 2009 8:46 pm
Subject: Re: Report on The Alchemy Conference
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Dear Hans,

    Thank you for posting the report on the Alchemy Converence. I'm not surprised
that the audience was "so quiet, attentive and absorbed." That is the experience
many of us had when we first discovered the HPFS Website.

    The energy in the Harry Potter books so obviously resonates with readers
worldwide and how wonderful it must have been for the audience to learn the
Source of this energy.... to have you assist in clarifying the deepest message
in the books and sharing your insights.

   The woman who travelled 2000 miles just to hear the lecture must have heard
"The Call" and now she has learned so much more about the Alchemy of the Path of
Liberation. Who knows how many hearts were touched, moved and opened,
remembering the scent of the Rose within their hearts, and having new insight
now into following it.

   The list of speakers there is impressive. I am familiar with Thom Cavalli's
book and have had a personal correspondence with him in the past. Lovely, open
man! I am not familiar with  Dennis William Hauck's books but I will look them
up based on your recommendation.

     You wrote: "In my searching observation of the other stands I would see
shoppers really developing an intimate relationship with the vendors in just a
short visit. They would leave after a long, warm hug. In fact throughout the
conference, wherever you walked, you would see people hugging each other, men
hugging men, women women, and men women, in a way that would be inconceivable in
the Netherlands. I don't think a minute passed without someone hugging someone
somewhere!"


       That sounds very American... the warmth and the "hugging" and their  not
being  afraid to express affection.  I believe it is also  an outward sign of an
inward feeling of love for fellow-seekers on the Path.... those for whom "the
pearl of great price" is the "one thing needed." (As Jesus said in the Bible,
"You are concerned with many things when only one thing is needed.") I'm sure
the lecture  assisted people in becoming  clearer about the "one thing needed."

   Your observation that Californians do not read much is interesting.  I think
of California as the Spiritual Seminar capital of the nation. ... so many
teachers there, so many seminars to attend,books and  tapes to purchase, etc.
Perhaps the Californians were overwhelmed by all the different books on offer or
have their own Path they are following to Liberaton; but I think many will
remember the books you showed them and perhaps look them up when they get home
and purchase some. So many Paths from which to choose and I feel that if those
people who  were attending the Conference  with then their hearts are open will
eventually find and follow the Path which is right for them. I think your
insights on Liberation will impact any Path on which they travel.

    You wrote: The overall impression of the whole conference happening is that
it is just the beginning of something. I see it as a seed that has been planted.
Right there, in one of the largest cities of the US, in Hollywood country, with
the most liberal ideas, we have planted a seed of the pure, teachings of
Liberation. We can't expect a seed to give fruit next day. At the moment these
things are totally unfamiliar to seekers in the U.S. as far as I could tell from
visitors to our book stand."

    Perhaps it was the clarity with which you described the Path which was
welcomed so intensely by those with whom you spoke. I doubt that most seekers in
the U.S. are "totally unfamiliar" with Alchemy. Gnostic teachings,  or the
disolution of the ego and surrender to the Divine. I think it would be difficult
to determine that from one visit here. I think instead you are unaware of how
clearly you express the stages of the Alchemical process and perhaps their own
studies will be clearer to them now that you have shown them  deeper aspects of
any common thread among teachings. And I'm sure there will be those who will
resonate with the Lectorium teachings in particular. So long as they follow
their Hearts all will be well and I believe the lecture on Harry will deepen
their commitment to do that.

     You wrote:"Of course we are only talking about the immediate impact of the
lecture on the people who were present. Whether their hearts were opened to the
message of liberation is something I am unable to comment on, and so I can't
judge the REAL success of the lecture. All I could and can do is open my heart
to the Power and express in as pure and powerful a way as possible what I
experience."


      I think that is my favorite part of the report, that and your relating that
your own voice cracked when the music was played.  Your Heart was so open to the
radiation of the Gnosis that I think we can safely leave the "REAL success of
the lecture" in the Unseen Hands of the Gnosis and the seeds of awakening
planted in those hearts which were receptive will sprout.

    I know the effect in my own Heart when I found the HPFS Website and it is
beautiful to know that those there could have a similar experience. I'm sure
they did!

   You wrote;"Finally I would like to repeat my assertion that Alchemy is the
spiritual movement of the near future."

    What you wrote and have known from an early time in your lifeis what Carl
Jung wrote at the end of his life about Alchemy. I agree with you both as I'm
sure do many others now that the study of Alchemy is more available. Those who
heard your lecture and who have "ears to hear" are, I'm sure, very grateful that
they attended the Conference.

    Looking forward to more information on where we can purchase the DVD. (And
I'm hoping the lecture will become part of your book when you finish it.)

Cathy

#3778 From: Hans Andréa <hansandrea1@...>
Date: Sat Oct 31, 2009 7:21 pm
Subject: The Alchemy Conference in Los Angeles
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Dear Friends,
 
I am back home after the Alchemy Conference and I want to send a brief report on how it went.
 
My lecture was given as a Power Point presentation on October 24th at 2.30 p.m. with Chris Nihill operating the slides. It took an hour and there were 85 people present. I have rarely seen an audience so quiet, so attentive, and so absorbed in the subject matter. I know as a teacher when people are paying attention and these people were! At the end there was a very long applause, followed by a few questions, mainly about where the inspiration for Harry Potter came from. After the lecture many people came to me to thank me for it, and later I heard from the conference organisers that they had heard much positive feedback from attendees. One woman who came to me said the she had driven her car for three days, travelling 2000 miles to hear the lecture.
 
The audience consisted of people genuinely interested in alchemy, and I don't think there were any pure Harry Potter fans. I felt a very strong spiritual atmosphere and Chris told me she felt the same. 
 
In the middle of the lecture, to give the audience and my voice a break, I played John Williams'  music "Fawkes the Phoenix", from Harry Potter and the Chamber of Secrets.
 
In the lecture I concentrated on the basic teachings of the Path of Liberation, emphasising the existence of man in the fallen, dualistic world, the rebirth of the New Soul, the self-sacrifice of the biological self, and the necessity for the yearning for God.
 
Of course we are only talking about the immediate impact of the lecture on the people who were present. Whether their hearts were opened to the message of liberation is something I am unable to comment on, and so I can't judge the REAL success of the lecture. All I could and can do is open my heart to the Power and express in as pure and powerful a way as possible what I experience.
 
The lecture was recorded and a DVD will be available. I'll let you know when it is. The text is now on the website and can be read here: http://harrypotterforseekers.com/articles/thealchemyofhpalchemyconf2009.php. I'll put post it to the group in small bits to give you the opportunity to discuss it if you wish.
 
It is difficult to make an impartial judgement about a lecture you give, and so I would like to ask Chris and Milos, another member of HPfS who was there, to send you their impression of what sort of impact the lecture made on people.
 
During the rest of the conference my home base was a stand selling books by Jan van Rijckenborgh. I was there in my HPfS t-shirt most of the time, although I attended a lecture by Dennis William Hauck and another by Duane Saari. Dennis' lecture was on the seven steps of Alchemy and the three phases. It gave me a very clear, systematic view of alchemy.
 
It looks like Californians don't read much at all. There must have been a hundred stands selling t-shirts, jewelry, pure foods, stones, incense, etc., and there were astrologers, people doing all sorts of readings, consultations, and what have you. We were close to a stand selling t-shirts, and people would think nothing of paying $20 for a t-shirt. Yet when they were shown a book costing exactly the same $20 they looked very uncertain indeed, and would say they would think about it.
 
I noticed that the shoppers liked being given sales talk. If you asked them whether they were interested in alchemy they would be quite happy to have a long chat, and if you showed them how the books could increase their knowledge of things like the Emerald Tablet, the Corpus Hermeticum and the Alchemical Wedding, they would become interested and look at the books. In California it is apparently the done thing to invite people into your stand and sit down for a long talk. They like being told how you can help them, heal them, solve their spiritual problems and guide them to happiness, health and well being. In my searching observation of the other stands I would see shoppers really developing an intimate relationship with the vendors in just a short visit. They would leave after a long, warm hug. In fact throughout the conference, wherever you walked, you would see people hugging each other, men hugging men, women women, and men women, in a way that would be inconceivable in the Netherlands. I don't think a minute passed without someone hugging someone somewhere!
 
However there were some very interested people who were obviously struck by the teachings of liberation. You could see this in their eyes and their intense interest in what we told them.  
 
The conference itself was organised in a very different way than I had anticipated. Normally we think of a conference as a time and place where a certain number of people come and stay for the conference. This was not like that at all. People could come for single presentations, and I don't think there were more than about 200 people who were there all the time. People came in large numbers for speakers like Masaru Emoto, and I guess he must have had about 300 people in his presentation. I was told about 2000 participants were expected to come, but in all I don't think there were more than a thousand if you count all the people who came to popular speakers like Masaru Emoto, Thom Cavalli and William Henry. The vendor stands were open to the public, and certainly there were many visitors who were not remotely interested in alchemy. If you were to count every single person who visited the conference centre for whatever reason, you might get to 2000, but it could be less.
 
I also was very pleased to have met Dennis William Hauck. He is the founder and President of the International Alchemy Guild which owns a book shop called 'The Crucible'. He is a true alchemist and has written books on alchemy which are famous throughout the world. It was Dennis who invited me to speak, and I feel he is very sensitive to the Universal Teachings. I am very impressed, both by Dennis' knowledge of alchemy, and by his openness to the teachings of Liberation. I intend to keep contact with him personally to explore possibilities for cooperation.
 
The overall impression of the whole conference happening is that it is just the beginning of something. I see it as a seed that has been planted. Right there, in one of the largest cities of the US, in Hollywood country, with the most liberal ideas, we have planted a seed of the pure, teachings of Liberation. We can't expect a seed to give fruit next day. At the moment these things are totally unfamiliar to seekers in the U.S. as far as I could tell from visitors to our book stand. What will probably stay with me longest is the look of hope in the eyes of the young people who came to me in the book stand afterwards, to talk about the Path of Liberation and to look at the books of Jan van Rijckenborgh that I recommended so forcefully in my lecture.
 
Finally I would like to repeat my assertion that Alchemy is the spiritual movement of the near future. There are many indications that this subject is becoming more and more popular. It is starting to appeal to the general public, although this is still a small percentage at the moment. However this will change.
 
Please let me have your questions about the conference or my lecture.
 
Love to you all from Hans


#3777 From: "elanor_audrey" <spindler.audrey@...>
Date: Sat Oct 24, 2009 6:30 am
Subject: Re: Los Angeles
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Wishing you a wonderful time in L.A. and lots of luck for your lecture. I can't
wait to hear what you thought of the conference.

Bonne chance! :-)
Audrey

#3776 From: Deborah Schmidt <lovespirit66@...>
Date: Thu Oct 22, 2009 5:48 pm
Subject: Re: Los Angeles
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I wish you the best!! I hope it is a wonderful experience for both of you.

Warmly,
Deborah



From: Hans Andréa <hansandrea1@...>
To: Summa Scientia <summa-scientia@...>; HPfS <harrypotterforseekers@yahoogroups.com>; HPvZ <harrypottervoorzoekers@yahoogroups.com>
Sent: Thu, October 22, 2009 8:26:59 AM
Subject: [harrypotterforseekers] Los Angeles

 

Dear Friends,

This is just a progress report to let you know Chris and I are in California, ready to head off to Los Angeles today. We've stayed with friends in Bakersfield who have looked after us very well.

We're driving to the L.A. Convention Center to register and drop off some books for our book stand. Then off to the Sheraton Hotel.

My lecture "The Alchemy of Harry Potter" is due on Saturday at 14:30

We fly back to London on Monday.

Of course I'll publish the lecture on the harrypotterforseeke rs website as soon as possible when I get back. 

I'm thinking of you all and wishing you the very best.

Love from Hans

Send instant messages to your online friends http://uk.messenger .yahoo.com



#3775 From: Nin <bookofnin@...>
Date: Thu Oct 22, 2009 4:54 pm
Subject: Re: Los Angeles
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It is very exciting and of course I can't wait to read the lecture.. good luck and travel safely. Anina


From: Hans Andréa <hansandrea1@...>
To: Summa Scientia <summa-scientia@...>; HPfS <harrypotterforseekers@yahoogroups.com>; HPvZ <harrypottervoorzoekers@yahoogroups.com>
Sent: Thu, October 22, 2009 3:26:59 PM
Subject: [harrypotterforseekers] Los Angeles

 

Dear Friends,

This is just a progress report to let you know Chris and I are in California, ready to head off to Los Angeles today. We've stayed with friends in Bakersfield who have looked after us very well.

We're driving to the L.A. Convention Center to register and drop off some books for our book stand. Then off to the Sheraton Hotel.

My lecture "The Alchemy of Harry Potter" is due on Saturday at 14:30. 

We fly back to London on Monday.

Of course I'll publish the lecture on the harrypotterforseeke rs website as soon as possible when I get back. 

I'm thinking of you all and wishing you the very best.

Love from Hans

Send instant messages to your online friends http://uk.messenger .yahoo.com



#3774 From: Hans Andréa <hansandrea1@...>
Date: Thu Oct 22, 2009 1:26 pm
Subject: Los Angeles
hansandrea1
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Dear Friends,

This is just a progress report to let you know Chris and I are in California, ready to head off to Los Angeles today. We've stayed with friends in Bakersfield who have looked after us very well.

We're driving to the L.A. Convention Center to register and drop off some books for our book stand. Then off to the Sheraton Hotel.

My lecture "The Alchemy of Harry Potter" is due on Saturday at 14:30. 

We fly back to London on Monday.

Of course I'll publish the lecture on the harrypotterforseekers website as soon as possible when I get back. 

I'm thinking of you all and wishing you the very best.

Love from Hans

Send instant messages to your online friends http://uk.messenger.yahoo.com

#3773 From: "Alice" <loptwyn@...>
Date: Fri Oct 9, 2009 2:10 pm
Subject: Re: Question for all members: Spells in HP
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--- In harrypotterforseekers@yahoogroups.com, "elanor_audrey"
<spindler.audrey@...> wrote:
>
> Expelliarmus is Harry's `signature spell' therefore it
> reveals his very essence: Harry does not want to kill, he tries to
> disarm. Interestingly enough, this spell was taught to him by Snape in
> CoS, by the Potions Master.

<snip>

> Expelliarmus is Harry's "signature spell". It is the one
> that "tears apart" who he is and brings him back together in a
> more achieved form so to speak.

I also found it very ironic that something he learned from Snape came to be his
"signature spell"; no one in the books ever seems to be aware of that
(including, fortunately, Voldemort!)

The description above of Expelliarmus as being something that tears apart who
Harry is, could also be a description of Snape's effect on Harry in their
interactions with each other.

Alice
>:>

#3772 From: Hans Andréa <hansandrea1@...>
Date: Fri Oct 9, 2009 8:07 am
Subject: Part 1 Chapter 5: Diagon Alley (7)
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Harry and Hagrid are taken on a ride in a cart that runs on little railway tracks. It's magic, of course, because it come when Griphook whistles. The magic Jo has created puts consciousness and comprehension into inanimate objects. Nearly everything in the magical world can think for itself and many things can even talk to human beings. Later Harry gets told off by a mirror for having his shirt untucked!
 
This situation also makes it easy for animals, for example rabbits, to be turned into top hats and vice versa.
 
Harry asks Hagrid what the difference is between a stalagmite and a stalactite. I wonder whether this is an allusion to Enid Blyton's books. When I was Harry's age every child in the country read Enid Blyton continuously, and I remember a character in one of her books asking exactly this question. For those with a scientific bent: the answer that was given in one of the "Famous Five" books, was that stalactites are stuck "tight" to the ceiling and stalagmites "might" one day reach the stalactite above them.
 
When they reach Harry's vault, Harry discovers that it is filled with a great treasure of gold coins. This should tell us that the New Soul is immensely rich. The Gold of the Spirit is available to him, and all the treasures of the Kingdom of Heaven are inherited by the person whose New Soul becomes conscious.
 
This moment when New Soul becomes conscious is symbolised in the New Testament in the beginning of The Revelation to John. Chapter 2 verse 9 says You are rich.
 
Hagrid explains to Harry that the monetary system in the wizarding world is "easy enough". Just like in the old British Imperial system, there are three types of values expressed in coins of three metals: gold, silver and bronze. In the British system the gold coins were pounds, the silver ones shilling and the bronze ones pennies. In the wizarding world it's respectively Galleons, Sickles and Knuts. In Britain a Pound was twenty Shillings or 240 Pennies. That was too complicated of course, and so wizards use the "easy" system of one Galleon is 17 sickles or 493 Knuts! One Sickle is 29 Knuts, and we can see that 17 and 29 are both prime numbers, for which Jo has a preference.
 
In my school days I had to do sums involving Pounds, shillings and pence, and I can assure you that multiplying and dividing sums of money was very complicated! If you don't believe me, here's a challenge.
 
A man with 13 children wanted to give them all an equal share in a sum of money: 243 Galleons, 10 Sickles and 27 Knuts. How much did each get and what was left over? Please work it out without a calculator and send the result to this group.
 
Thinking about the names of the coins, I guess Galleons refers to the little ships known as galleons which used to carry gold from the colonies back to Europe. Sickles are possibly silver because the druids used silver sickles to cut mistletoe from trees. The word "Knut" is a Norse first name meaning "knot". It's knot worth a lot.
 
When Harry has collected enough money to pay for his shopping they go down further into the caves to collect Hagrid's mysterious package. We come back to this in Part 7 when Harry and his two friends have to collect a Horcrux from the Le Strange vault. The greater the treasure, the deeper the vault.
 
Griphook opens the vault containing the mysterious package, by stroking it with one of his fingers. This is an important detail to remember, because it turns out to be a vital clue to one of the many links in the chain leading to Harry's ultimate victory over Voldemort!
 
Harry is expecting something like a hoard of jewels, but all he sees is a little grubby package wrapped up in brown paper. This is well done in the film, and quite unforgettable. It's also great children's detective stuff, because there's nothing like a mysterious package to pique our interest in funny goings on. We know this is actually the Philosopher's Stone, with which one could create more gold than all of Gringotts together, plus the Elixir of Life, which is like a Universal Remedy ensuring immortality.
 
It's once again indicative of Dumbledore's trust in Hagrid that he allows him to collect what is theoretically the most valuable treasure on earth. This to me is an extra indication of Hagrid's symbolism: the Bodhisattva, the Master of Compassion, in whom the Gnosis places all of Its trust. 


#3771 From: christinanihill@...
Date: Tue Oct 6, 2009 5:16 am
Subject: Re: Part 1 Chapter 5: Diagon Alley (6)
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Hans said:
>In actual fact when Harry was in the zoo talking to the snake he should have
been talking in Parseltongue. Am I too fussy?<

Chris:
Harry's ability to talk to snakes in this scene signals his ability to free
kundalini, which in this case does some minor damage and gives everyone a bit of
a fright. The Dursleys are right to be nervous of giving Harry free reign in
this way, because if kundalini rises and strikes, the result in this scene could
have been much worse. Accidental release of kundalini can cause major problems
for the new seeker.

Many seekers, hearing that the control of the kundalini and its rising through
the chakras confers great powers, try to free it and control it. They assume
that they are making great spiritual progress in this way. Tom Riddle is an
example of this attitude, as we see in The Chamber of Secrets with his
manipulation of the the basilisk, and later with his contol of Nagini. His
spiritual prowess is, as he perfectly understands himself, vested in his control
of the basilisk and of Nagini, and when they are killed, he is lost.

It is a terrible mistake for the new seeker to try and control kundalini,
because s/he is still full of selfish desire, even though s/he doesn't
necessarily believe this, being blinded by his or her own desire. The likelihood
is that either the new seeker can't control it, like Harry in Chamber of Secrets
up against the basilisk or in Order of the Phoenix when Nagini attacks Arthur,
or he uses it for selfish purposes while convinced that he is doing the right
thing, and without any real understanding of the implications, as Voldemort does
in both these instances.

When selfish desire is conquered, kundalini will rise by itself, will be
obedient to the seeker and entirely in keeping with the level of his
development, but in this case he doesn't try to control it, its behaviour is a
natural result of his state of being. Jo manages to convey this, too, with
Harry's relationship to the basilisk, to Nagini in Order of the Phoenix and in
Deathly Hallows, and also in the trio's ride on the dragon in Deathly Hallows.
This last picture is the best image of how kundalini, while being a tremendously
dangerous power, operates to raise the soul and its faculties through the
chakras and free it. In none of these situations does Harry try to control
kundalini, he simply finds himself in a situation where it is free through his
actions, which each time have a completely different and unselfish purpose in
view, that of liberating others. And it does its work, which provides the
support that soul Harry needs, entirely by itself.

Kundalini is best understood as a blind power, as we see with the basilisk and
with the dragon. Trying to control it wilfully, as Tom Riddle and Voldemort do,
simply results in the spread of further evil. While the new soul is still
impure, it is not safe to gaze directly on the basilisk, indirect means of
seeing it have to be used, as Hermione's researches find.

But when the moment in the soul's development is ripe, it rises up as a fiery
power and destroys the seekers past karma, fusing the two strings of the
sympathetic nervous system into one as it does so, and giving the power of the
central nervous sytem into the control of the soul.  Jo illustrates this
beautifully.  It rises up as a fiery power in the Room of Requirement in Deathly
Hallows. It destroys the seekers past karma, all the junk in the Room of
Requirement that has been amassed during innumerable past lives. It fuses the
two strings of the sympathetic nervous system into one as it does so, no longer
Crabble the male string and Goyle the female string but in their place there is
one. And it gives the power of the central nervous sytem into the control of the
soul, Draco is completely unable to function as before, what happens to him is
now in the hands of Harry the soul, Hermione the mind and Ron the personality,
and Hogwarts Castle and the future of everyone in it comes into Harry's hands.
Having overcome Draco, Harry now has the power of the Elder Wand.

Harry's conversation with the snake (which comes from Brazil, Hy Brasil, surely
:-) ) in The Philosopher's Stone, works quite well for me in both the book and
the film, showing the extent of what both Harry and the Dursleys respectively
understand and don't understand about the snakey power that they are dealing
with. The scene in the Chamber of Secrets fim works well, too, and I
particularly like the way Ron uses his esoteric or wizarding knowledge to
explain to Harry and Hermione what has happened. He shows just the right level
of respect for Kundalini when he gives his warning.

Communication with kundalini is soundless, as far as I am aware, it is about
energy, and is focussed through desire, either holy or unholy depending on the
seeker's state of being, so any form that symbolises communication would be an
option for the filmmakers here. I think they did pretty well :-)

Chris

.
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