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#3805 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 12:46 pm
Subject: Summer Adventure in Ala.'s Historic Talladega - Preservation Lyceum Weekend
anesuab2001
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MAKE YOUR RESERVATIONS TODAY

 

for

 

THE TALLADEGA PRESERVATION LYCEUM WEEKEND

 

 

HOTEL ACCOMMODATIONS

Deadline for Group Rate: Monday, July 11

 

Holiday Inn Express and Spa

240 Haynes Street

 

Hotel Reservations: 256-362-7780

Request rate for the Alabama Trust for Historic Preservation.

 

 

PRESERVATION LYCEUM REGISTRATIONS

ATHP Office: 205-652-3497

 

 

For more information, visit www.alabamatrustinfo/

 

 

 

 

 

 

 


#3806 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 2:00 pm
Subject: Ala Writers' Forum: Literary News June 2011
anesuab2001
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Sent by: Alabama Writers' Forum
Reply to the sender

Forward to a friend

AWF Newsletter

June 2011

Literary News takes a vacation

Rick Bragg reads at an event to benefit the Forum at Centennial Hall in Fairhope on June 21. (photo by Melly Wirtes)

Rick Bragg reads at an event to benefit the Forum at Centennial Hall in Fairhope on June 21. (photo by Melly Wirtes)

Literary News is taking a summer hiatus while we continue to add content to our dynamic new Web site. If you haven’t seen the Forum’s fresh look, visit often at writersforum.org.

Here you will discover our
First Draft Newsroom, an events calendar, monthly book reviews, and our revised, digital Contemporary Alabama Authors Directory, complete with a user-friendly registry.

At writersforum.org, you may also listen to
Alabama Arts Radio, watch video readings by some of our favorite authors, and read what our member bloggers have to say about the writing craft.

The Forum encourages you to continue forwarding your literary news, and we will spread the word through our Newsroom, Twitter, and the Alabama Writers’ Forum Friends page on Facebook.

The Forum values your continued support. At writersforum.org, you will discover convenient links to electronically
join, renew your membership, or donate to the Forum and its many literary programs.

We’ll see you in September with a new issue of Literary News!

Promoting public engagement in the arts and humanities.

advertisement

The Alabama Writers’ Forum

The Alabama Writers’ Forum, a partnership program of the Alabama State Council on the Arts, promotes writers and writing in Alabama, with an emphasis on arts education programs for young writers.

 

The Alabama Writers’ Forum

P.O. Box 4777

Montgomery, AL 36103-4777

334-265-7728

Toll Free: 866-901-1117

Fax: 334-265-7828

writersforum@...

www.writersforum.org

© 2011 The Alabama Writers’ Forum, Inc.

The Alabama Writers' Forum

The Year of Alabama Music

The Alabama State Council on the Arts

 

 

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#3807 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 1:59 pm
Subject: Ala. Heritage: Issue 101 Preview
anesuab2001
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In Our Summer Issue...

Simple Serenity
Text by Bob Wendorf
Photography by Randy Connaughton


Birmingham’s Japanese Gardens beautifully preserve a variety of architectural styles, cultural relics, and meditative landscapes, creating a unique connection between Alabama and the Land of the Rising Sun. Read more...

Requiem for Jimmie Lee Jackson
By Wayne Greenhaw


The watershed Selma–to–Montgomery March became an indelible image of the civil rights movement—drawing inspiration from the memory of a martyr. Read more...

Return to Holy Ground: The Legendary Battle Site Discovered
By Gregory Waselkov

On the eve of the two–hundredth anniversary of the Creek War, a new archaeological discovery prompts reassessment of Alabama’s early history. Read more...

Southern Delight
By Ruthmary Williams

Ola Delight Lloyd Smith Cook, a human whirlwind of action, has been immortalized as the "First Lady of Oregon Labor," but her roots in activism for workers’ rights began in the South. Read more...

DEPARTMENTS

Southern Religion
The Battle Is God’s (And He’s On Our Side):
Divine Providence in the Civil War
By George C. Rable

Becoming Alabama
Quarter by Quarter
By Joseph W. Pearson, Megan L. Bever, and Matthew L. Downs

Southern Architecture and Preservation

"One Brick at a Time": Junior Rangers Learn Hands–On History
By Shirley Baxter

Southern Folkways
Listening for the Rebel Yell
By Elizabeth Wade

Reading the Southern Past
Civil Rights in Alabama: Urban and Rural
By Stephen Goldfarb

 

 




Alabama Heritage
325 Hackberry Lane
Box 870342
Tuscaloosa, Alabama 35487
US

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#3808 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 2:00 pm
Subject: ADAH Events & Updates for July 2011
anesuab2001
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ADAH logo 

       ADAH   2011 

        Events & Updates

Open

Second Saturday

July 9, 8:30 - 4:30

 

Don't miss -

Family Activities

 

Find us on Facebook

Join Our Mailing List!

  

SAVE THE DATE!

  

Saturday, August 27, 2011

  

GRAND OPENING

             

                  New Museum Exhibits Planned at ADAH

 Tuskegee Airmen Book

BOOK TALK & SIGNING

Tuskegee Airmen: An Illustrated History: 1939-1949

Presented by Joseph Caver

and Daniel Haulman

                      

                           
                               
      More Information.

 

THURSDAY, JULY 21 - NOON

 

Scott Peacock 

ARCHITREATS: FOOD FOR THOUGHT 

Alabama Stories: Food and Memory 

Presented by Scott Peacock

 

 

More Information. 

 

THURSDAY, JULY 28 - NOON

Audubon Book 

BOOK TALK & SIGNING  

John James Audubon -

the Forgotten Manuscripts

 Presented by Daniel Patterson 

 

 

 More Information

  

Summer Workshops for Teachers  

More Information 

 

 

  

 

 

                                                                    Join Today!                                              

                                   Friends of the Alabama Archives

                                                               Membership Form 

 

Alabama Department of Archives and History
624 Washington Avenue

P O Box 300100
Montgomery, Alabama 36130-0100                             

 

Alabama Department of Archives and History | 624 Washington Avenue | P.O. Box 300100 | Montgomery | AL | 36130-0100


#3809 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 4:16 pm
Subject: Sidewalk 2011: Your first in-depth look at Birmingham’s film festival
anesuab2001
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sidewalk.wadeonbirmingham.com

Sidewalk Moving Picture Festival, Alabama Theatre

The crowds will converge on the Alabama Theatre downtown
a month earlier for the 13th annual Sidewalk Moving
Picture Festival.

Note: This is an expanded version of a story that originally appeared on Magic City Post.

The state’s biggest film festival is hitting the streets.

Wade on Birmingham - Sidewalk Moving Picture FestivalWhen the Sidewalk Moving Picture Festival returns a month earlier for its 13th edition, it will offer a new venue unlike any other: an outdoor screen and stage.

The free area, Sidewalk Central will feature live music and comedy, as well as panels and one or two evening screenings. It will run all day Aug. 27 and 28 in conjunction with the annual downtown event, which shows more than 200 movies from local and out-of-state filmmakers. The festival had taken place in late September in previous years.

“We’ve tried a variety of things over the years,” says Chloe Collins, festival executive director, about finding a way to feed attendees on site. “This is providing a central hub for everybody to possibly be entertained, definitely get something to eat or drink, hang out for a while and cool off in the misting tent.”

Food vendors at Sidewalk Central will include Bottletree Cafe, Brick and Tin, Carmella’s Italian Ice, the Dreamcakes Bakery cupcake truck, the Cantina food truck, plus beverages from Buffalo Rock. Also available will be vegetarian options, beer, wine and frozen drinks.

Schaeffer Eye Center, which will sponsor the audience choice award, will do a special promotion on site, though Collins declined to elaborate.

Take it outside

The new outdoor hub will be just west of the Alabama Theatre, on a closed-off portion of 18th Street North between Third and Fourth Avenues. In case of rain, Sidewalk Central will still offer food and drink service, but the stage will be shut down.

Festival organizers have tried other options in the past, including asking area restaurants to stay open for the weekend and including their info in the program, and providing on-site caterers. In 2010, the SideLot was to be a meeting place in the parking lot across from McWane Science Center, with bands, sponsor tables and a food vendor.

Instead, it hit a series of mishaps and became the focus of ire for many attendees. The lot’s owner changed the allotted space to one-half the original size a few weeks before the festival; the food vendor didn’t open for business until late Saturday afternoon; sponsors tables went unstaffed for most of the weekend.

While the outdoor area will serve as a gathering place, it’s the indoor venues that will again serve as film oases from the brutal August heat. Sidewalk dropped a venue and shrunk the festival “footprint” considerably: All seven venues encircle a two-block area.

“I’m really excited about the footprint,” Collins says. “Pulling everything closer together is going to force more interaction. It’s going to be really obvious that an event is taking place.”

 

Map: Sidewalk Moving Picture Festival 2011 layout

No more long walks or drives uptown to the Birmingham Civil Rights Institute, Alabama Power headquarters or even the Birmingham Museum of Art. (In fact, sponsor Landers McLarty Dodge Chrysler Jeep Ram is providing five Dodge Durangos for continuous shuttle service around the site.)

The festival still plans to cross-promote with the Civil Rights Institute during Aug. 27 and 28, offering free or discounted admission to the museum with certain Sidewalk passes and booth space.

The footprint has shrunk, but one major genre has spread out. Like 2010, both Sidewalk and gay/lesbian film festival Birmingham Shout will take place the same weekend. Shout screenings, which had all been at the Hill Event Center at the Alabama Theatre, will be interspersed throughout all venues in 2011. As before, a 1- or 2-day pass allows entrance into both Sidewalk and Shout screenings.

Downtown concentration

The total number of venues for the combined festivals will be seven, one fewer than in 2010, though Collins says the total number of films to be scheduled, more than 200, will be only slightly less than in previous years. That’s because Shout is dropping a single film block, the opening night film that had been on Thursday night in 2010.

Even the awards ceremony has moved on site to the Alabama Theatre, after having been held for years on Sunday night at WorkPlay in Lakeview.

Both festivals will share a single 8.5- by 11-inch program, though with only a one cover this year (2010 had dual covers for Sidewalk and Shout). In addition, Collins says the festivals will offer a pocket-size version, similar to other film festivals, because of audience demand for something more portable.

And both festivals continue to be programmed by separate committees, with separate entry processes for submitting filmmakers. In addition to a Sunday night closing film for each festival, organizers may also have a Saturday night spotlight film for each. (While the festival will have two encore screenings s on Sunday, the Edge 12 will offer more Sidewalk encores in a 5-week series in the fall.)

No lineup has been announced for either festival, though organizers plan to show previews of a few selections at the free monthly Sidewalk Salon at 6 tonight at Rojo on Southside. In addition, the Filmmobile will be stopping by. The blue bus from Echo Park Film Center in Los Angeles is on a 6-week cross-country tour showing movies and providing filmmaking workshops.

Sidewalk itself has been on the move, having completed a 2-week online fund-raising campaign last week to bring in $20,682.

The momentum has Collins cautiously optimistic, looking to increase revenues by 7 percent.

“This year, I feel really good, and I’m knocking on wood that that’s not an omen of bad things to come,” she says, with a laugh.

Sidewalk Moving Picture Festival takes place Aug. 26-28 downtown. Tickets are $10 for a single film up to $275 for a VIP pass and can be purchased online. For more information, visit theSidewalk Moving Picture Festival site.

Also:

• • •

Action! Complete Sidewalk Festival coverage.


View article...


#3810 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 6:06 pm
Subject: KATHRYN TUCKER WINDHAM EXHIBIT at AU's Draughon Library
anesuab2001
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KATHRYN TUCKER WINDHAM EXHIBIT

    A special exhibit of the books and papers of the late Kathryn Tucker
Windham is on display through fall semester in the Special Collections
and Archives Department of Auburn University's Ralph Brown Draughon
Library.

    The Selma native, who died June 12 at the age of 93, was the author
of a variety of books on southern folklore and folk life, including a
popular series of ghost stories. She was also well known as a
storyteller, practicing her craft on National Public Radio and at a
variety of festivals around the United States.

    "Ms. Windham has been very generous to Auburn University over the
years with her personal papers," said Dwayne Cox, head of Auburn
University Libraries' Special Collections and Archives Department. "Now
we want to honor her life by sharing with our patrons the things she
shared with us.

    The exhibit includes items that chronicle Windham's life, including
a handwritten manuscript for one of her books; fan letters from school
children; a 1991 resolution of the Alabama legislature honoring Windham;
and a variety of photographs of Windham and certificates she had been
awarded.

    The exhibit is open during all regular Special Collections and
Archives hours. For exact hours, go to
http://www.lib.auburn.edu/hoursdev/spec

    Auburn University Libraries serves the more than 24,000 students and
faculty of Auburn with a collection of more than 3.2 million volumes.
The Special Collections and Archives Department collects, preserves and
houses rare and unique items relating to the histories of Auburn
University, the state of Alabama, the southeastern region, the Civil
War, Native Americans and aviation. The Auburn University Digital
Library develops accessible digital collections of materials that
support the teaching and research of Auburn faculty and students and
further the mission of the university. These collections are made
available to educators and students worldwide.

(Contributed by Jayson Hill.)


  PLEASE NOTE:  due to vacation plans, the next What's New library
update will not appear until the week of July 18-22.

Tim Dodge
What's New Web Manager and Whatsnew-L Listserv Moderator



Tim Dodge
Reference Dept.
Ralph Brown Draughon Library
231 Mell St.
Auburn University, AL  36849-5606

Tel.  (334) 844-1729
Fax:  (334) 844-7751
E-mail:  dodgeti@...

#3811 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 8:01 pm
Subject: Alabama Humanities July Events
anesuab2001
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Alabama Humanities Foundation

 

Ongoing AHF Events

June 25-August 7
Museum on Main Street's "Journey Stories"
Bankhead House and Heritage Center (Jasper)
The "Journey Stories" exhibition will examine the intersection between modes of travel and Americans’ desire to feel free to move. “Journey Stories” tells the story of American transportation and how we, and our ancestors, came to America using engaging images with audio and artifacts to tell the individual stories that illustrate the critical roles travel and movement have played in building our diverse American society. The exhibit is a collaboration between the Smithsonian Institute and the Alabama Humanities Foundation.
Further information: (205) 302-0001
AHF program

April 15-August 26
The Music Lives On: Folk Song Traditions Told by Alabama Artists
Vulcan Park and Museum (Birmingham)
In celebration of the Year of Alabama, an exhibition of works depicting the region’s great musical traditions created by the state’s most celebrated folk artists. Those represented in the exhibition include such acclaimed artists as Lonnie Holley, Joe Minter, Charlie Lucas, and Thornton Dial.
Further information: (205) 933-1409
Grants Project

Links


Copyright (C) 2011 Alabama Humanities Foundation All rights reserved.


#3812 From: Amos J Wright <ajwright@...>
Date: Mon Jul 11, 2011 8:02 pm
Subject: Bham Arts Journal: Latest issue
anesuab2001
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Come to our Chat Room

at the Emmet O’Neal Library

this Thursday, July 7

7pm till 8:30pm

Free wine and cheese and

art and live in-person chatting!

 

Pick up your copy of the Journal

Enjoy the Hackney Literary Award

winners and the Alabama Pastel

Society juried show winning art!

Artists and Authors appearing in this

issue of the Birmingham Arts Journal

 

Libby Wright

Eric Johnson

Allen Berry

Kay Vinson

Neil Dennis

Jennifer Pitts Adair

Marcia Mouron

Laura Davenport

Steve Edmondson

Tres Taylor

W.F. Lantry

Halley Cotton

Anna Bedsole

Vivian Shipley

Marianne Alfano Dreyspring

Beryl W. Zerwer

Ted Openshaw

Ed Davis

Wayne Greenhaw

Beau Gustafson

Irene Latham

Jim Reed

 

With additional thoughts from

Lily Tomlin

Arthur Schlesinger Jr.

Rainer Maria Rilke

 

http://birminghamartsjournal.com/

 

 


#3813 From: Amos J Wright <ajwright@...>
Date: Tue Jul 12, 2011 12:41 pm
Subject: Ala. Genealogy Network on Facebook
anesuab2001
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Message: 1
Date: Mon, 11 Jul 2011 08:57:59 -0500
From: Brian Nichols <bnichols@...>
Subject: Re: [ALMADISO] (no subject)
To: almadiso@...
Message-ID:
	 <CA+k7XrN7-pu1NphYN1kg7MdRKXiQevw93O3oXHYpBp7HOLcP_A@...>
Content-Type: text/plain; charset=UTF-8

There is a Alabama Genealogy Network on Facebook at

http://www.facebook.com/groups/8210363481
--
Brian Nichols
http://www.n2genealogy.com

***************************************

#3814 From: Amos J Wright <ajwright@...>
Date: Tue Jul 12, 2011 7:14 pm
Subject: ADAH Book Talk & Signing July 14: Tuskegee Airmen
anesuab2001
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Alabama Department of Archives and History Special Events

Tuskegee Airmen Book      

                Books will be available for purchase
                by NewSouth Books.

Book Talk & Signing

Alabama Department of

 Archives and History

 

Thursday, July 14,  2011
Noon 

Tuskegee Airmen: An Illustrated History: 1939-1949

Presented by Joseph Caver and Daniel Haulman

Find us on Facebook 

Alabama Department of Archives and History

624 Washington Avenue, Montgomery, Alabama 36130-0100

www.archives.alabama.gov              334-242-4435   

  

 

Alabama Department of Archives and History | 624 Washington Avenue | P.O. Box 300100 | Montgomery | AL | 36130-0100


#3815 From: Amos J Wright <ajwright@...>
Date: Mon Jul 18, 2011 12:43 pm
Subject: Book Review: 'Alabama in Africa: Booker T. Washington...
anesuab2001
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Andrew Zimmerman.  Alabama in Africa: Booker T. Washington, the
German Empire, and the Globalization of the New South.  Princeton
Princeton University Press, 2010.  xii + 397 pp.  $35.00 (cloth),
ISBN 978-0-691-12362-2.

Reviewed by Daniel Speich Chassé
Published on H-TGS (July, 2011)
Commissioned by Corinna R. Unger

At the heart of Andrew Zimmerman's study lies a seemingly ordinary
colonial adventure set in the first decade of the twentieth century.
Commissioned by imperial authorities, several Western agricultural
experts went to Togo to transform the African colony into a cotton
economy. What makes Zimmerman's story extraordinarily interesting is
the fact that these experts from the United States belonged to an
emerging African American elite that formed around Booker T.
Washington's Tuskegee Institute, and that they cooperated with German
imperialism. In a brilliant yet complex account, Zimmerman connects
African, German, and American regional histories as elements of a
truly transnational history. Its core topics are disputes over free
labor, global agriculture, and structures of colonial rule and
exploitation. The book studies the emergence of a complex of
oppression and exploitation undergirded by race and sexuality in the
transnational world of imperialism. It is a model study for
transnational inquiries and probably one of the more important books
in the emerging body of global historical literature. Such a judgment
seems appropriate because Zimmerman not only tracks down the
interconnectedness of historical experiences in three continents, but
in the final two chapters, he also sketches the institutionalization
of transnational connections by virtue of international political
bodies, namely, the League of Nations and universalized bodies of
social scientific knowledge--in this case, agricultural sociology in
a Weberian tradition.

The account starts with the appointment of Baron Beno von Herman auf
Wein in 1895 as agricultural attaché to the German embassy in
Washington DC. Baron von Herman established contacts to Washington at
the Tuskegee Institute because he believed that the training programs
of this institution could be applied to the German colony of Togo. He
persuaded Washington to recruit "'two negro-cottonplanters and one
negro-mechanic ... who would be willing to come over to ... the
colony of Togo in West-Africa to teach the negroes there how to plant
and harvest cotton in a rational and scientific way'" (p. 5). In 1901
James N. Calloway, Allen Lynn Burks, Shepherd Lincoln Harris, and
John Winfrey Robinson arrived in Lomé. They established an
experimental farm in Tove including a group of six villages where
they bred a strain of cotton resembling the American Upland variety
and produced seeds for the entire German colony. Harris also built up
his own cotton farm, which was to set an example of cotton growing
and domestic economy for the African farmers. In 1902, five more
African American farming experts traveled to Togo; two of them
drowned upon landing. Harris died of a fever. Calloway returned in
1903 to Tuskegee and so did the rest of the staff in 1904. Only
Robinson, who learned to speak Ewe and married two Togolese women,
stayed on. He died in 1908 but the cotton projects proved rather
successful. The cotton variety the Americans introduced became a
standard seed in Togo because it produced a quality staple fit for
industrial processing on the European market. The agricultural
institutions the Americans had established remained in operation,
run, after 1914, by the French authorities and, after 1960, by
independent Togo's government.

Zimmerman's main ambition is to reconstruct all possible ambivalences
entailed in this small story and to place it in a large, global
historical background. Zimmerman identifies the central conflict of
the story in the strange alliance between African American
emancipation and German imperialism. The material on which his book
is based relates to the political economy of cotton production that
emerged in the New American South after emancipation. Once labor was
freed, Zimmerman argues, industrial capitalism needed institutions of
oppression and exploitation. A specific constellation of labor
ethics, labor organization, plant breeding, and social order emerged
from this challenge. For African American elites it entailed a
promise of economic emancipation; for German imperialists it entailed
the idea that it was possible to extract a larger amount of natural
resources from the colony through the use of coerced African labor.
One of the key witnesses of this tension between emancipation and
exploitation was W. E. B. Du Bois. Du Bois had studied sociology with
Max Weber and economics with Gustav Schmoller in Germany, thereby
becoming acquainted with ideas and theories designed in response to
Eastern Prussia's problems of agricultural organization, which were
structurally similar to those diagnosed by German imperial
administrators in Togo.

In five steps, Zimmerman unfolds a plethora of transnational and
transcontinental connections. The first chapter recalls the necessity
of qualitatively graded cotton for industrial processing. The slave
labor economy of the American South produced such a quality. The
disciplining of labor was a necessary corollary of industrialization.
Upon emancipation it was connected to a specific construction of
African American racial identity and to the political economy of the
New American South. In this situation, African American educational
perspectives as expressed in the work and mission of Washington
proved important. The contradictions between hierarchical social
organization, prevailing practices of racial segregation, and the
promises of rational farming laid the basis for the decidedly
political academic work of George Washington Carver and Du Bois. It
also informed Marcus Garvey's conviction that African Americans
needed to envision a future as settlers on the African continent.

In chapter 2, the reader is confronted with a completely different
historical setting, namely, the establishment of the modern welfare
state in Prussia. Zimmerman draws a line from the social reforms
initiated by Prussian reformers Karl Freiherr vom und zum Stein and
Karl August Freiherr von Hardenberg at the beginning of the
nineteenth century to the founding of the German "Verein für
Socialpolitik" in 1873. The debates of its members were linked to the
German project of "internal settlement" in East Prussia; to the rise
of Marxism as a leading ideology in the German Social Democratic
Party; and to the phenomenon of Polish labor migration, which
encompassed specific constructions of sexuality and racial identity.
It was this combination of contemporary problems against which Du
Bois defended his PhD thesis, "Der landwirtschaftliche Gross- und
Kleinbetrieb in den Vereinigten Staaten" (Large and Small
Agricultural Enterprises in the United States), in 1893 in Berlin.
Zimmerman carefully reconstructs those elements of Germany's
historical experience that were crucial for Du Bois. They included
the technical aspects of producing the one important staple crop
other than cotton, the sugar beet, a crop around which social
problems of agricultural organization emerged in Prussia in the
second half of the nineteenth century, a situation that to Du Bois
seemed comparable to the political economy of cotton production in
the American South.

Chapter 3 reconstructs the Togo experience of the African American
experts. The chapter discusses Togo's position in the Atlantic slave
trade and Germany's early imperial agenda. African forms of political
resistance and African emancipatory prospects became confronted with
African American ideas of modernization, rationalization, and racial
identity, producing a pan-African clash of concepts of civilization.
To those Zimmerman easily adds the German Social Democrats' notion of
modernization and race as expressed in the heated debate on an
assumed "Negerfrage" (Negro question). Most striking were the
unexpected synergies that resulted from the American system of
sharecropping in the cotton sector and German domestic experiences of
internal colonization and the cultivation of the sugar beet.
Zimmerman shows how this conjuncture resulted in the establishment of
new exploitative economic structures in Togo prior to 1914.

Chapter 4 takes up the new bodies of international and transnational
intellectual exchange that emerged after World War One. Zimmerman
connects the tradition of pan-African conferences to Woodrow Wilson's
imagination of a peaceful world order as embodied in the League of
Nations. As African Americans in favor of economic modernization
strongly criticized Belgian colonial practices in Congo, they laid
the ground for the construction of international alliances against
European imperialism. A non-paternalistic mode of developmental
intervention into the African continent became an obvious necessity
for European Social Democrats and African American intellectuals
alike, the realization of which albeit remained problematic
throughout the twentieth century.[1]

In chapter 5, Zimmerman shows how closely the design of a social
scientific perspective on a generalized historical process of
"modernization" was linked to European colonial experiences, African
American emancipatory perspectives, and African positions. His book
offers a very insightful reading of the history of sociology by
localizing Weber in an early global discourse that encompassed places
like Lomé, Atlanta, and Berlin. It found its first expression in the
Chicago School of Sociology founded by Robert E. Park, who not only
investigated labor and migration problems in the American Midwest but
also traveled extensively through Africa, basing his analytical tools
on the German academic tradition.

Zimmerman's account is excessively rich in detail. It exemplifies a
new mode of historical scholarship that boldly leaves behind
nationally and regionally consigned inquiries in favor of a
historical narrative of transnational connections across seemingly
firm boundaries of race and geography. Some general remarks seem thus
appropriate. Zimmerman's main thesis is that constellations which
emerged in the American South after emancipation were globalized in
the first decades of the twentieth century. According to his
interpretation, specific visions of the American South became a
template of the global South and thus magnified social scientific
perspectives from a domestic American context to the world at large,
thanks to German sociology. Such an account is fully convincing, even
more so as it clearly shows the limits of a historical approach that
aims to explain the postcolonial development endeavor as a result of
an assumed American exceptionalism.[2] Rather, Zimmerman rightly
informs us that global historical scholarship has to broaden its
perspective and to take into account European and African experiences
in order to fully understand the globalization of the modernization
concept, which structured global history in the twentieth century.
_Alabama in Africa_ shows that such an endeavor can offer new tools
to fully assess what Charles S. Maier has called a core conflict in
consigning the twentieth century to history, namely, the scandal of a
global economic divide between the North and the South, i.e., between
Europe and America on the one hand and Asia, Africa, and Latin
America on the other.[3] It is hard to imagine a more appropriate
mode of inquiry than set affront by Zimmerman in this highly
innovative book.

Still some reservations must be made. By relocating Alabama to Africa
Zimmerman opens up an enormously wide spun net of relations, which
cannot easily be accommodated in a historical narrative. To put it
more simply: this book is hard to read. The consequent transnational
approach produces a picture in which the length of cotton fibers is
positioned directly next to lynching mobs, and in which African
agricultural practices are linked to highly abstract notions in
academic Berlin. This structure produces a story that is not always
easy to follow. In terms of content, Zimmerman has a clear message.
In terms of form, however, his account sometimes runs astray in
details, which are important for understanding the different local
trajectories he wishes to combine but which in their sum obfuscate
the central argument.[4] It remains unclear what really stands at the
heart of the book. Is it the person of Calloway, the leader of the
Togo mission? Is it Washington, as the title suggests? Or is it
rather Du Bois, the discussion of whom actually fills the pages of
the book? Is it an American upland variety of cotton, or the Prussian
sugar beet featured on the cover jacket illustration? In its
intricate details, this book does not convince because it fails to
sum them up in one clear narrative. In its total, however, Zimmerman
has achieved what very few historians have achieved so
far--accounting for global connections. We must assume that the
misfit between content and form is a structural characteristic of
that global historiography, for which current trends in the
discipline call for. Zimmerman's account is tough reading and hard
stuff for reviewers, but excellent scholarship, and it sketches a
trajectory for future global historical research.

Notes

[1]. The moral ambivalence of the well-meant global development
endeavor in the post-1945 era has been highlighted, among others, by
Arturo Escobar, _Encountering Development: The Making and Unmaking of
the Third World_ (Princeton: Princeton University Press, 1995).

[2]. This is what David Ekbladh suggests in his _The Great American
Mission: Modernization and the Construction of an American World
Order_ (Princeton: Princeton University Press, 2010).

[3]. Charles S. Maier, "Consigning the Twentieth Century to History:
Alternative Narratives for the Modern Era," _American Historical
Review_ 105, no. 3 (2000): 807-831. On global inequality, see also
Alexander Nützenadel and Daniel Speich, "Editorial: Global
Inequality and Development after 1945," _Journal of Global History_
6, no. 1 (2011): 1-5.

[4]. Hayden White, _The Content of the Form: Narrative Discourse and
Historical Representation_ (Baltimore: Johns Hopkins University
Press, 1987).

Citation: Daniel Speich Chassé. Review of Zimmerman, Andrew,
_Alabama in Africa: Booker T. Washington, the German Empire, and the
Globalization of the New South_. H-TGS, H-Net Reviews. July, 2011.
URL: https://www.h-net.org/reviews/showrev.php?id=32394

This work is licensed under a Creative Commons
Attribution-Noncommercial-No Derivative Works 3.0 United States
License.

#3816 From: Amos J Wright <ajwright@...>
Date: Mon Jul 18, 2011 2:13 pm
Subject: Ala. Arts Radio Series: Poet Jake Adam York
anesuab2001
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Jake Adam York

Jeanie Thompson, executive director of the Alabama Writers’ Forum. interviews Jake Adam York, featured poet at the 6th Annual Alabama Book Festival. Thompson talks with York about his “open project” of poems memorializing murdered civil rights workers, inspired when he visited the newly installed Civil Rights Memorial at the Southern Poverty Law Center in Montgomery. His multi-book sequence began in his collection Murder Ballads, winner of the 2005 Elixir Press Prize in Poetry, continues in A Murmuration of Starlings (2008), which won the 2009 Colorado Book Award in Poetry, and extends into his most recent work, Persons Unknown (2010).

Originally from Alabama, York is Associate Professor of English and Director of Creative Writing at the University of Colorado Denver, where he co-edits Copper Nickel. This year he is Visiting Faculty Fellow at Emory University’s James Weldon Johnson Institute for Advanced Interdisciplinary Study, where he will work on a book about contemporary art and the Civil Rights Movement. 

This special radio series will air every Sunday at 5:00 P.M. - 5:30 P.M., on the Troy University Public Radio Network at:  

  • WTSU 89.9 (Montgomery and Troy)
  • WRWA 88.7 (Dothan)
  • WTJB 91.7 (Columbus and Phenix City) 

This radio series may not be broadcast in your area, but it can be accessed via the Internet at: http://www.arts.state.al.us/actc/1/radioseries.html#york3

If you have been listening to, and enjoying this radio series, please send your comments to: barbara.reed@...

Listen first hand using the link below.

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#3817 From: Amos J Wright <ajwright@...>
Date: Mon Jul 18, 2011 6:01 pm
Subject: Southern Historical Assoc., Mobile, Nov. 2012
anesuab2001
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   Title: Southern Historical Association, Nov. 1-4, 2012, Mobile,

      Alabama

   Location: Alabama

   Date: 2011-09-01

   Description: The Program Committee for the 2012 conference of the

      Southern Historical Association invites proposals on all topics

      related to the history of the American South from its

      pre-colonial era to today. In addition, for the 2012 meeting in

      Mobile, it extends a special welcome to proposals relating to:

      *  ...

   Contact: don.doyle@...; marjorie.spruill@...

   URL: www.uga.edu/sha/meeting/index.htm

   Announcement ID: 186413

   http://www.h-net.org/announce/show.cgi?ID=186413

 

 


#3818 From: Amos J Wright <ajwright@...>
Date: Mon Jul 18, 2011 7:46 pm
Subject: Signed Copies from U of Alabama Press
anesuab2001
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University of Alabama Press

Would you like to own a signed copy of one of our books?  Below are titles of books we have that have been signed by our authors.  Get them before they run out.

 

For purchasing information contact 

Shana Rivers 

Sales and Marketing Manager

phone: 205-348-9534 

email: srrivers@...

 

Shipping: Add $5.00 postage for the first book and $1.00 for each additional book.

 

Sincerely,

University of Alabama Press Marketing Department

University of Alabama Press

 

 

Follow us on Twitter

 @univofALPress

 

 

Follow us on Facebook

 http://tinyurl.com/444n5zf

The Crimson Tide

Winston Groom 

2010/368 pp/363 Illustrations/cloth

(signed bookplates) 

Price: $49.95

A Tiger Walk Through History

Paul Hemphill

2008/288 pp/cloth

(signed bookplates) 

Price: $39.95

 

 

Mark Twain, Travel Books, and Tourism 

Jeffrey Alan Melton

2002/184 pp/cloth  

Price: $38.50

 

Mark Twain and Orion Clemens

Philip Ashley Fanning

2003/288 pp/cloth

Price: $32.95

 

 

Tongues of Flame

 Mary Ward Brown

1993/184 pp/paper

Price: $17.95

 

Fanning the Spark

 Mary Ward Brown

2009/160 pp/cloth

Price: $24.95

 

 

 

It Wasn't All Dancing and Other Stories

 Mary Ward Brown

2002/160 pp/paper

Price: $16.95

 

 

Tin Man

Charlie Lucas
2009/192 pp/cloth
Price: $49.95

 

 

Uplifting the People 

Wilson Fallin, Jr.

2007/344 pp/cloth

Price: $39.95

 

 

A Fire You Can't Put Out

 Andrew Manis

1999/576 pp/cloth

Price: 39.95

 

 

 

 

Diving Lines

J. Mills Thornton

 2002/752 pp/cloth
Price: $70.00

 

When Good Men Do Nothing

Alan Grady
 2005/320 pp/cloth
Price: $22.00

 

 

Birder's Guide to Alabama

John F. Porter 

2001/368 pp/paper
Price: $29.75

 

Somebody Told Me

Rick Bragg
2000/288 pp/cloth
Price: $29.95

 

University of Alabama Press | Box 870380 | Tuscaloosa | AL | 35487-0380


#3819 From: Amos J Wright <ajwright@...>
Date: Tue Jul 19, 2011 1:50 pm
Subject: ADAH: ArchiTreats Reminder JULY 21, 2011
anesuab2001
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REMINDER

 ArchiTreats: Food for Thought

 

Alabama Stories:

Food and Memory

 presented by Scott Peacock

  

This ArchiTreats presentation is made possible by the

Friends of the Alabama Archives, with a grant from 

the Alabama Humanities Foundation, a state program

of the National Endowment for the Humanities. 

                                         More Information                                            

Thursday - Noon 

July 21, 2011

 ADAH logo

 

 

Alabama Department of Archives and History | 624 Washington Avenue | P.O. Box 300100 | Montgomery | AL | 36130-0100


#3820 From: Amos J Wright <ajwright@...>
Date: Wed Jul 20, 2011 12:36 pm
Subject: Come join the discussion! [in Auburn, July 21]
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Join us for a Community Listening Session


Over the last year, the Caroline Marshall Draughon Center for the Arts & Humanities has partnered with the Gnu’s Room, a local bookstore and coffee shop, to host music, film and literary events for the public. It has been a rich and rewarding experience to work closely with a community partner as dedicated as the Gnu’s Room.

This summer, the Center and the Gnu’s Room have formalized their partnership and committed to long-term collaboration. A logo representing their collaboration is in the works, and you will see it on future notices of joint programs.

According to Jay Lamar, director of the Center, this is “exactly the kind of work the Center was founded to do. As the center for engagement for the College of Liberal Arts, the Center’s mission is to create opportunities for dialogue and learning, link to the community and model how much more can been done collaboratively than alone. We are very excited and so pleased to be in partnership with the Gnu’s Room.”

This fall, the Gnu’s Room will become a nonprofit organization, supporting literacy, reading, publishing, the arts and community.

“The Gnu’s Room has always been about community,” notes owner Tina Tatum. “Becoming a nonprofit will help us make an even greater contribution by bringing more people and resources together to benefit our community.”

What do you think?
On Thursday, July 21, the Gnu’s Room will host a community listening session at 7:30 p.m. at the Boykin Community Center (400 Boykin Street, Auburn). Like a town hall meeting, the session will focus on ideas, hopes and dreams for the future of the Auburn-Opelika and Lee County area with plenty of time to share and discuss. Please feel free to download the flyer and spread the word to your friends and neighbors.




For more information

Contact The Gnu's Room at (334) 821-5550 or thegnusroom@....
 

Phone: 334.844.4946
Website: www.auburn.edu/cah

Facebook
  Twitter  CMD CAH Blog  Flickr


Our mailing address is:

Caroline Marshall Draughon Center for the Arts Humanities

Pebble Hill

101 S. Debardeleben

Auburn, AL 36849


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Copyright (C) 2011 Caroline Marshall Draughon Center for the Arts Humanities All rights reserved.

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#3821 From: Amos J Wright <ajwright@...>
Date: Mon Jul 25, 2011 7:51 pm
Subject: Ala. Arts Radio: Bluesman Ike Zimmerman
anesuab2001
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Alabama Bluesman Isaiah "Ike" Zimmerman

In June of 2011 a group of relatives came together in Alabama to commemorate a common bond, the late Isaiah "Ike" Zimmerman, an Alabama native originally from Grady. After making his home in Beauregard, Mississippi in the 1930s, he became a mentor to bluesman guitarist Robert Johnson. An acomplished blues guitarist and performer himself, Ike Zimmerman and his wife Ruth took Johnson into their home for over a year where Ike generously taught Johnson, then known as R.L., what he knew about the blues.  In this program Grey Brennan, Marketing Manager at the Alabama Department of Travel and Tourism and Steve Grauberger of ASCA interview two daughters of Ike Zimmerman, Loretha Z. Smith and Nelly Ruth Brown with their two sons James Smith and Oscar Brown, to try and find more information about this interesting Alabamian and his relationship to Robert Johnson.

Jimmy and Loretha Smith

Nelly Ruth and Oscar Brown

 

This special radio series will air every Sunday at 5:00 P.M. - 5:30 P.M., on the Troy University Public Radio Network at:  

  • WTSU 89.9 (Montgomery and Troy)
  • WRWA 88.7 (Dothan)
  • WTJB 91.7 (Columbus and Phenix City) 

This radio series may not be broadcast in your area, but it can be accessed via the Internet at: http://www.arts.state.al.us/actc/1/radioseries.html#zimmerman

If you have been listening to, and enjoying this radio series, please send your comments to: barbara.reed@...

Listen first hand using the link below.

If this mailing was forwarded to you and if you are currently not on our email list you can subscribe below.


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[          ]

 

 


#3822 From: Amos J Wright <ajwright@...>
Date: Wed Jul 27, 2011 5:26 pm
Subject: Ala. Arts Radio: Poet Dr. Virginia Gilbert
anesuab2001
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Literary Arts Fellowship Award Winner for 2010  
Dr. Virginia Gilbert

This week Anne Kimzey, literary arts program manager with the Alabama State Council on the Arts, interviews poet Dr. Virginia Gilbert of Madison about her work and her time serving in the Peace Corps in Korea. Gilbert received a Literary Arts Fellowship award from the State Arts Council in 2010 and has recently retired from the English faculty of Alabama A & M University.

This special radio series will air every Sunday at 5:00 P.M. - 5:30 P.M., on the Troy University Public Radio Network at:  

  • WTSU 89.9 (Montgomery and Troy)
  • WRWA 88.7 (Dothan)
  • WTJB 91.7 (Columbus and Phenix City) 

This radio series may not be broadcast in your area, but it can be accessed via the Internet at: http://www.arts.state.al.us/actc/1/radioseries.html#gilbert

If you have been listening to, and enjoying this radio series, please send your comments to: barbara.reed@...

Listen first hand using the link below.

If this mailing was forwarded to you and if you are currently not on our email list you can subscribe below.


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#3823 From: Amos J Wright <ajwright@...>
Date: Wed Jul 27, 2011 7:41 pm
Subject: FEMA seeks storage space for Alabama libraries
anesuab2001
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All:

 

I am forwarding this message from a Cultural Resource Specialist colleague at FEMA.

 

Her email: Jennifer_Wellock@...

 

Please see below.

 

Kevin

 

Kevin Cherry   MSLS, PhD

Senior Program Officer

Institute of Museum and Library Services

Phone: (202) 653-4662

www.imls.gov

 

 


As you know Alabama suffered several EF-5 tornados in April that have led to a wide path of destruction througout the state. I am currently stationed in Alabama as part of a long-term recovery team looking for resources for cultural institutions damaged by the storms. Included are museums, archives and libraries. Do you know of any resources within Alabama that I can direct folks to for help with collections or future storage or even donations for areas that have lost library collections? I am collating a resource list for the communities that have been damaged and would appreciate any ideas or actual grant assistance leads. I have one client who is trying to convert the only building left in her town (a former bank building from 1900) to an archive for geneaological and town history - the safe was not damaged, but the roof is missing. She is a typical client here and needs help from the very start of the process. Other insitutitons have staff and funding, but just need emergency aid to get them capital to repair buildings, and to repair damaged collections. Any help is greatly appreciated.

Thanks,
Jen Wellock
Cultural Resource Specialist
DOI Liaison – NPS
FEMA ESF – 14 Long Term Recovery
571-329-6088 / 202-354-2039

 


#3824 From: Amos J Wright <ajwright@...>
Date: Fri Jul 29, 2011 7:54 pm
Subject: Society for the Study of Southern Literature (Nashville, TN; March 29-April 1, 2012)
anesuab2001
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________________________________________
From: U.S. Southern Literature [H-SOUTHERN-LIT@...] On Behalf Of
Daniel Turner [danielcrossturner@...]
Sent: Friday, July 29, 2011 2:41 PM
To: H-SOUTHERN-LIT@...
Subject: CFP: Society for the Study of Southern Literature (Nashville, TN; March
29-April 1, 2012)

*Call for Papers: "Anniversaries"*

***Society for the Study of Southern Literature*

*Biannual Conference*

*Nashville, TN*

*March 29  April 1, 2012*



Keynote Address by Barbara Ladd (Emory University)

Fiction Reading by Percival Everett (University of Southern California)



Coming amid the organized commotion surrounding the sesquicentennial of the
Civil War, the theme for the 2012 conference is Anniversaries.



The SSSL Programming Committee seeks abstracts for individual papers,
proposals for sessions, and themes for roundtables that encompass related
works from the most private form of "anniversaries" (marriages, births,
deaths, divorces etc.) to the most public (commemorations, celebrations,
festivals, and so on in southern writing, film, etc.).  The movement for a
New Southern Studies celebrated ten years at an MLA session in January,
2011, suggesting that critical and theoretical movements have reasons to
think of anniversaries too. We might, then, have sessions of self-analysis 
but a little shy of out and out narcissism on the one hand and hair-shirt
penance on the other. Those whose focus is the global South might explore
African, Caribbean, French, Spanish, and other non-U.S. legacies in southern
forms of commemorations such as funerals and Mardi Gras.



2012 is at or near the publication anniversaries of some pivotal southern
texts: Walker Percys *The Moviegoer*, C. Vann Woodwards *The Burden of
Southern History*, Warrens *The Legacy of the Civil War. *Patsy Cline was
Queen in the early 1960s: Crazy, Shes Got You, and I Fall to Pieces
were all released in 1961 and 1962. Harlan Howard, who wrote many of Patsys
songs, is buried in Nashville City Cemetery not too far from one of Lees
generals, Richard Ewell. The film adaptation of *To Kill a Mockingbird *was
released in 1962, as was *Intruder *(not *in the Dust*) directed by Roger
Corman and starring William Shatner.*  *2012 is also 200th anniversary of
the War of 1812. Possibilities range widely, crossing disciplines and media.



The conference will be held at the Scarritt-Bennett Center (see
www.scarrittbennett.org) on Thursday and Friday, and at Vanderbilt
University on Saturday. Keynote and Plenary sessions will be held on the
Vanderbilt campus. I chose Scarritt-Bennett because of cost and convenience;
as a converted college, it offers very reasonably-priced, renovated dorm
rooms. Visit their website and take the virtual tour. Weve set aside a
block of fifty of these rooms, but more are available if demand is high and
if you make reservations early (i.e. before the end of February, 2012).
Fifty rooms are also blocked at the Embassy Suites Hotel at $139 per night,
with a deadline of March 5, 2012, for reservations. SSSL needs to book at
least these fifty rooms or well pay a penalty. So, if you can afford it
plan to stay there.  The Embassy Suites--Vanderbilt (1811 Broadway,
Nashville, TN  dont confuse this hotel with the one at the Nashville
airport) is a full-service hotel within walking distance of Vanderbilt
University and Scarritt-Bennett. The route leads through Vanderbilts
college town of cafs and restaurants. A few blocks farther west, past the
Vanderbilt Medical Center, is Hillsboro Village, a local student hangout
with bars, coffee shops, banks, restaurants, a used bookstore, an indie
cinema (www.belcourt.org) -- just about all you could hope for when you need
relief from the conference. Nashville is, of course, Music City. Well have
a guide to performance venues when you check in. The Country Music Hall of
Fame and Museum is downtown, as is the Frist Center for the Visual Arts. *THE
*Parthenon is a longer walk, across the campus and West End Avenue in
Centennial Park, but worth the trek.



Until we get a program committee organized, you can send abstracts (500
words) to: michael.p.kreyling@....



Michael Kreyling

President, SSSL

Vanderbilt University

#3825 From: Amos J Wright <ajwright@...>
Date: Fri Aug 5, 2011 3:27 pm
Subject: ADAH Events & Updates for August 2011
anesuab2001
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ADAH logo 

       ADAH   2011 

        Events & Updates

 

Open

 

Second Saturday

August 13, 8:30 - 4:30

 

Don't miss -

Family Activities

 

Find us on Facebook

Join Our Mailing List!

  

GRAND OPENING 

The Land and The First Alabamians Galleries 

Saturday, August 27, 2011

9:30 - 4:30 

  Join us for the Grand Opening of Phase 1 of the Museum of Alabama. Meet some of the historians, archaeologists, curators, and designers who have worked to bring the museum to life. Lots of hands-on activities for children!

             

               Schedule of Events

  

Peppler 

ARCHITREATS: FOOD FOR THOUGHT 

 

Race Relations in Alabama,

1965-1968: A Photojournalist's Perspective

 

Presented by Jim Peppler

  

More Information

 

THURSDAY, SEPTEMBER 1 - NOON

Eugene Allen Smith 

BOOK TALK & SIGNING

  

Eugene Allen Smith's Alabama:

How a Geologist Shaped the State

 

Presented by Aileen Henderson 

 

More Information 

  

 

 

                                                                    Join Today!                                              

                                   Friends of the Alabama Archives

                                                               Membership Form 

 

Alabama Department of Archives and History
624 Washington Avenue

P O Box 300100
Montgomery, Alabama 36130-0100                             

 

Alabama Department of Archives and History | 624 Washington Avenue | P.O. Box 300100 | Montgomery | AL | 36130-0100


#3826 From: Amos J Wright <ajwright@...>
Date: Fri Aug 5, 2011 7:50 pm
Subject: Ala. Arts Radio: Jemison-Carnegie Heritage Hall Director Tommy Moorehead
anesuab2001
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Tommy Moorehead

Georgine Clarke interviews Tommy Moorehead, director and artist-in-residence at Jemison-Carnegie Heritage Hall in Talladega. He discusses the museum's educational programming for both adults and children as well as the exhibition schedule. The conversation includes discussion of his artwork and his background as an artist and artist-in-residence throughout Alabama. He describes the development of a new museum of the Creek Indian in Talladega as well as activities of the Sarah Carlisle Towery art colony in Alex City.

This special radio series will air every Sunday at 5:00 P.M. - 5:30 P.M., on the Troy University Public Radio Network at:  

  • WTSU 89.9 (Montgomery and Troy)
  • WRWA 88.7 (Dothan)
  • WTJB 91.7 (Columbus and Phenix City) 

This radio series may not be broadcast in your area, but it can be accessed via the Internet at: http://www.arts.state.al.us/actc/1/radioseries.html#moorehead2

If you have been listening to, and enjoying this radio series, please send your comments to: barbara.reed@...

Listen first hand using the link below.

If this mailing was forwarded to you and if you are currently not on our email list you can subscribe below.


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#3827 From: Amos J Wright <ajwright@...>
Date: Mon Aug 8, 2011 8:52 pm
Subject: FW: Alabama Humanities August Events
anesuab2001
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Alabama Humanities Foundation

 

August 2011

August 29
Writing a Local , Personal or Family History
An Alabama Humanities Foundation Roads Scholar Speakers Bureau presentation with Robert Davis
Calera Senior Center
Sponsored by the Shelby County Library System
10:00 a.m.
Becky Brasher: (205) 669-3910
AHF Program

Ongoing Events

April 15-August 26
The Music Lives On: Folk Song Traditions Told by Alabama Artists
Vulcan Park and Museum (Birmingham)
In celebration of the Year of Alabama, an exhibition of works depicting the region’s great musical traditions created by the state’s most celebrated folk artists. Those represented in the exhibition include such acclaimed artists as Lonnie Holley, Joe Minter, Charlie Lucas, and Thornton Dial.
Further information: (205) 933-1409
Grants Project

August 13-September 23, 2011
Museum on Main Street's "Journey Stories"
United Way building (Alexander City)
The "Journey Stories" exhibition will examine the intersection between modes of travel and Americans’ desire to feel free to move. “Journey Stories” tells the story of American transportation and how we, and our ancestors, came to America using engaging images with audio and artifacts to tell the individual stories that illustrate the critical roles travel and movement have played in building our diverse American society. The exhibit is a collaboration between the Smithsonian Institute and the Alabama Humanities Foundation.
Further information: (205) 302-0001
AHF Program

Links

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#3828 From: Amos J Wright <ajwright@...>
Date: Tue Aug 9, 2011 3:22 pm
Subject: ADAH: Grand Opening of The First Alabamians & The Land Galleries
anesuab2001
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Alabama Department of Archives and History

Grand Opening
 Phase I of the Museum of Alabama

The Land and The First Alabamians

Grand Opening block

Join us! 

Saturday, August 27, 2011

 9:00 - 4:00

 

 

Schedule of Events

 

First Alabamian Faces

 

 

 

 

 

ADAH logo

  

 

We're having a very special event and you're invited! Please join us on August 27, 2011, at the Alabama Department of Archives and History for the Grand Opening of the new exhibits, The First Alabamians and The Land of Alabama.  

Guest Speakers

Meet the Museum Experts

Family Activities

Hands-on Experiences

 

All Grand Opening activities are FREE!

Please Note: 

The research room WILL NOT be open on this Saturday.

 

 

 

Alabama Department of Archives and History
624  Washington Avenue
Montgomery, Alabama 361
Get Directions

 

Alabama Department of Archives and History | 624 Washington Avenue | P.O. Box 300100 | Montgomery | AL | 36130-0100


#3829 From: Amos J Wright <ajwright@...>
Date: Wed Aug 10, 2011 6:27 pm
Subject: New Book by Dr. Wayne Flynt from UA Press
anesuab2001
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University of Alabama Press Announcement

 

Keeping the Faith


"Dr. Flynt is one of our finest writers. Keeping the Faith tells us why."--Harper Lee, author of To Kill a Mockingbird

"A must read for every Alabamian. As an acclaimed historian, Flynt tells the story of a state and a people from a very unique perspective. By writing about his family and own life, we get to know the unvarnished truth of Alabama. Here you'll meet the good, the bad, and the ugly. An insightful, fascinating and terrific book. Highly recommended. -- Ace Atkins, author of Wicked City

 

Our Price: $20.97
List Price: $29.95

 

University of Alabama Press
Box 870380
Tuscaloosa, Alabama 35487-0380
205-348-1566

 

Save
30%

Use promo code WEB2 to receive a 30% discount.

 

Offer Expires: 10-31-2011

 

University of Alabama Press | Box 870380 | Tuscaloosa | AL | 35487-0380


#3830 From: Amos J Wright <ajwright@...>
Date: Mon Aug 15, 2011 1:05 pm
Subject: Jeff Jakeman's retirement party [in Auburn, 8/26]
anesuab2001
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Encyclopedia of Alabama

 


Save the Date for

Jeff Jakeman's Retirement Party

 

 Friday, August 26

 5:30 to 9:30 p.m.

 in Auburn, Alabama

Please plan to join the festivities!   

 

 

Details to follow.

 

 

Encyclopedia of Alabama | 231 Mell ST | RBD Library | AUBURN University | AL | 36849


#3831 From: Amos J Wright <ajwright@...>
Date: Mon Aug 15, 2011 6:37 pm
Subject: Ala. Arts Radio: Youssef Biaz 2011 National Poetry Out Loud Recitation Champion
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Youssef Biaz 2011 National Poetry Out Loud Recitation Champion

  In this program Diana Green, Arts in Education Program Manager interviews the 2011 Poetry Out Loud National Champion, Youssef Biaz from Auburn High School, along with his English teacher and mentor, Davis Thompson and Youssef's father and sister. 

  Poetry Out Loud seeks to foster the next generation of literary readers by capitalizing on the latest trends in poetry - recitation and performance.  The program, sponsored by the National Endowment for the Arts and the Poetry Foundation, provides opportunities for high school students to master public speaking skills, build self-confidence, and learn about their literary heritage. 

  Youssef Biaz placed in the top three of the semi-finals, competing against central states and Puerto Rico. At the finals on the second day, competing as one of the top nine finalists, he placed once again in the top three, he delivered his final poem, Filling Station by Elizabeth Bishop. This poem took him to first place. For this honor he receives a scholarship award of $20,000, and his school library receives a $500 stipend for the purchase of poetry books. Youssef was accompanied in Washington, by his teacher, Davis Thompson, his parents and sisters, and Donna Russell from the Alabama Alliance for Arts in Education. 

This special radio series will air every Sunday at 5:00 P.M. - 5:30 P.M., on the Troy University Public Radio Network at:  

  • WTSU 89.9 (Montgomery and Troy)
  • WRWA 88.7 (Dothan)
  • WTJB 91.7 (Columbus and Phenix City) 

This radio series may not be broadcast in your area, but it can be accessed via the Internet at: http://www.arts.state.al.us/actc/1/radioseries.html#biaznational

If you have been listening to, and enjoying this radio series, please send your comments to: barbara.reed@...

Listen first hand using the link below.

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#3832 From: Amos J Wright <ajwright@...>
Date: Mon Aug 15, 2011 7:05 pm
Subject: New UA Press book on lynching
anesuab2001
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University of Alabama Press

 

Thirteen Loops: Race, Violence, and the Last Lynching in America recounts the story of three innocent victims, all of whom suffered violent deaths through no fault of their own: Vaudine Maddox in 1933 in Tuscaloosa, Sergeant Gene Ballard in 1979 in Birmingham, and Michael Donald in 1981 in Mobile.

 

While tracing the relationships among these murders, B. J. Hollars's research led him deep into the heart of Alabama's racial, political, and legal landscapes. A work of literary journalism, Thirteen Loops draws upon rarely examined primary sources, court documents, newspaper reports, and first-hand accounts in an effort to unravel the twisted tale of a pair of interconnected murders that forever altered United States' race relations.

 

 

 

Sale Price: $17.47

List Price: $24.95

 

 

 

 

 

 

 

"Hollars puts a creative spin on his analysis of three lynching cases in the American South . . . With meticulous detailing, the author describes the three cases, individually and, in concluding updates, how they coalesce. . . . Hollars' text is scholarly and comprehensive but delivered in a fresh, far-from-dry journalistic style. . . . The author is also quite astute at drawing meaningful comparisons. He discusses Donald's lynching in 1981 alongside the murder of gay man Matthew Shepard in 1998, each established as a 'hate crime' and further solidifying the terminology in police work and legislation alike. A creatively written, edifying work of historical significance and a boon for those interested in Southern race relations."-Kirkus Reviews

 

 

 

 

Save 30%

Use promo code 13LOOPS to receive a 30% discount when ordering.

Offer Expires: 10/01/2011

 

University of Alabama Press
Box 870380
Tuscaloosa, Alabama 35487-0380
205-348-1566

 

University of Alabama Press | Box 870380 | Tuscaloosa | AL | 35487-0380


#3833 From: Amos J Wright <ajwright@...>
Date: Mon Aug 15, 2011 7:16 pm
Subject: Southern Studies: Conf. at AUM 2/2012
anesuab2001
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   Title: Southern Studies: AUM Liberal Arts Conference at Auburn

      University Montgomery, 10-11 February 2012

   Location: Alabama

   Date: 2012-11-01

   Description: Now in its fourth year, AUMLAC invites panel and

      paper proposals on any aspect of Southern history from Civil

      War to Civil Rights, from dueling to NASCAR, from King Cotton

      to corn whiskey. This two-day conference includes a plenary

      presentation by Dr. Micki McElya (University of Connecticut)who

      will ...

   Contact: bseveran@...

   URL: www.aum.edu//aumlac

   Announcement ID: 187152

   http://www.h-net.org/announce/show.cgi?ID=187152

 

 


#3834 From: Amos J Wright <ajwright@...>
Date: Tue Aug 16, 2011 8:43 pm
Subject: ADAH: ArchiTreats August 18
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REMINDER

 ArchiTreats: Food for Thought

 

Race Relations in

Alabama, 1965-1968:

A Photojournalist's Perspective

 presented by Jim Peppler

  

This ArchiTreats presentation is made possible by the

Friends of the Alabama Archives, with a grant from 

the Alabama Humanities Foundation, a state program

of the National Endowment for the Humanities. 

                                 

More Information                                        

Thursday - Noon 

August 18, 2011

 ADAH logo

 

 

Alabama Department of Archives and History | 624 Washington Avenue | P.O. Box 300100 | Montgomery | AL | 36130-0100


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