"Too lazy to stretch after the fighting? Work your muscles loose via a more
amusing way by participating in the evening's Ball. “Toss the duchess” in
“Offical's Bransle”, or jump-kick higher than everyone else to win “Kick
the
Tassel.” Most dances are simple and all will be taught at the Ball (but if you
want more practice drop by the dance classroom during the day!)
Dancers neophyte, casual, and hardcore are invited to celebrate a quarter-
century of Calontir with a Ball in the evening, and dance during the day. The
Ball pieces are mostly simple but all are fun...Bransles, Italian, and English
Country dances are featured."
The ball dance list included:
"Set 1: Official's Bransle, Ly Bens Distonys, Anello, Jenny Pluck Pears, My
Lady Cullen, Trenchmore
Set 2: Kick the Tassel (Maltese Bransle), Black Alman, Ballo del Fiore,
Gathering Peasecods, Amoroso, Bransle suite (Pease, Cassandra, Scots), Petit
Riens
Requests: Begins with Korobushka"
The ball was scheduled to begin in the third floor gymnasium after the
conclusion of feast.
Dance classes were held and musicians rehearsed throughout the day. Rehearsal
and class space was extremely limited at this event. The musician rehearsal
culminated in a 10-15 member open music pit for the evening court featuring
ball music selections.
A cancellation announcement for the ball was given at approximately 9:30 PM
during the third and final course of feast. The ball itself was never held.
There was no organized dance at this event outside of the classes held
throughout the day.
> The ball was scheduled to begin in the third floor gymnasium after the
> conclusion of feast.
>
> Dance classes were held and musicians rehearsed throughout the day.
Rehearsal
> and class space was extremely limited at this event. The musician
rehearsal
> culminated in a 10-15 member open music pit for the evening court
featuring
> ball music selections.
>
> A cancellation announcement for the ball was given at approximately
9:30 PM
> during the third and final course of feast. The ball itself was
never held.
> There was no organized dance at this event outside of the classes held
> throughout the day.
>
> -Julian
>
Don't be sorry. The ball was canceled, IMHO, for good reasons. Did I want to
dance? Heck ya! Bellewode prepared food and was ready to do it.... when it was
scheduled. This was completely out of your hands. Court was wonderful, but it
went long and the feast HAD to happen. Site was scheduled to close at 10:00 and
many, including myself, realized that there was no time for the ball given this
constraint. Bellewode still had fun and our new members are looking forward to
the ball on April 4th with even greater anticipation given the classes they
took. I myself learned a new dance that now MUST go on Bellewode's Ball List.
Space and time were limited and NOTHING you could have done would have changed
that (unless you have a time machine).
Sincerely
Lord Ermenrich von Duidburg
Seneschal, College of Bellewode
Order of the Torse
Order of the Golden Calon Swan
Persuivant at Large
________________________________________
From: CalontirDance@yahoogroups.com [CalontirDance@yahoogroups.com] On Behalf Of
ingeborgbildrbriotr [alianoraree@...]
Sent: Sunday, March 01, 2009 2:52 PM
To: CalontirDance@yahoogroups.com
Subject: [CalontirDance] Re: Ball Non-Report: Calontir 25th Anniversary Jubilee
I am sorry. That's all I can say: I'm so sorry.
Ingeborg
> The ball was scheduled to begin in the third floor gymnasium after the
> conclusion of feast.
>
> Dance classes were held and musicians rehearsed throughout the day.
Rehearsal
> and class space was extremely limited at this event. The musician
rehearsal
> culminated in a 10-15 member open music pit for the evening court
featuring
> ball music selections.
>
> A cancellation announcement for the ball was given at approximately
9:30 PM
> during the third and final course of feast. The ball itself was
never held.
> There was no organized dance at this event outside of the classes held
> throughout the day.
>
> -Julian
>
To answer Conrad's question, the dance that Ingeborg taught me was
Ballo del Fiore. Just the idea of the flower and the scuttling around
the room seemed very cute and fun.
Bellewode is planning a Caroso Style ball and we want your input (that
means everyone). We hope to use this as a learning tool in the
following way: The current plan is to have each dance on a card,
pinned to a board. The card will list the dance's name, its origin
(i.e. French c. 1500, NOT PERIOD, or SCA invention of period
technique), and its formation (round for as many as will, three people
in a line, etc.). A dancer will then pick their dance, announce it,
invite whoever they want to dance it and hand the card over to the
musicians. If people need it to be taught, we will do it at that
time. So dances could involve everyone in the room doing an old
favorite or a perfect time for someone to show off something fancy and
complicated and allowing everyone else to watch. Of course I am not a
mind reader, so if you have a performance dance you would like to do,
let me know and I will add it to the list of dances and we will make
sure the musicians have the music ahead of time.
I hope that this can be used as a great new learning tool and give the
Bellewode Ball a bit of variety.
Caroso-style balls are a very nice and period type of dance but
i'm not sure its the best way to go for the main and only evening dance at
an event - especially of newer dancers. Though I do sort of like the card idea.
By default in a caroso style ball (CSB) only one couple or set does any
particular dance, resulting in more sitting and less dancing for most people.
This can be mitigated by generally making every dance be of the
'and all who would join us' type of invite. SCA people in general and college
students in paricular seem to be more in the 'do it' than 'watch it'
inclinations
It can also make inviting a partner difficult especially with people who
either don't know many dances or don't the nams of the dances they know.
So either you end up asking people you know, know certian dances or there
can be long discussions trying to figure out a mutually known dance.
It also means its harder to teach to the ball list as its not exactly know until
the dance is called. Plus the musicians must learn be ready with more to
learn as well (they need to know all the dances on the pick from list - even if
only
half get danced).
Lastly putting a new person on the spot to pick the next dance may be asking
much
- maybe the current crop is made of stronger stuff, but it would have made me
nervous
in my first year or two.
OK even with all of that, it would stilll be interesting to incorporate this
somehow.
My 2 suggestions are to either run just one set of the ball (and not the first
or last) this
way and limit it to fewer dances - all of which are easy enough to be taught and
ask
each person to choose as their partner someone they have not danced with before
and
make all for as many as will (people, couples or sets).
It anyone has a truly fancy performance dance they want to do this could be
scheduled
during a break.
The other posibility would be to turn the last class period into a CSB, joining
both dance tracks
and idealy even bring the musicians into things.This could be used to train both
the style of
ball and some new dances.
Ok so those are my thought as how to incoprorate some good ideas in a way to IMO
maximize
the fun for the largest amount of people. Its possible our biggest Caroso fan
(Tsire) may disagree :)
However you go I'll offer whatever I can do to make it the most fun for the most
people.
Conrad
________________________________
From: CalontirDance@yahoogroups.com on behalf of mateoalanohombrealtopezold
Sent: Sun 3/1/2009 9:23 PM
To: CalontirDance@yahoogroups.com
Subject: [CalontirDance] The Bellewode Ball
To answer Conrad's question, the dance that Ingeborg taught me was
Ballo del Fiore. Just the idea of the flower and the scuttling around
the room seemed very cute and fun.
Bellewode is planning a Caroso Style ball and we want your input (that
means everyone). We hope to use this as a learning tool in the
following way: The current plan is to have each dance on a card,
pinned to a board. The card will list the dance's name, its origin
(i.e. French c. 1500, NOT PERIOD, or SCA invention of period
technique), and its formation (round for as many as will, three people
in a line, etc.). A dancer will then pick their dance, announce it,
invite whoever they want to dance it and hand the card over to the
musicians. If people need it to be taught, we will do it at that
time. So dances could involve everyone in the room doing an old
favorite or a perfect time for someone to show off something fancy and
complicated and allowing everyone else to watch. Of course I am not a
mind reader, so if you have a performance dance you would like to do,
let me know and I will add it to the list of dances and we will make
sure the musicians have the music ahead of time.
I hope that this can be used as a great new learning tool and give the
Bellewode Ball a bit of variety.
Sincerely,
Ermenrich
[Non-text portions of this message have been removed]
I think the Caroso concept can be adapted to the main ball format quite well. I
think Conrad's points are good but can be mitigated. The card idea is fantastic.
By creating the cards, you determine the set list. A traditional Caroso ball
does have a set list so musicians will not have to have a huge catalogue of
music available. If you wih to do a perormance, be prepared with a music backup
so as not to tax the musicians should they not wish to be taxed. If the cards
had a bare bones step description on it as well it could help people choose who
are unfamiliar.
Also the host will need to be willing to guide the indecisive in thier choices.
This is a great opportunity to build relationships and make new friends! Those
of us who have whizbang performance dances at the ready need to be willing to do
them but equally willing to choose strangers, newbies, and dances of ease for
all. It is up to those of us with the familiarity of the dances and this style
to set the tone and create examples of goodwill and fun in this format.
It can be great. I'd love to see it as the primary format. I think, with
attention to the possible pitfalls, and a positive attitude it can work and work
well. I'm willing to help make it so.
So excited. Bellewode will be Henry's first SCA event.
Tsire
Henry's first event! YEAH! I can't wait to see the newest addition to the
dance community. I am afraid though that he will learn to walk in doubles....
Ermenrich
So excited. Bellewode will be Henry's first SCA event.
Tsire
[Non-text portions of this message have been removed]
He seemed to be playing kick the tassel in the womb, anything is possible. ;0
To: CalontirDance@yahoogroups.com
From: mlagemann@...
Date: Mon, 2 Mar 2009 10:44:00 -0600
Subject: RE: [CalontirDance] The Bellewode Ball
Henry's first event! YEAH! I can't wait to see the newest addition
to the dance community. I am afraid though that he will learn to walk in
doubles....
Ermenrich
So excited. Bellewode will be Henry's first SCA event.
Tsire
[Non-text portions of this message have been removed]
For those of you that missed Jubilee three items in court came up that
I thought should be repeated here:
Lord Peter (and I apologize for not remembering the rest of his name)
was awarded a Golden Calon Swan. For those of you who are not
familiar with him, he plays the violin in the pit.
Lady Lucia is now Her Ladyship Lucia after being given a Calon Lily!
Her scroll was beautiful and the accolade well earned I think.
And Mistress Conna was awarded a Court Baronet! Her new shiny hat has
musical notes on it that apparently are from a song involving a
porkchop... I must admit I am slightly confused, but I am sure she can
explain it.
Where would we dancers be without people like these three? An iPod
can only get you so far.... though sometimes its batteries do last longer.
Thanks to the Bellewode group for being ready with all sorts of wonderful
food for the ball. That was a really nice gesture. Thanks for volunteering
to do it!
Thanks to HL Lucia, for prepping all the music packets. They sure were fun
to use during court. ;)
And Ingeborg, thanks for organizing everything. Heaven knows the
cancellation was unavoidable. I hope it didn't spoil the fun of the rest of
the day.
And thanks to all the musicians for playing during morning and evening
courts, and to Kasha for taking charge of evening court, and to Emelye for
her fun improve. I know it was a crazy space to play in. Thanks to all for
making the hike up the scary steep steps. :)
Conna
On Sun, Mar 1, 2009 at 9:01 PM, Sauer, Michael F. <sauerm@...>wrote: