Loving Day is proud to co-sponsor
the Sulu Series event Hapa-Palooza
at the Bowery Poetry Club on Sunday,
December 20 from 8PM to 11PM.
The Sulu Series takes place the third
Sunday of every month and features
Asian American performers in music,
spoken word, video and multidisciplinary
performances from the local and national scenes.
This month's theme, Hapa-Palooza borrows its
name from the word "hapa" - the Hawaiian word
for half Asian – and will feature works by
the hottest acts in the multiethnic community.
The crowd is sure to be moved by Loving Day
DJ Boo's mixes and Koba Sounds' stylings,
as well as the performances of fellow
multiethnic Asian artists Samantha Chanse,
Michelle Myers, Jared Rehberg and Una Osato.
For more information, be sure to
check out www.myspace.com/suluseries.
Make sure to drop by and say hi to Loving Day
volunteers, who will be there as speakers
and hanging out throughout the evening.
See you there!
is an anthology of warm, delightful stories about women who know themselves, control their lives and what they desire and the men who aren't afraid to match them in maturity and determination.
The Loving Day Project and its founder Ken Tanabe will be honored at Multiracial
Americans of Southern California's (MASC) 20th Anniversary Dinner event in Los
Angeles on December 5th, 2009. Come out and attend MASC's dinner and meet
like-minded people in the multicultural community! Ken will be in attendance to
accept the award in person so stop by and say hi! Buy your tickets and get more
info here: http://www.mascsite.org/20th-anniversary/
Loving Day will be receiving MASC's award "National Awareness" for our work on
bringing attention to the history of the Loving v. Virginia decision, and
encouraging awareness about multicultural / interracial families. MASC,
established in 1989, is a non-profit that serves members of the
multiracial/multiethnic/and transracially adopted community through programs,
events, workshops, and other services. It's an incredible organization and to
learn more about MASC, visit their website: www.mascsite.org.
Loving Day: December News
Loving Day is very fortunate to have many dedicated and talented supporters in
the multiethnic community in beyond. In the spirit of Thanksgiving, we'd like to
return the favor and spread the word about some amazing events in NYC and LA
this December. We hope to see you there!
-----------------------------------------------------
DJ SPOOKY AT BROOKLYN ACADEMY OF MUSIC
The multitalented DJ Spooky will be performing a genre-bending multimedia
symphony. He actually went to Antarctica and recorded the sound of the ice
melting. During the performance, he will merge those sounds with a string
ensemble, hip hop beats, and live video projections - very cool! DJ Spooky
generously performed at the Loving Day Flagship Celebration NYC in 2008, and
continues to spread the word about Loving Day internationally.
12/2, 12/4, and 12/5 at 7:30pm
Tickets are $15 and up.
http://www.bam.org/view.aspx?pid=1273
-----------------------------------------------------
SEAN BRADFORD from BROADWAY IN SOUTH AFRICA at DROM NYC
Sean Bradford is a Broadway star who is best known for his work with The Lion
King. We were very fortunate to have him perform at the Loving Day Benefit
Concert 2009 this October as part of Broadway in South Africa. The audience was
mesmerized! Sean will perform songs by Guster, Maxwell, Maroon 5, Amy Winehouse,
and more with help from performers from RENT, Rock of Ages, and more.
Tuesday, Dec. 1st at 10:00 PM at Drom
85 Avenue A (b/w 5th & 6th), New York, NY
$12 advance tickets, $15 at the door.
http://dromnyc.com/home/index.php?option=com_gigcal&task=details&gigcal_gigs_id=\
978
-----------------------------------------------------
MULTIRACIAL AMERICANS OF SOUTHERN CALIFORNIA 20th ANNIVERSARY DINNER IN LA
15 years before the first Loving Day Celebration, MASC became a non-profit in
California. Since then, they have worked to broaden understanding of our
multiethnic/multicultural society by facilitating interethnic dialogue. They
have hosted many events, including several Loving Day Celebrations in CA. Please
join Loving Day founder Ken Tanabe at this dinner, where he will accept honors
on behalf of the volunteers at the Loving Day Project.
Saturday, Dec. 5th at Maggiano's
198 The Grove Drive, Los Angeles, CA
Dinner is $50.00 per person
http://www.mascsite.org/20th-anniversary/
-----------------------------------------------------
HAPA MEETUP HOSTED BY WEAREHAPA.COM IN LA
WeAreHapa.com has been connecting Hapas from all over world through their social
networking site. Author of 100% Hapa, multicultural performance artist, and
professor Kip Fulbeck will be there - as will Loving Day founder Ken Tanabe.
Join us and WeAreHapa.com site leaders for a fun nighttime event. If you're on
WeAreHapa.com, make sure you join the Loving Day group!
Friday, Dec 4th at 8:00pm
Oiwake Restaurant in Downtown Los Angeles, CA (Little Tokyo)
http://www.wearehapa.com/do/events/26873
-----------------------------------------------------
ANOMALY PREMIERE AT AFRICAN DIASPORA FILM FESTIVAL NYC
Long time multiethnic community activist and Loving Day supporter Jessica Chen
Drammeh is the director/producer of Anomaly, a film about multiracial identity.
It will make its film festival world premiere at the 17th Annual African
Diaspora Film Festival. This festival presents an eclectic mix of urban,
classic, independent and foreign films that depict the richness and diversity of
the life experience of people of African descent and Indigeous poeple all over
the world.
Tuesday, December 1, 5:50pm at Anthology Film Archives
Wednesday, December 9, 7:30pm at Cowin Center, Columbia University
http://anomalythefilm.wordpress.com/2009/10/21/latest-news-anomaly-world-premier\
e/
-----------------------------------------------------
HOLIDAY SHOPPING at LOVING DAY
Avoid the Black Friday crowds and shop online! Gifts from the Loving Day are a
great way to start conversations and to spread the a positive message throughout
the holiday season. All proceeds go directly to the Loving Day project.
High quality Loving Day t-shirts in adult sizes:
http://lovingday.org/t-shirt-store
Loving Day t-shirts for kids and babies, pins, stickers, mugs, skateboards and
more:
http://www.zazzle.com/lovingday
Join us for an evening of top musical talent, international food, drinks, and
multicultural community at Drom, an East Village lounge known for a warm
atmosphere and diverse music.
Featuring:
BROADWAY IN SOUTH AFRICA
Featuring cast members from Wicked, The Lion King, Rent, and more! This is a
rare opportunity to see top Broadway talent in an intimate venue. We saw these
guys at Symphony Space and they blew us away! Broadway in South Africa aims to
develop a cross-cultural exchange between youth who are in need and artists who
seek to use their talents for change.
http://www.broadwayinsouthafrica.org/
KOBA
Koba is an inventive, irreverent and unrepentantly radical hip-hop
vocalist/producer from Harlem, New York - and an active member of the
multicultural community. Koba has shared the stage with world famous talent like
Talib Kweli, Slum Village, Dead Prez, Last Emperor, Immortal Technique, Vernon
Reid, and X-Ecutioners.
http://www.kobasounds.com/
THE MANHATTAN CAMERATA
Pedro da Silva plays a dozen instruments and performed on the soundtrack of
Oscar winner Michel Gondry's "Be Kind, Rewind." Lucia Caruso has received
important awards in several international piano competitions. Together, they
form an innovative, imaginative orchestra that blends sounds from around the
world while combining the modern and the traditional.
http://www.manhattancamerata.com
Venue:
Drom has an eclectic wine list with wines from expressive vineyards from all
over the world, as well as a full bar. Want to eat while you're there? Drom
serves delicious small and large plates from several countries including Spain,
Italy, Turkey and India.
Where:
Drom Lounge and Restaurant
85 Avenue A (between 5th and 6th streets)
New York, NY 10009
http://www.dromnyc.com/
When:
Friday, October 16th 2009
7:00-10:00pm
Cover:
$10 suggested donation
($8 with RSVP to events_nyc@...)
Please invite your friends and share this event with everyone you know!
http://www.lovingday.org/events-all-year/loving-day-benefit-concert-2009
Thanks very much, and we look forward to seeing you there!
Join us for an evening of top musical talent, international food, drinks, and
multicultural community at Drom, an East Village lounge known for a warm
atmosphere and diverse music.
Featuring:
BROADWAY IN SOUTH AFRICA
Featuring cast members from Wicked, The Lion King, Rent, and more! This is a
rare opportunity to see top Broadway talent in an intimate venue. We saw these
guys at Symphony Space and they blew us away! Broadway in South Africa aims to
develop a cross-cultural exchange between youth who are in need and artists who
seek to use their talents for change.
http://www.broadwayinsouthafrica.org/
KOBA
Koba is an inventive, irreverent and unrepentantly radical hip-hop
vocalist/producer from Harlem, New York - and an active member of the
multicultural community. Koba has shared the stage with world famous talent like
Talib Kweli, Slum Village, Dead Prez, Last Emperor, Immortal Technique, Vernon
Reid, and X-Ecutioners.
http://www.kobasounds.com/
THE MANHATTAN CAMERATA
Pedro da Silva plays a dozen instruments and performed on the soundtrack of
Oscar winner Michel Gondry's "Be Kind, Rewind." Lucia Caruso has received
important awards in several international piano competitions. Together, they
form an innovative, imaginative orchestra that blends sounds from around the
world while combining the modern and the traditional.
www.manhattancamerata.com
Venue:
Drom has an eclectic wine list with wines from expressive vineyards from all
over the world, as well as a full bar. Want to eat while you're there? Drom
serves delicious small and large plates from several countries including Spain,
Italy, Turkey and India.
Where:
Drom Lounge and Restaurant
85 Avenue A (between 5th and 6th streets)
New York, NY 10009
http://www.dromnyc.com/
When:
Friday, October 16th 2009
7:00-10:00pm
Cover:
$10 suggested donation
($8 with RSVP to events_nyc@...)
Please invite your friends and share this event with everyone you know!
http://www.lovingday.org/events-all-year/loving-day-benefit-concert-2009
Thanks very much, and we look forward to seeing you there!
Passing: how 'posing' became a choice for many Americans (Pt. 2/2) (An article written by Monica L. Haynes for the 'Post-Gazette', Sunday, October 26, 2003 ********************************************************************
Attorney Wendell Freeland remembers a decade or so ago when he and his wife were reading in the newspaper about the fast rise of a young man who was `White'*.
In the ensuing conversation, Freeland's wife noted that her husband was smarter and much more on the ball than the young man and should have reached the same career peak.
Freeland recalls his daughter saying to him, "You've got nothing to complain about; you could have [lived as] `White'*".
Theoretically, yes. Freeland says he can fool even those"black"^^ people who swear they can detect another "black"^^, no matter how fair.
Consciously, Freeland said he could no more "pass" than his brown-skinned brethren.
"I never thought about it," said the 78-year-old attorney. "My family ties were so great."
Freeland, who came to Pittsburgh in 1950, grew up in a segregated community in Baltimore…
Wendell Freeland, a Squirrel Hill lawyer and civil rights activist, never considered "passing" as `White'^, although he witnessed others passing to get into barred theaters or stores. "That was just casual passing," Freeland says. "I knew people who crossed over." As a college student, he encountered "black"^^ from the British West Indies and other places who "passed" to go to the movies or to shop in places where "black"^^ were not welcome.
"That was just casual-"passing"," Freeland said. "I knew people who crossed-over." …
Freeland, who lives in Squirrel Hill, has spent a lifetime utilizing his considerable talents for numerous social and civil rights causes.
He served as senior vice president of the National Urban League and was a member of the search committee that selected Vernon Jordan to lead that organization in the 1970s.
He's been on any number of boards, including those of Westminster College, University of Pittsburgh and University of Pittsburgh Medical Center, and he had been chairman of the board of governors for the Joint Center for Political and Economic Studies in Washington, D.C.
As obvious as the European portion of his ancestry is, Freeland said it was never a source of great pride or interest to him.
"I'm more proud of my great-great-grandmother's manumission [emancipation] papers than any drop of `White'* blood," he said.
"I have to tell you my complexion has certain advantages. I learn a lot about `White'* people … ," Freeland said,
… "It doesn't bother me if somebody "passed" and had a life that was more successful and happy.
Passing: how 'posing' became a choice for many Americans (Pt. 1/2) (An article written by Monica L. Haynes for the 'Post-Gazette', Sunday, October 26, 2003 ********************************************************************
Although Barbara Douglass never told anyone she was `White'*, people see her porcelain skin and her silky hair and assume she is.
But Douglass, who lives in Wilkinsburg, is a 53-year-old "black"^^ woman.
She could "pass" for `White'* but she has never tried, she said
"Growing up, I knew of people who did, and I was even instructed not to say, at that time, that they were 'Colored'**.
In order to get their jobs, they had to say they were `White'*"
[[[
Note:
**The term'Colored'**– as used here – is a reference to a person who is of a `Multiracial' / `Mixed-Race `lineage that also includes some part or amount of `Black / Negro' ancestry.
^^The term "black"^^ or ""blacks"^^– as used here – is a reference to those `Multiracial' / `Mixed-Race' individuals who were both of part-`Black / Negro' ancestry --*and*-- who *also* came to be referred to / categorized by the term "black"^^.
This categorization would have arisen either as a result of the racist `One-Drop Rule' and / or as a result of taking on the socio-political `identification' that, since the late 1960's, has come to be referred to by the term "black"^^.
These terms "black"^^ and / or "blacks"^^– when in reference to a socio-political "identification" -- were originally applied largely as a way of describing the new socio-political mindset that became popular in the late 1960s wherein many who were of at least some-part `Black / Negro' lineage chose to:
------ openly support of the new 'pan-African, anti-colonialist movement' of the late 1960s;
------ refused to hold or see the their or another's `Black / Negro' ancestral lineage as being "shameful";
------ and by providing support for the whole idea of making sure that equal rights would become granted to those people who suffered discrimination due to having `Black / Negro' ancestry in their familial, ethnic, racial or even cultural lineage.
As a result of the racist `One-Drop Rule' – the terms "black"^^ and "blacks"^^ were broad-brushed applied to entire people groupings (as a `political catch-phrase') as instructed by the western media and politicians.
The term `Black' – as used here – is in reference those who are of `Black / Negro' lineage and who also have very little to no* known or acknowledged non-`Black / Negro' ancestry. The "Racial"-Term `Black' is *not* the same as the Socio-Political-`Identification' of "black"^^.
*The term `White'*– as used here – is a reference to a person who has no known or acknowledged non-'White / Caucasian' ancestry.
The terms `Pass' and `Passing' – as used here – is reference to a person who hid, denied or pretended to have no known non-White (and particular `Black / Negro') ancestry and / or who would simply choose to `remain silent' on the whole matter and let strangers `draw their own conclusions' based solely on their physical appearance. ]]]
Thelma Marshall knows that routine.
During the 1950s and early '60s, she did what her mother before her had done. What her grandmother and aunts had done.
She "passed" for `White'*
"One time I told a woman I was "black"^^, 'Colored'**in those days," Marshall recalled.
"She said, 'You won't get the job unless you "pass" for `White'*."
So that's what Marshall did. "I "passed" for `White'* on lots of jobs," she said. "I had to be `White'* to get the jobs."
It's what many fair-skinned "blacks"^^ did during those times.
Marshall's remarks are without shame or remorse. She felt she did what she had to do.
Still, it is a prickly subject, and the 76-year-old woman does not want 'to offend' so she asked that her real name not be used.
[The act of] "passing" for `White'* offered not only opportunities, but also the opportunities [that only] `White'* people received.
During [the] slavery [era], it could mean freedom. There are many documented instances of fair-skinned slaves who posed as [`White'* [in order] to escape.
In modern times, it meant being able to vote in the South. It meant a job in the office rather than a job cleaning the office. It meant schools with the latest equipment and books, instead of dilapidated buildings and out-of-date texts. It often meant better housing. It meant being treated with respect, not disdain.
Barbara Douglass recalls the difference between going out with her `White'* college friends vs. her "black"^^ college friends.
"We went to a show, about six of us ["black"^^ students].
The manager came and sat behind us. I asked him 'Why are you sitting behind us?' He said, 'I have to make sure you don't destroy anything.' "
Douglass said she told the manager that he had never sat behind her before.
His response was, "You never came with these people before."
Douglass, who the manager had assumed was `White'*, encouraged her friends to leave the theater rather than be insulted …
Because of her fair skin, Barbara Douglass of Wilkinsburg often witnessed -- but never tolerated -- racism directed at other people. When she was a young child, her parents didn't emphasize racial differences. "I just figured people came in different shades," she said.
But when the subject came up in her dance class, the 8-year-old Douglass approached her mother, who explained to her abou't"race" and 'racism.'
"We are `a child of God' first. We are `human beings' first," Douglass remembered her mother saying.
In fifth grade, she learned that the United States is a melting pot, and she declared to her mother that she would be a melting pot.
Her mother decided it was the perfect definition, seeing as how herancestors were Cherokee, `Black', Dutch, German and Irish.
Maybe all "blacks"^^ would have defined themselves that way given the chance.
Since [the first, actual] `Black' people first came to the New World in 1619, they've Mingled and Mixed with every Race and Ethnic group here.
It is not just the fair-skinned "blacks"^^ who can lay claim to that melting pot definition.
Those "blacks"^^ who have the mark of Africa in their features and skin tone also have multicultural ancestry.
They just can't pass.
Most "blacks"^^ were never afforded the luxury of defining themselves. After the Civil War, Southern whites, not wanting this swirling of races to get out of hand and seeking to keep the [false notion of the] `White'* "race" as [being] pure, instituted a rule that anyone with "one drop" of `Black / Negro' blood was `Black' [race].
That spurred even more fair-skinned "blacks"^^ to cross over and escape Jim Crow laws that kept "blacks"^^in the shackles of second-class citizenship.
Interestingly, many ``White'*, if they traced their blood line or had their DNA tested, would find they have "black"^^ ancestors.
In a 1999 piece for Slate, writer Brent Staples cites a 1940s study by Robert Stuckert, a sociologist and anthropologist from Ohio State University.
The study, titled "African Ancestry of the White American Population", indicates that during the 1940s, approximately 15,550 fair-skinned "black"^^ per year "crossed the color line".
The study estimated that by 1950, about 21 percent or 28 million of the 135 million categorized as `White'* had "black"^^ ancestry within the past four generations.
Stuckert predicted that the numbers would grow in subsequent decades.
Marshall never thought to "pass" permanently, although she had family members who did.
Some fair-skinned "black"^^ with "good hair" and "keen features" did not "pass" but … [simply married] others with fair skin ...
"For generations,my mother's sideand my father's sidemarried fair -- so they could get jobs," Marshall said.
"My great-grandfather had a barbershop, and he "passed" for `White'*, and he had only ``White'* customers in his shop." ...
State decides for you Sometimes "blacks"^^used their fair complexion -- not for personal gain but -- to circumvent discriminatory practices. For example, in the 1940s, "blacks"^^who looked `White'* helped integrate Lewis Place, a neighborhood in St. Louis, Mo.
Like many cities during this time, Lewis Place had covenants that prevented "blacks"^^from buying homes in certain neighborhoods.
But in the '40s, fair-skinned "blacks"^^ would purchase homes on Lewis Street and then transfer deeds to [the] darker-skinned "black"^^ people who had actually bought them.
Famed NAACP chief executive Walter White's light skin allowed him to investigate lynchings and race riots in the 1920s.
White, who was raised in Atlanta, under Jim Crow, remained an NAACP officer until he died in 1955.
For nearly a century, just who was [defined or categorized as being either] `White'* or "black"^^ depended upon what state that person was in.
Between the 1890s and 1950s, the peak period for "black"^^ "passing" as `White'*, every state had its own racial designation, said Wendy Ann Gaudin, a history instructor at Xavier University in Louisiana.
Gaudin has interviewed Mixed-Race people in Louisiana who "passed" for `White'* as part of study she conducted on that subject.
A person could be born white in one state and be designated "black"^^ in another depending upon the `racial laws' in that state, said Gaudin, who also is a Ph.D. candidate at New York University.
----- During the antebellum period, enslaved `Black' [race] people were referred to as [being] Negroes.
----- Then there were `Free People of Color' [and others], …who generally had [a] Mixed "racial" heritage ... ----- [The free] people-of-color could be 'brown with European features', 'light with African features' and everything in between.
"They were not looked upon as so-called Negroes and of course they weren't equated with `White'*, either," Gaudin explained. "Society had `a place' for them."
Some were slave owners, others staunch abolitionists...
However,after the "one drop" rule was instituted and Jim Crow [`Segregation] became the law of the land in the South, things changed.
Often, they would move and cut ties with family members, especially the ones who could not "pass".
The law aimed at these "White-Negroes", as they were sometimes called,actually forced more of the very racial mingling it sought to counter.
"Once these laws were [enacted], "passing" made more sense, and it became more necessary," Gaudin said.
Some who passed In her 2002 memoir, "Just Lucky, I Guess," Broadway legend Carol Channing revealed that her father, George Channing, was a light-skinned"black"^^ man who "passed" [as being `White'*] ...
When she was 16 and about to go off to college, her mother told her about her father.
"My mother announced to me I was part-Negro," Channing writes. "I'm only telling you this because `the Darwinian law' shows that you could easily have a "black"^^ baby."
A noted case of passing in recent history is that of Anatole Broyard, longtime literary critic for The New York Times.
Born "black"^^ and raised in "black"^^ neighborhoods in New Orleans and Brooklyn, he "passed" for `White'* for decades because he did not want to be labeled as a 'Negro' writer, he had said, but simply a Writer.
Henry Louis Gates Jr., chairman of the Afro-American history department at Harvard, chronicled Broyard's brilliant career and secret in a New Yorker essay that was included in his 1997 book, "Thirteen Ways of Looking at a "Black Man."
For years, Broyard side-stepped 'rumors' of his ancestry and would credit his skin-tone to a very distant relative who "may" have been "black"^^.
Even in the waning days of his life, his body withered by cancer, he denied his wife's request to tell his children of their 'true' heritage.
They met Broyard's darker-skinned sister, Shirley, for the first time at his memorial service in 1990.
No identity crisis Unlike Broyard, Shadyside's Dr. Edward J. Hale never sought the advantages of `White'* his complexion could have provided him.
He's a retired staff member of Western Pennsylvania Hospital, served as chief of medical services and acting director of professional services at the Veterans Affairs Department Medical Center on Highland Drive, and he has taught at the University of Illinois, Howard University, the University of Pittsburgh and Indiana University of Pennsylvania.
Hale, 80, said he followed the example of his father, William J. Hale, founding president of Tennessee Agricultural and Industrial State College, now known as Tennessee State University.
Hale had come from a family that had accomplished much by living as "black"^^ people. His goal was to do the same.
"I've always been fond of my dad, loved and adored and respected my father," Hale said. "He chose to remain "black"^^.
He got to be a college president." His mother, a graduate of Fisk University, headed up the business department at Tennessee State. She, too, was fair enough to "pass", as were Hale's siblings.
Dr. Edward J. Hale chose to follow the example of his parents, accomplished educators Harriet and William J. Hale….
The proud son says, "He chose to remain "black"^^ [identified]. His sister, who earned a master's in French from Columbia University, married a man who could not "pass", Hale said.
"But they had a very positive marriage as "black"^^ and they lived happily," he added.
His brother "used to float back and forth between being 'White'** and being "black"^^, he said. "He did that for work."
Why didn't Hale? "I chose"black"^^ because I have a "black"^^ identity...
"We had a heritage, and it was something important." His parents emphasized being proud of who he was, excelling at something, making a contribution to society.
After getting his bachelor's degree at Tennessee State, he entered Meharry Medical College in Nashville, graduating third in his class in 1945.
Two years later, he earned a master's in physiology from the University of Illinois. "As a fair-skinned "black"^^, I could "pass" for `White'*, but … if you got to be too outstanding, people would look into your background," Hale said.
When he came to Pittsburgh in 1955 to serve as chief of medicine for the VA Hospital, he knew people would assume he was `White'*.
They soon learned differently through his stand on issues and his friendships with other "black"^^. Hale and several other "black"^^ doctors formed the Gateway Medical Group, now called Gateway Medical Society.
He was active in the National Medical Association and helped bring their convention to Pittsburgh.
"I had to make an "identity" for myself, to let people know who I was," Hale said.
Gaudin said it was easy for well-educated light-skinned people to take what is considered the high road by maintaining their "black"^^identity.
Poor, uneducated folks with the same complexion faced a different reality.
"These were people who used their physical appearances because, in many cases, that's all they had," Gaudin said.
"They weren't wealthy.
In many cases, they felt this was their greatest, most valuable resource." Unbreakable family ties Attorney Wendell Freeland remembers a decade or so ago when he and his wife were reading in the newspaper about the fast rise of a young man who was `White'*.
In the ensuing conversation, Freeland's wife noted that her husband was smarter and much more on the ball than the young man and should have reached the same career peak.
Freeland recalls his daughter saying to him, "You've got nothing to complain about; you could have [lived as] `White'*".
Theoretically, yes. Freeland says he can fool even those"black"^^ people who swear they can detect another "black"^^, no matter how fair.
Consciously, Freeland said he could no more "pass" than his brown-skinned brethren.
"I never thought about it," said the 78-year-old attorney. "My family ties were so great."
University of Virginia, sociology department, seeks individuals of mixed races,
ages 18-25, to participate in an interview.
Time Required: at least 60 minutes
Payment: $10 gift certificate to Barnes and Noble
This research is part of a sociology dissertation conducted by Virginia
Strmic-Pawl, a University of Virginia graduate student
(http://www.virginia.edu/sociology/).
To participate in the study, you must be between the ages of 18 and 25 and fit
the following requirements.
1. One of your biological parents is White and one of your biological parents is
Asian.
OR
2. One of your biological parents is part Asian/part White and your other
biological parent is Asian.
OR
3. One of your biological parents is part Asian/part White and your other
biological parent is White.
Note: Should you choose to participate in the interview, there is a possibility
that you may later be asked to participate in a focus group. Your participation
in this study would be greatly appreciated. Any information you provide in the
interview will be kept strictly confidential, and you may choose to end your
participation in the study at any point without penalty.
For more information please contact: Virginia Strmic-Pawl, at hvs5c@...
or at 312-972-1920. IRB SBS # 2009-0057-00
Principal Investigator: Virginia Strmic-Pawl
University of Virginia, sociology department, seeks individuals of mixed races,
ages 18-25, to participate in an interview.
Time Required: at least 60 minutes
Payment: $10 gift certificate to Barnes and Noble
This research is part of a sociology dissertation conducted by Virginia
Strmic-Pawl, a University of Virginia graduate student
(http://www.virginia.edu/sociology/).
To participate in the study, you must be between the ages of 18 and 25 and fit
the following requirements.
1. One of your biological parents is White and one of your biological parents is
Black.
OR
2. One of your biological parents is part Black/part White and your other
biological parent is Black.
OR
3. One of your biological parents is part Black/part White and your other
biological parent is White.
Note: Should you choose to participate in the interview, there is a possibility
that you may later be asked to participate in a focus group. Your participation
in this study would be greatly appreciated. Any information you provide in the
interview will be kept strictly confidential, and you may choose to end your
participation in the study at any point without penalty.
For more information please contact: Virginia Strmic-Pawl, at hvs5c@...
or at 312-972-1920. IRB SBS # 2009-0057-00
Principal Investigator: Virginia Strmic-Pawl
I'm pleased to announce the latest episode (#18) in my podcast about the hapa and multi-ethnic experience:
www.hapahappyhour.libsyn.com
In this episode my mother reflects on growing up all over the USA; learning to love languages; moving to Guatemala and marrying into a large Latino family of partially Chinese descent; and more.
Our podcasts are also on iTunes! Search "Hapa Happy Hour."
A Tribute to Anthropologist / Choreographer Advisor / Professor - Katherine Dunham
Katherine Dunham -- world famous choreographer, dance artist, and anthropologist -- was the pioneering dancer, choreographer, professor, advisor, author and civil rights activist who chose to leave her Broadway career in order to enter the field of teaching.
In 1959, Dunham wrote an autobiography entitled "A Touch Of Innocence".
In her autobiography she took note of her various experiences as the artistically talented daughter of an African father and a White western mother. Dunham was perhaps best known for bringing African and Caribbean influences to the European-dominated dance world.
In the late 1930s, she established the nation's very first self-supporting modern dance group that was composed entirely of artists who were of any part-Black lineage.
Born in Chicago, Illinois, Dunham received her Bachelor's, Master's, and Doctoral degrees in Anthropology from the University of Chicago and she later did extensive anthropological study, particularly in the Caribbean.
She also choreographed for, and performed in, motion pictures and Broadway musicals.
She became the first [choreographer of any known or visible part-Black lineage] to work at the Metropolitan Opera in New York City.
In 1940 she formed a highly acclaimed dance troupe -- that was composed entirely of artists who were of any part-Black lineage and / or parentage -- which toured her works in the United States and in Europe.
Dunham opened the Dunham School of Dance in New York City, which trained dancers in classical ballet, African and Caribbean dance forms, anthropology, and other cultural arts.
She [later also] acted as [the] technical cultural advisor to [both] the president and the minister of cultural affairs of Senegal.
In the 1970s Dunham went to Southern Illinois University [initially] as an artist in residence and later became a professor.
The following is a review of "A Touch of Innocence":
A Touch of Innocence: A Memoir -- by Katherine Dunham
"Long before terms like "multiculturalism" and "world music" came into vogue, dancer, choreographer, and University of Chicago-trained anthropologist Katherine Dunham traveled to Africa, the West Indies, and South America, chronicling the spread of Africa-derived dance traditions and creating a multitude of critically acclaimed revues…
But Dunham's autobiography, written in the late 1950s … is bittersweet.
She was born on June 22, 1909, in Joliet, Illinois, the daughter of a West African-Malagasy father and … mother of French-Canadian- Native American heritage who died when Dunham was an infant.
'A Touch of Innocence' chronicles the first 18 years of Dunham's life: her upbringing with her brother, Albert Jr., in the white suburb of Glen Ellyn; the antagonism of her domineering father; and the experience of being raised by aunts in Chicago while her dad worked as a traveling salesman.
From this piercing work, the world-famous dance icon emerges with the all-embracing allure of the everyday aristocracy…"
*** Her success was won in the face of widespread discrimination, a struggle Dunham championed by refusing to perform at segregated theaters.
*** For her endeavors, Dunham received 10 honorary doctorates, the Presidential Medal of the Arts, the Albert Schweitzer Prize at the Kennedy Center Honors, and membership in the French Legion of Honor, as well as major honors fromBrazilandHaiti.
*** "She is one of the very small handful of the most important people in the dance world of the 20th century," said Bonnie Brooks, chairman of the dance department atColumbiaCollegeinChicago. "And that's not even mentioning her work in civil rights, anthropological research and for humanity in general."
*** Dunham'sNew Yorkstudio attracted illustrious students like Marlon Brando and James Dean who came to learn the "Dunham Technique," which Dunham herself explained as "more than just dance or bodily executions. It is about movement, forms, love, hate, death, life, all human emotions."
*** She set up an eclectic compound of artists from around the globe, including Harry Belafonte.
*** Dunham wasmarriedto theater designer John Thomas Prattfor 49 yearsbefore his death in 1986.
Hi All,
I'm a multiethnic doctoral student investigating the effects of multiethnicity
(identifying as more than ethnicity) on perceived ethnic discrimination (feeling
as if one has been ethnically discriminated against). Questionnaires for the
study are currently online in English and Spanish, and may be taken anonymously
by any adult. If you or any adult you know would like to participate in this
endeavor, feel free to access and/or forward the study links below. Thank you
for reading!
Respectfully,
James Eron Taylor
A brief description of the study and questionnaires are located in the following
links:
English Version
http://alliant.qualtrics.com/SE?SID=SV_b90f4ix6NoU6t2A&SVID=Prod
Spanish Version
http://alliant.qualtrics.com/SE?SID=SV_3luZgrqNIOpfdNW&SVID=Prod
In these episodes our co-host Rena's mother, Maria, tells us a little bit more about the Philippines, and my father talks about growing up hapa in Guatemala!
Our podcasts are also on iTunes! Search "Hapa Happy Hour."
Singing sensation Keyshia Cole is of a Multi-racial / Mixed-Race Lineage andsheis also adopted.
Ms. Cole'sbiological mother is a Black woman (named Frankie Lons) and herbiological fatherwas a White man of Italian ethnicity (named Sammy "Sal" Johnson, per her birth certificate, and he isnow deceased).
(A picture of Keyshia Cole's biological mother, Frankie Lons)
Apparently, due to her birth-mother mother having a severe drug problem and her birth-father being deceased, Ms. Cole was removed from the home of her biological family (at the age of 2 or so) and placed into foster care with a Black couple (Dr. Yvonne and Leon Cole) who both adopted her and also encouraged her to utilize her musical talents and gifts.
(A picture of Keyshia Cole's Adoptive mom, Yvonne Cole)
Now that she has achieved fame and her birth family has re-entered her life, she also has taken a great number of steps to try to help them become more stablized.
In addition to trying to help and encourage her biological family and assisting in many charitable caused, Ms. Cole has always also make sure to openly credit her adoptive mother and family with her success and life guidance.
The TV show 'The View' held an interesting interview with her wherein she discussed the relationship relationship she has with both her adoptive and biological families.
On June 12th, 1967, Richard and Mildred Loving won their
nine year legal battle and the Supreme Court granted
them the right to be married in the state of Virginia.
This victory also legalized interracial relationships
nationwide, overturning hundreds of years of racist laws.
However, racism is not dead.
There is still racial prejudice in our daily lives.
Loving Day is a great way to fight this prejudice
through education, and to build multicultural community.
Join others all over the world in celebrating Loving Day.
Here are some things you can do:
Host a celebration of any size for friends or family:
http://lovingday.org/host-a-celebration
Find a celebration to attend:
http://lovingday.org/find-a-celebration
Spread the word about Loving Day:
http://lovingday.org/spread-the-word
On behalf of all of the volunteers at the Loving
Day Project, we wish you a happy Loving Day!
Loving Day proudly presents the 6th annual
LOVING DAY FLAGSHIP CELEBRATION
in New York City
FREE BBQ: all day long
GET IN FREE: rain or shine
MULTICULTURAL: family friendly
Sunday, June 7th from 3-7pm at Solar 1
East River at 23rd St. in Manhattan
Come celebrate the anniversary of
Loving v. Virginia, the Supreme Court case
that legalized interracial marriage in the US.
Directions:
SUBWAY: 6 train to 23rd, then M23 bus or walk e. past Ave C & FDR.
Look for Gulf gas station. Or, L train to 1st Ave: walk N. to 23rd
BY CAR: from south, FDR to 20-23 St. exit. Right on Ave C, right
on 23rd almost to Gulf gas station, then service road to Solar 1
RSVP YOUR SPOT: lovingdayparty@...
LEARN MORE ONLINE: http://www.lovingday.org
We're pleased to announce LovingDay.org 2.0,
where you can easily list your Loving Day
Celebration and share your stories instantly!
Just log in or register (it's quick and free),
and share with the global Loving Day community.
Here are some highlights:
* List your Loving Day Celebration (public
or private) and add photos afterwards.
http://www.lovingday.org/list-your-celebration
* Share your story as a multi-ethnic /multi-racial/
multi-cultural individual or inter-racial couple.
http://www.lovingday.org/share
* Find upcoming Loving Day Celebrations,
and check out past Celebrations.
http://www.lovingday.org/find-a-celebration
We've kept all the great resources from the original
site, but with updates and improvements to every page.
Come check it out!
http://www.lovingday.org
Don't forget - Loving Day is only four weeks away!
It's fun and easy to host your own Celebration
of any size with our free Celebration Kit:
http://www.lovingday.org/host-a-celebration
You can also attend a Loving Day Celebration, including the
Flagship Celebration in New York City on Sunday, June 7th.
http://www.lovingday.org/find-a-celebration
We'll keep you posted as new celebrations and
stories come rolling in - including yours!
We're looking forward to sharing Loving Day with you.
Sincerely, the Loving Day Volunteers.
I'm pleased to announce the latest episodes (#14 & #15) in my podcast about the hapa and multi-ethnic experience:
www.hapahappyhour.libsyn.com
In these episodes we interview our co-host Rena's mother, Maria, who made the huge move from the Philippines to South Dakota during the Vietnam War and met Rena's dad...and the rest is personal hapa history. :)
Our podcasts are also on iTunes! Search "Hapa Happy Hour."
ANNOUNCEMENT OF RESEARCH STUDY ON THE INNER WORLDS
OF ADULTS WITH AFRICAN AMERICAN AND KOREAN HERITAGES
This is an invitation to participate in a research study designed to explore the
inner worlds of adults with African American and Korean heritages. My name is
Liz Bradshaw and I am an African American and Korean doctoral student in
Counseling Psychology at Western Michigan University and this research is part
of my dissertation.
I am seeking potential participants at least 18 years of age with multiple
heritages who have one parent who identifies as African American and another who
identifies as Korean. Participation will involve being interviewed about your
life experiences as an individual of African American and Korean descent.
By conducting this study, I hope to give voice to the stories of people of
African American and Korean descent, stories that have often been silenced or
neglected in the past. If you are interested in participating in this study and
would like to learn more, please contact me by email
(elizabeth.bradshaw@...) or phone (269-352-7407) to receive additional
information. Thank you for your time and consideration.
Sincerely,
Liz Bradshaw
Group rate tickets for only $13 (usually $25).
Visit the link below to buy:
http://lovingday.bigcartel.com/
"Best solo show" by the Actor's Repertory,
the play MIXED has been described as the first
truly multi-cultural portrayal of Americans ever.
Finally, here we have the narratives of those
ignored by the U.S. Census for years and who have
fallen through the cracks of the political system.
These stories make the audience understand
what it is to 'be a part of' many cultures
and, simultaneously, to 'belong to' none.
When:
Saturday, March 14, 2009
The show starts at 8pm, and will be
followed by a Q&A with Maya Lilly.
Please join us afterward for drinks
with the artist at Stone Creek Lounge;
Where:
Baruch Performing Arts Center
Engelman Recital Hall
25th St. (bet. 3rd and Lexington Aves.)
Stone Creek Lounge
140 E 27th St (bet. 3rd and Lexington Aves.)
Tickets:
We have group rate tickets
for only $13 (usually $25).
Visit the link below to buy:
http://lovingday.bigcartel.com/
PLEASE NOTE:
You must purchase by Wednesday, March
11th 2009 for this special group rate!
Tickets purchased online will
be waiting for you at the venue.
Loving Day and the NY Mixed Race/Hapa Meetup
are proud to be co-promoting this event.
http://www.lovingday.orghttp://biracial.meetup.com/23/
To learn more about the show,
check out the following links:
http://www.baruch.cuny.edu/bpac/http://www.mayalilly.com
Named "Best solo show" by the Actor's Repertory, the play MIXED has
been described as the first truly multi-cultural portrayal of
Americans ever. Finally, here we have the narratives of those ignored
by the U.S. Census for years; those who have fallen through the cracks
of the political system; those who were once told by doctors that they
might be born "degenerate" or "deformed". After centuries of
misunderstanding, these stories make the audience understand what it
is to belong to many cultures and, simultaneously, to none.
When:
Saturday, March 14, 2009
The show starts at 8pm, and will be followed by a Q&A with Maya
Please join us afterward for drinks with the artist at Stone Creek Lounge
Where:
Baruch Performing Arts Center
Engelman Recital Hall
25th St. (bet. 3rd and Lexington Aves.)
Stone Creek Lounge
140 E 27th St (bet. 3rd and Lexington Aves.)
Tickets:
We have group rate tickets for only $13 (usually $25).
Click the link below to buy:
http://lovingday.bigcartel.com/
PLEASE NOTE:
You must purchase by Wednesday, March 11th 2009 for this special group
rate!
Tickets purchased online will be waiting for you at the venue.
Loving Day and the NY Mixed Race/Hapa Meetup are proud to be
co-promoting this event.
http://www.lovingday.orghttp://biracial.meetup.com/23/
To learn more about the show, check out the following links:
http://www.baruch.cuny.edu/bpac/http://www.mayalilly.com
We want everyone to know about a
great multiracial conference happening
at Harvard during the end of February.
It's being organized by Harvard Hapa
and Swirl Boston, and there will
be a lot of great speakers.
Loving Day is proud to promote this event.
The conference is FREE - but please
RSVP with the link below so they
know how many people to expect:
http://hapa.eventbrite.com/
The program is below. See you there!
------------------------------------------
So ... what are you, anyway?
Harvard University
Boylston Hall
2/28/09
Program of Events:
11:00am
Opening Remarks
Harvard HAPA, SwirlBoston
Fong Auditorium
Asian Americans and Acceptance/
Exclusion of Multiracial Asians
Professor Karen Suyemoto
Fong Auditorium (UMass, Boston)
12:00pm
Let's Rap: Politickin' on
Blasian Identities in Hip-Hop
John Tawa
Fong Auditorium
1:00pm
Lunch
Ticknor Lounge
2:00pm
Discussion Group:
Says Who?
Empowering Biracial/
Multiracial Women Identities
Lindsey West
Ticknor Lounge
Multiracial College Students and Organizations
Professor Sam Museus (UMass Boston)
Fong Auditorium
3:00pm
The Multiracial Movement
Professor Kimberly McClain DaCosta (Harvard)
Fong Auditorium
4:00pm
Panel: Multiracial Experiences
Professors Peter Kiang and Ping-Ann Addo
(UMass Boston), Pete Shungu Fong Auditorium
5:00pm
Live Music
(Pete Shungu)Afro DZ Ak and Adam Payne
Fong Auditorium
5:30pm
Closing Remarks
Harvard HAPA, SwirlBoston
Fong Auditorium
9:00pm
Afterparty (college ID required)
Pforzheimer House Belltower (we'll help!)
Directions:
Boylston hall is the big gray
building located just inside
Harvard Yard off of Mass Ave.
Use Boylston gate (across Mass. Ave
from Yenching restaurant) or Widener
gate (across Mass. Ave from Q-doba).
Boylston hall is the building with
cobblestones, tables and chairs outside.
Happy Valentine's Day (the second most "loving" day of the year) - from all of
the volunteers at Loving Day! If you've got a significant other, we hope you're
celebrating all that's unique and wonderful about each other.
If you're looking to meet someone (as many of us are), just think of how many
different cultures and ethnicities there are in the world - including yours.
Then, think of how many of those people could be right for you. That's a lot of
fish in the sea. Just stay open to the
unexpected today - you never know! And if that doesn't work out, Loving Day
Celebrations just happen to be a great place to meet new people, too. Host your
own this year, or attend one of ours:
http://www.lovingday.org/holiday.htm
The largest west coast Loving Day celebration kicks off the 2nd
Annual Mixed Roots Film & Literary Festival on June 12, 2009.
The Festival celebrates storytelling of the 'Mixed Racial
and Cultural Experience' and brings together innovative
artists, film and book lovers, and families for two days
of writing and film workshops, readings, film screenings,
a special family event and live performance
by talented comedians, musicians and actors.
All events are free and open to the public.
For schedule information visit www.mxroots.org
WE ARE CURRENTLY ACCEPTING FILM, LITERARY,
WORKSHOP, VENDOR TABLE AND EVENT SUBMISSIONS.
For more information, visit: www(dot)mxroots(dot)org
Thank you,
Mixed Roots Film & Literary Festival
www(dot)mxroots(dot)org
mxrootsfest(at)gmail(dot)com
Here is a commentary on the MLK Holiday as offered by Mixed-Race writer (who is also of African-American Ethicity ), Laura Parker Castoro -- at a blog that features her published works.
There are so many emotions tied to this holiday this year of 2009.
As a writer of African-American and biracial characters in LOVE ON THE LINE, I've been thinking about what the holiday has meant in years past.
What rose to the top of my thoughts is this: it's not so much about the past, it's about our present and future.
This year, finally, the holiday will take its rightful place as an "American Holiday," not just one added for African-Americans.
Among the many things that the election of President Obama has done for this nation of peoples is to offer us a chance to be Americans first.
In doing so, Dr. King becomes an American hero, first and foremost.
He helped our country move past its most shameful history to strive for the best we can be.
Are we all glad that slavery and segregation and nationalized hatred have been abolished?
Of course we are.
All Americans can take pride in that achievement, just as we do in any American victory, be it an Olympic champion or a walk on the moon. We smile and say, "An American did that. One of us!"
Obama's election is, simply put, the spirit of equality put into action.
That doesn't mean that many of us don't still wrestle with what it means to be American versus being a member of a particular ethnic or social or even religious group within our greater society.
In LOVE ON THE LINE, my character Thea Morgan, a light-skinned African-American wife, business woman, and mother, struggles with the issue of her identity as not been "seen" as black enough in both her personal and business life.
Her biracial daughter Jesse, has similar, yet different, issues to resolve.
Can you be part of two equal halves? Should you choose? Should you have to?
These are very real personal dramas that occur everyday all over the U. S. I worked from my own experience as a light-skinned African-American, as well as those of many different people I know of many backgrounds.
Just as Jesse and Thea work out how to live their best lives, my hope is that we all come to accept that with all our differences, and interests, and ways of expressing ourselves, we truly are, at the end of every day, one nation, indivisible.
Happy Birthday, Dr. King. Happy New Year, America.
How do you feel about this holiday and what it represents?
Do you think that personal struggles, and we all have them, reflect national attitudes?
Or is it just part of growing up for each of us to have to try to define ourselves against the culture in which we grow up?
I'd really love to hear your thoughts on these very provocative and important issues.