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#5978 From: Lee Rubinstein <leerubinstein@...>
Date: Sun Oct 28, 2012 5:35 pm
Subject: Re: Question about item
leerubinstein
Send Email Send Email
 
Although I see stylistic elements suggestive of African carvings such as Bamileke architectural posts, I agree with Véro's observation that the item is likely a contemporary and simplified rendering of Indonesian origin or inspiration such as from Dayak and/or Batang carvings.

Lee

#5979 From: "Lawrence" <lawrence_owens@...>
Date: Sun Oct 28, 2012 5:21 pm
Subject: Re: 1) from what tribe or country is this figure 2) Songye?
lawrence_owens
Send Email Send Email
 
Yes it's definitely a songye figure. Age uncertain. Polish marks on raised bits
is good, patina overall less so. If its a fake its at least a good one!

--- In African_Arts@yahoogroups.com, "dleidie" <dleidie@...> wrote:
>
> Hello,
> can someone tell me what tribe and/or country this figure is from ?
> http://groups.yahoo.com/group/African_Arts/photos/album/895015577/pic/list
> Could t be Songye Tribe, Congo ?
> It as breasts, a penis and a pregnant belly.
>
> could this be a figure from the Songye tribe ?
> http://groups.yahoo.com/group/African_Arts/photos/album/1152879814/pic/list
> If not, where could it come from.
> How old is it.
>

#5980 From: Ed Jones <bucit@...>
Date: Sun Oct 28, 2012 6:05 pm
Subject: Re: Re: 1) from what tribe or country is this figure 2) Songye?
bucit
Send Email Send Email
 
Try making meaningful comparisons over the Internet or particularly with the book titled Songye: The Formidable Statuary of Central Africa by Francois Neyt.
This figure is presents itself as nothing more than a terrible market copy, and the worth (or value) is dependent totally upon whateversomeone is willing to pay.  
 
Ed
 
 
 
In mailto:African_Arts%40yahoogroups.com, "dleidie" <dleidie@...> wrote:

Hello,
can someone tell me what tribe and/or country this figure is from ?
http://groups.yahoo.com/group/African_Arts/photos/album/895015577/pic/list
Could t be Songye Tribe, Congo ?
It as breasts, a penis and a pregnant belly.

could this be a figure from the Songye tribe ?
 http://groups.yahoo.com/group/African_Arts/photos/album/1152879814/pic/list
If not, where could it come from.
How old is it.



#5981 From: Ed Jones <bucit@...>
Date: Sun Oct 28, 2012 7:56 pm
Subject: Re: Is this a Blolo Blian figure?
bucit
Send Email Send Email
 
It may be (self) helpful to consider relative and known examples of Baule "blolo" / "blian" carvings available via many resources, and consider your figure... Especially the facial features and stylized characteristics.  The "diaper" loin-cloth on yours is rather telling. 
 
Ed
From: africamorkarla <morkarla@...>
To: African_Arts@yahoogroups.com
Sent: Saturday, October 27, 2012 8:40 AM
Subject: [African_Arts] Is this a Blolo Blian figure?
 
Hello.

I bought this Baule figure at an auction this year in Sweden, it was just one
of about many items from a rather big collection that the former owner had
collected in Africa in the 1920-1940´s.

At the auction the figure was called Baule sculpture.

I really don´t know anything about Baule figures and the reason I bought
it was that i liked the expression of the face.

I been searching for information about Baule figures but I haven´t been
abel to find a similar item.

My question is can this be Blolo Blian figure?

http://groups.yahoo.com/group/African_Arts/photos/album/1886551390/pic/422350110/view
Kind Regards

Mikael Löwe

#5982 From: "kristinaniu" <kristinaniu@...>
Date: Mon Oct 29, 2012 4:00 pm
Subject: Makonde Collection
kristinaniu
Send Email Send Email
 
I have a large Makonde Statue collection for sale (175 pieces). All pieces can
be viewed here:
http://mekonde.weebly.com/

Asking $25,000 for the whole collection.

All pieces date prior to 1985, and most were carved in the 1960's and 1970's.
Some are signed by the artists who made them. All are carved from wood and
contain natural defects inherent in natural materials, including cracks, splits,
irregularities of color and of heart and sap wood, as well as bark, etc. Some of
the pieces are damaged and a few are missing parts of the original sculpture.
Some of the pieces have been repaired. All of the pieces in the collection, and
the collection as a collection, are sold in "AS-IS" condition with NO guarantee
or warrantee of any kind.


Does anyone have any recommendations what would be the best venue for selling
it?
Thank you!
Kristina

#5983 From: "africamorkarla" <morkarla@...>
Date: Mon Oct 29, 2012 9:41 pm
Subject: Re: Is this a Blolo Blian figure?
africamorkarla
Send Email Send Email
 
Thank you Ed, now I know.

Joseph Anderson - It´s 39 cm tall.

Kind Regards

Mikael Löwe






--- In African_Arts@yahoogroups.com, Ed Jones <bucit@...> wrote:
>
> It may be (self) helpful to consider relative and known examples of
Baule "blolo" / "blian" carvings available via many resources, and consider
your figure... Especially the facial features and stylized characteristics. 
The "diaper" loin-cloth on yours is rather telling. 
>  
> Ed
>
> From: africamorkarla <morkarla@...>
> To: African_Arts@yahoogroups.com
> Sent: Saturday, October 27, 2012 8:40 AM
> Subject: [African_Arts] Is this a Blolo Blian figure?
>
>  
> Hello.
>
> I bought this Baule figure at an auction this year in Sweden, it was just one
> of about many items from a rather big collection that the former owner had
> collected in Africa in the 1920-1940´s.
>
> At the auction the figure was called Baule sculpture.
>
> I really don´t know anything about Baule figures and the reason I bought
> it was that i liked the expression of the face.
>
> I been searching for information about Baule figures but I haven´t been
> abel to find a similar item.
>
> My question is can this be Blolo Blian figure?
>
>
http://groups.yahoo.com/group/African_Arts/photos/album/1886551390/pic/422350110\
/view
> Kind Regards
>
> Mikael Löwe
>

#5984 From: Ed Jones <bucit@...>
Date: Tue Oct 30, 2012 12:25 am
Subject: Re: Re: Is this a Blolo Blian figure?
bucit
Send Email Send Email
 
Mikael:
 
You are welcomed.  May I also suggest, as one that sincerely appreciates wood craft, I have a few personal and basic tenets that I consider when it comes to collecting African art forms;;
 
1.  Consider the wood.  Developed and skillful African artists have an affinity for wood.  This means they understand the grain, density, etc and know how to work with it based upon what it is they seek to fashion.  Wood was not simply randomly selected without thought or consideration of the "once living" organism.  This applies for newer market carvings as well as old(er) relics.
2.  Reference and identify.  Become familiar with lines, curves, expressions and peculiarities of a subject tribe or clan's attributions.  This means it is helpful to discover and learn certain societal and cultural "codes" of a subject tribe or clan.  In fact, making comparisons and spanning various time-lines in comparison of similar objects can be (somewhat) helpful when assessing a piece, AND attributing an object's estimated age... Typically (not in every case), there will be obvious evolutionary changes with stylized fashion, size, color / patina, symbols, expressions, hair styles, scarification's, etc.  The point being, one must immerse themselves in some form of research and study.  This would also en tell the purchase of books and balancing what the western world implies against the importance of "black" African experts.  Otherwise, the term "enthusiast" would not apply, or how else should one know?
 
I can tell you that Africans like to touch personal figures as such.. And Blolo Blian (spirit mates) ARE indeed objects with a persona that needed to he led, anointed and cared for.  One should expect to see evidence of oil with a beautiful patina over time -- not a caked up stain, libations or an encrustation on such objects (or costume clothing).  If it were to be condemned, it was destroyed via an affiliated tribal custom.  Additionally, Africans were also not ashamed of the human body, so covering and hiding it is a western/ Euro centrist notion.
 
3.  Determine YOUR personal value.  This is an important step, but I certainly do not consider it the principle one;  do not become swayed or lead my market trends, fashions, popularity or anything else... Especially, assumed "worth".  This market, as with other forms of art is highly subjective.  Because a notoriously "high-end" auction house or dealer displays an item with an auction price of $8500 does not mean much of anything.  The true (rhetorical) question becomes, what is the objects worth or merit to you?  Too many people are swept away and caught up with the "groupie syndrome".  It can become "cliquish", political, and famous names trump and wrestle with pedigree/provenance, as this becomes the ultimate motivation and driver --- not the carvers delineated skills and aesthetic form he invented, or why the object may have been invented.  Who really cares so much, because the perspective has become somewhat chaotic?   
 
Of course, we would all prefer to have the "best" our money can allot us.  There are wonderfully carved newer market pieces with an expressed value just as there are old relics of value.  
Basically, it is your "eye" (predicated upon how you have developed it) that will allow your voice to speak to you.  Then one will be sure about a certain piece and it's value.
 
With sincere hopes, and all the best with future art endeavors.
 
Ed 
 
From: africamorkarla <morkarla@...>
To: African_Arts@yahoogroups.com
Sent: Monday, October 29, 2012 2:41 PM
Subject: [African_Arts] Re: Is this a Blolo Blian figure?
 
Thank you Ed, now I know.

Joseph Anderson - It´s 39 cm tall.

Kind Regards

Mikael Löwe

--- In mailto:African_Arts%40yahoogroups.com, Ed Jones <bucit@...> wrote:
>
> It may be (self) helpful to consider relative and known examples of Baule "blolo" / "blian" carvings available via many resources, and consider your figure... Especially the facial features and stylized characteristics.  The "diaper" loin-cloth on yours is rather telling. 
>  
> Ed
>
> From: africamorkarla <morkarla@...>
> To: mailto:African_Arts%40yahoogroups.com
> Sent: Saturday, October 27, 2012 8:40 AM
> Subject: [African_Arts] Is this a Blolo Blian figure?
>
>  
> Hello.
>
> I bought this Baule figure at an auction this year in Sweden, it was just one
> of about many items from a rather big collection that the former owner had
> collected in Africa in the 1920-1940´s.
>
> At the auction the figure was called Baule sculpture.
>
> I really don´t know anything about Baule figures and the reason I bought
> it was that i liked the expression of the face.
>
> I been searching for information about Baule figures but I haven´t been
> abel to find a similar item.
>
> My question is can this be Blolo Blian figure?
>
> http://groups.yahoo.com/group/African_Arts/photos/album/1886551390/pic/422350110/view
> Kind Regards
>
> Mikael Löwe
>

 

#5985 From: Beth Peart <beepeawee1@...>
Date: Fri Nov 2, 2012 4:38 am
Subject: Ceramic Group
beepeawee1...
Send Email Send Email
 

I purchased this odd little ceramic group a couple years ago and have NO idea about it. Can anyone weigh in? I am thinking Cameroon, but have really no idea. I just like it. It has a bit of damage on one side with the rough clay exposed as a result.
 







ONÍSÙÚRÙ NI YÍÒ JOGÚN AYÉ
The patient person shall inherit the earth

3 of 3 Photo(s)


#5986 From: Ann Porteus <ann@...>
Date: Tue Oct 30, 2012 7:40 am
Subject: Re: Re: Is this a Blolo Blian figure?
annporteus
Send Email Send Email
 
Mikael,
Ed's advice is perfect. Collecting and understanding African art comes down to:
See and like.
Research the tribes and culture, their style, reason or function and purpose.
Study the form, construction and style along with the carvers artistic skill.
Experience. We all look at our early purchases. Maybe they still have appeal because they drew us to the attraction in African art in the beginning or we were lucky and found a gem that us to expand a growing interest in African art forms but otherwise we see them as follies and then the time comes to rationalise our collection, free cash for the items we can afford as well as items that please our more mature, knowledgeable and experienced palate.
It is an amazing journey and well worth the time and passion.

Enjoy your journey
Ann


Ann Porteus
Sidewalk Tribal Gallery 
Tel: +61414340331
Fax: +61362240331
Office: +61362240331

On 30/10/2012, at 11:25 AM, Ed Jones <bucit@...> wrote:

 

Mikael:
 
You are welcomed.  May I also suggest, as one that sincerely appreciates wood craft, I have a few personal and basic tenets that I consider when it comes to collecting African art forms;;
 
1.  Consider the wood.  Developed and skillful African artists have an affinity for wood.  This means they understand the grain, density, etc and know how to work with it based upon what it is they seek to fashion.  Wood was not simply randomly selected without thought or consideration of the "once living" organism.  This applies for newer market carvings as well as old(er) relics.
2.  Reference and identify.  Become familiar with lines, curves, expressions and peculiarities of a subject tribe or clan's attributions.  This means it is helpful to discover and learn certain societal and cultural "codes" of a subject tribe or clan.  In fact, making comparisons and spanning various time-lines in comparison of similar objects can be (somewhat) helpful when assessing a piece, AND attributing an object's estimated age... Typically (not in every case), there will be obvious evolutionary changes with stylized fashion, size, color / patina, symbols, expressions, hair styles, scarification's, etc.  The point being, one must immerse themselves in some form of research and study.  This would also en tell the purchase of books and balancing what the western world implies against the importance of "black" African experts.  Otherwise, the term "enthusiast" would not apply, or how else should one know?
 
I can tell you that Africans like to touch personal figures as such.. And Blolo Blian (spirit mates) ARE indeed objects with a persona that needed to he led, anointed and cared for.  One should expect to see evidence of oil with a beautiful patina over time -- not a caked up stain, libations or an encrustation on such objects (or costume clothing).  If it were to be condemned, it was destroyed via an affiliated tribal custom.  Additionally, Africans were also not ashamed of the human body, so covering and hiding it is a western/ Euro centrist notion.
 
3.  Determine YOUR personal value.  This is an important step, but I certainly do not consider it the principle one;  do not become swayed or lead my market trends, fashions, popularity or anything else... Especially, assumed "worth".  This market, as with other forms of art is highly subjective.  Because a notoriously "high-end" auction house or dealer displays an item with an auction price of $8500 does not mean much of anything.  The true (rhetorical) question becomes, what is the objects worth or merit to you?  Too many people are swept away and caught up with the "groupie syndrome".  It can become "cliquish", political, and famous names trump and wrestle with pedigree/provenance, as this becomes the ultimate motivation and driver --- not the carvers delineated skills and aesthetic form he invented, or why the object may have been invented.  Who really cares so much, because the perspective has become somewhat chaotic?   
 
Of course, we would all prefer to have the "best" our money can allot us.  There are wonderfully carved newer market pieces with an expressed value just as there are old relics of value.  
Basically, it is your "eye" (predicated upon how you have developed it) that will allow your voice to speak to you.  Then one will be sure about a certain piece and it's value.
 
With sincere hopes, and all the best with future art endeavors.
 
Ed 
 
From: africamorkarla <morkarla@...>
To: African_Arts@yahoogroups.com
Sent: Monday, October 29, 2012 2:41 PM
Subject: [African_Arts] Re: Is this a Blolo Blian figure?
 
Thank you Ed, now I know.

Joseph Anderson - It´s 39 cm tall.

Kind Regards

Mikael Löwe

--- In mailto:African_Arts%40yahoogroups.com, Ed Jones <bucit@...> wrote:
>
> It may be (self) helpful to consider relative and known examples of Baule "blolo" / "blian" carvings available via many resources, and consider your figure... Especially the facial features and stylized characteristics.  The "diaper" loin-cloth on yours is rather telling. 
>  
> Ed
>
> From: africamorkarla <morkarla@...>
> To: mailto:African_Arts%40yahoogroups.com
> Sent: Saturday, October 27, 2012 8:40 AM
> Subject: [African_Arts] Is this a Blolo Blian figure?
>
>  
> Hello.
>
> I bought this Baule figure at an auction this year in Sweden, it was just one
> of about many items from a rather big collection that the former owner had
> collected in Africa in the 1920-1940´s.
>
> At the auction the figure was called Baule sculpture.
>
> I really don´t know anything about Baule figures and the reason I bought
> it was that i liked the expression of the face.
>
> I been searching for information about Baule figures but I haven´t been
> abel to find a similar item.
>
> My question is can this be Blolo Blian figure?
>
> http://groups.yahoo.com/group/African_Arts/photos/album/1886551390/pic/422350110/view
> Kind Regards
>
> Mikael Löwe
>

 


#5987 From: "PVL" <madcya@...>
Date: Sat Nov 3, 2012 3:28 am
Subject: Looking for Help with this Mask
madcya
Send Email Send Email
 
I purchased this mask recently at an auction and I can't seem to find one like
it, wondering if anyone has some insight, any help is appreciated! I've put a
photo under pvl mask, thanks!

http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/list

#5988 From: Lee Rubinstein <leerubinstein@...>
Date: Sun Nov 4, 2012 4:37 pm
Subject: Re: Looking for Help with this Mask
leerubinstein
Send Email Send Email
 
Given the mask's relative simplicity of form, I would recommend focusing your search for comparative examples among masks from southern East Africa -- particularly from Tanzania (especially southern) and possibly Mozambique.  Such an exploration should yield some fruitful directions for identifying masks with similarity of form and stylistic elements.  However, given the ambiguity and overlap of attributions of such possibly related mask forms, it may difficult to arrive at a specific conclusion regarding origin.  Still, that is where I would begin a visual survey while also seeking any collection data that might be available (e.g., it would be helpful if you are able to identify other materials that may have been offered from the same collection as the mask which you acquired).

Lee

On Fri, Nov 2, 2012 at 11:28 PM, PVL <madcya@...> wrote:
 

I purchased this mask recently at an auction and I can't seem to find one like it, wondering if anyone has some insight, any help is appreciated! I've put a photo under pvl mask, thanks!

http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/list



#5989 From: "onanjokwe" <susanmalushaga@...>
Date: Wed Nov 7, 2012 7:18 pm
Subject: Origin/age/wood of carved African stools
onanjokwe
Send Email Send Email
 
I am new to the group.  Hoping someone can shed some light on two stools that
were wedding gifts to my parents.  They were married in Tsumeb, Namibia (then
South West Africa) in 1960.   What I would like to know about them is what
people made these types of furniture (possibly Ovambo), what wood they might be
made of, and how old they might be (it's not clear if they were newly made when
gifted in 1960).   I will post the photos under Namibian stools in photos.
http://groups.yahoo.com/group/African_Arts/photos/album/1628681843/pic/list
Thanks for any help.

#5990 From: RPearsonpe@...
Date: Fri Nov 2, 2012 3:32 pm
Subject: Re:Collecting and understanding African art
rpearsonpeaol
Send Email Send Email
 
I might add:
1. Keep track of any and all "Provenance" of an item, preferably in writing. At least your 'notes'.
2. Develop some sort of 'filing system' so each piece in your eventual collection/accumulation is a 'when/where/how.why/how much' retrievable data.
3. Don't pass on a piece just because it is 'new'. Many/most tribal pieces have 'enhanced' age.
4. If it is "too good to be true", it probably isn't, but now and then you will find a treasure.
5. Try to avoid cleaning anything. If repairing a cracked or broken piece, use adhesive sparingly and inside the crack-you do not want glue squeezing out of the piece.
6. Sources of pieces, priced low to high: Runners, Auctions, Galleries, Individuals. If you meet an African Runner, ask him/her to share your interest with other Runners. My favorite auction is Arte Primitivo. My favorite Gallery is Hamill (and a great source of data).
7. Books are the best and lowest priced way of understanding tribal art (but library's will have natta).
8. Remember-unless you intend on a 'Viking Funeral', someday you will need to divest your collection.
Lastly, share your knowledge, collection pieces, rare finds, and mistakes with the group.
 
Just my opinion.
 
bob
 
In a message dated 11/2/2012 7:35:12 A.M. Mountain Daylight Time, ann@... writes:
 

Mikael,
Ed's advice is perfect. Collecting and understanding African art comes down to:
See and like.
Research the tribes and culture, their style, reason or function and purpose.
Study the form, construction and style along with the carvers artistic skill.
Experience. We all look at our early purchases. Maybe they still have appeal because they drew us to the attraction in African art in the beginning or we were lucky and found a gem that us to expand a growing interest in African art forms but otherwise we see them as follies and then the time comes to rationalise our collection, free cash for the items we can afford as well as items that please our more mature, knowledgeable and experienced palate.
It is an amazing journey and well worth the time and passion.

Enjoy your journey
Ann


Ann Porteus
Sidewalk Tribal Gallery 
Tel: +61414340331
Fax: +61362240331
Office: +61362240331

On 30/10/2012, at 11:25 AM, Ed Jones <bucit@...> wrote:

 

Mikael:
 
You are welcomed.  May I also suggest, as one that sincerely appreciates wood craft, I have a few personal and basic tenets that I consider when it comes to collecting African art forms;;
 
1.  Consider the wood.  Developed and skillful African artists have an affinity for wood.  This means they understand the grain, density, etc and know how to work with it based upon what it is they seek to fashion.  Wood was not simply randomly selected without thought or consideration of the "once living" organism.  This applies for newer market carvings as well as old(er) relics.
2.  Reference and identify.  Become familiar with lines, curves, expressions and peculiarities of a subject tribe or clan's attributions.  This means it is helpful to discover and learn certain societal and cultural "codes" of a subject tribe or clan.  In fact, making comparisons and spanning various time-lines in comparison of similar objects can be (somewhat) helpful when assessing a piece, AND attributing an object's estimated age... Typically (not in every case), there will be obvious evolutionary changes with stylized fashion, size, color / patina, symbols, expressions, hair styles, scarification's, etc.  The point being, one must immerse themselves in some form of research and study.  This would also en tell the purchase of books and balancing what the western world implies against the importance of "black" African experts.  Otherwise, the term "enthusiast" would not apply, or how else should one know?
 
I can tell you that Africans like to touch personal figures as such.. And Blolo Blian (spirit mates) ARE indeed objects with a persona that needed to he led, anointed and cared for.  One should expect to see evidence of oil with a beautiful patina over time -- not a caked up stain, libations or an encrustation on such objects (or costume clothing).  If it were to be condemned, it was destroyed via an affiliated tribal custom.  Additionally, Africans were also not ashamed of the human body, so covering and hiding it is a western/ Euro centrist notion.
 
3.  Determine YOUR personal value.  This is an important step, but I certainly do not consider it the principle one;  do not become swayed or lead my market trends, fashions, popularity or anything else... Especially, assumed "worth".  This market, as with other forms of art is highly subjective.  Because a notoriously "high-end" auction house or dealer displays an item with an auction price of $8500 does not mean much of anything.  The true (rhetorical) question becomes, what is the objects worth or merit to you?  Too many people are swept away and caught up with the "groupie syndrome".  It can become "cliquish", political, and famous names trump and wrestle with pedigree/provenance, as this becomes the ultimate motivation and driver --- not the carvers delineated skills and aesthetic form he invented, or why the object may have been invented.  Who really cares so much, because the perspective has become somewhat chaotic?   
 
Of course, we would all prefer to have the "best" our money can allot us.  There are wonderfully carved newer market pieces with an expressed value just as there are old relics of value.  
Basically, it is your "eye" (predicated upon how you have developed it) that will allow your voice to speak to you.  Then one will be sure about a certain piece and it's value.
 
With sincere hopes, and all the best with future art endeavors.
 
Ed 
 
From: africamorkarla <morkarla@...>
To: African_Arts@yahoogroups.com
Sent: Monday, October 29, 2012 2:41 PM
Subject: [African_Arts] Re: Is this a Blolo Blian figure?
 
Thank you Ed, now I know.

Joseph Anderson - It´s 39 cm tall.

Kind Regards

Mikael Löwe

--- In mailto:African_Arts%40yahoogroups.com, Ed Jones <bucit@...> wrote:
>
> It may be (self) helpful to consider relative and known examples of Baule "blolo" / "blian" carvings available via many resources, and consider your figure... Especially the facial features and stylized characteristics.  The "diaper" loin-cloth on yours is rather telling. 
>  
> Ed
>
> From: africamorkarla <morkarla@...>
> To: mailto:African_Arts%40yahoogroups.com
> Sent: Saturday, October 27, 2012 8:40 AM
> Subject: [African_Arts] Is this a Blolo Blian figure?
>
>  
> Hello.
>
> I bought this Baule figure at an auction this year in Sweden, it was just one
> of about many items from a rather big collection that the former owner had
> collected in Africa in the 1920-1940´s.
>
> At the auction the figure was called Baule sculpture.
>
> I really don´t know anything about Baule figures and the reason I bought
> it was that i liked the expression of the face.
>
> I been searching for information about Baule figures but I haven´t been
> abel to find a similar item.
>
> My question is can this be Blolo Blian figure?
>
> http://groups.yahoo.com/group/African_Arts/photos/album/1886551390/pic/422350110/view
> Kind Regards
>
> Mikael Löwe
>

 


#5991 From: "kdragt" <kdragt@...>
Date: Tue Nov 20, 2012 5:52 pm
Subject: please help identifying sculpture
kdragt
Send Email Send Email
 
http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/1768432738\
/view

this is listed in group under pvl mask. it was in our home in storage probably
since WW2 when my father came home from Africa, but I have no way to know for
sure. ANy help identifying would be appreciated- also advice if I should put it
in the fire place or drop off at NMAA would also be appreciated. It is about 2
1/2 feet tall 10 inches wide solid piece of wood with bone or ivory eyes.
Richard

#5992 From: Ed Jones <bucit@...>
Date: Tue Nov 20, 2012 9:51 pm
Subject: Re: please help identifying sculpture
bucit
Send Email Send Email
 
What makes you think it is African?   Looks to me as if it may have a "Paupa New Guinea" (Sepik), or Asiatic appeal...  
 

From: kdragt <kdragt@...>
To: African_Arts@yahoogroups.com
Sent: Tuesday, November 20, 2012 10:52 AM
Subject: [African_Arts] please help identifying sculpture
 
http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/1768432738/view

this is listed in group under pvl mask. it was in our home in storage probably since WW2 when my father came home from Africa, but I have no way to know for sure. ANy help identifying would be appreciated- also advice if I should put it in the fire place or drop off at NMAA would also be appreciated. It is about 2 1/2 feet tall 10 inches wide solid piece of wood with bone or ivory eyes.
Richard

#5993 From: "jamoheadrush" <jamo1987@...>
Date: Wed Nov 21, 2012 3:48 am
Subject: Large Gold weight object‏, value unknown british museum are interested
jamoheadrush
Send Email Send Email
 
I have a Sculpture/figure, this object is older than me but true age is unknown,
at first guesses we believed it to be of African origin.

My father dug this up in a family garden in Guyana 25+ years ago.

The British museum have recently replied confirming our object may well indeed
be of African origin, and is a good example of what may be large goldweight
almost certainly made in Ghana by the Fante or Asante and depicts a chief being
carried in a palanquin surrounded by attendants and musicians. It is similar in
form to other goldweights which show activities such as drumming or trading
which date from 1700-1900 AD.

I do not know its true value but are open to selling it, could you point us in
the right direction or could this be an object in which you would be interested
in? The British Museum have stated their intent on me bringing the object into
them with the possibility of them making me an offer and purchasing it. I would
like to get more than one opinion.

http://groups.yahoo.com/group/African_Arts/photos/album/584678089/pic/list

Kind regards

James Harrison Sears

#5994 From: GARYGLS2000@...
Date: Wed Nov 21, 2012 5:47 am
Subject: Re: Large Gold weight object‏, value unknown british mus...
bunumbu
Send Email Send Email
 
. It is indeed African and its definitely from Ghana, most likely Ashanti. I've seen very large goldweights similar to this one and they're quite rare.
 
In a message dated 11/21/2012 12:12:50 A.M. Eastern Standard Time, jamo1987@... writes:
 

I have a Sculpture/figure, this object is older than me but true age is unknown, at first guesses we believed it to be of African origin.

My father dug this up in a family garden in Guyana 25+ years ago.

The British museum have recently replied confirming our object may well indeed be of African origin, and is a good example of what may be large goldweight almost certainly made in Ghana by the Fante or Asante and depicts a chief being carried in a palanquin surrounded by attendants and musicians. It is similar in form to other goldweights which show activities such as drumming or trading which date from 1700-1900 AD.

I do not know its true value but are open to selling it, could you point us in the right direction or could this be an object in which you would be interested in? The British Museum have stated their intent on me bringing the object into them with the possibility of them making me an offer and purchasing it. I would like to get more than one opinion.

http://groups.yahoo.com/group/African_Arts/photos/album/584678089/pic/list

Kind regards

James Harrison Sears


#5995 From: "Armin" <toguna2002@...>
Date: Wed Nov 21, 2012 11:47 am
Subject: Re: Question about item
toguna2002
Send Email Send Email
 
Hello,
your spears are from the northern Congo Region. I bought similiar spears when I
crossed the Congo in 1990. If you have better pictures from the spearheads and
the middle sections maybe I can tell you the tribe.
Sincerely
Armin

--- In African_Arts@yahoogroups.com, "lloydstradingco" <lloydstradingco@...>
wrote:
>
> I recently purchased a large totem pole? Looks african. Also 2 spears. These
items are old. The spears are steel. I have photos.
> Would anybody know anything about these items in album entitled
"EdmundsPictures":
> http://groups.yahoo.com/group/African_Arts/photos/album/2002154068/pic/list
> thanks
> E.Lloyd
>

#5996 From: "PVL" <madcya@...>
Date: Wed Nov 21, 2012 2:26 pm
Subject: Re: Looking for Help with this Mask
madcya
Send Email Send Email
 
--- In African_Arts@yahoogroups.com, Lee Rubinstein <leerubinstein@...> wrote:
>
> Given the mask's relative simplicity of form, I would recommend focusing
> your search for comparative examples among masks from southern East Africa
> -- particularly from Tanzania (especially southern) and possibly
> Mozambique.  Such an exploration should yield some fruitful directions for
> identifying masks with similarity of form and stylistic elements.  However,
> given the ambiguity and overlap of attributions of such possibly related
> mask forms, it may difficult to arrive at a specific conclusion regarding
> origin.  Still, that is where I would begin a visual survey while also
> seeking any collection data that might be available (e.g., it would be
> helpful if you are able to identify other materials that may have been
> offered from the same collection as the mask which you acquired).
>
> Lee
>
> On Fri, Nov 2, 2012 at 11:28 PM, PVL <madcya@...> wrote:
>
> > **
> >
> >
> > I purchased this mask recently at an auction and I can't seem to find one
> > like it, wondering if anyone has some insight, any help is appreciated!
> > I've put a photo under pvl mask, thanks!
> >
> > http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/list
> >
> >
>Hello, thanks for your reply, I added 2 pictures of items from the same estate,
hoping you would take a look at them and see if they give any more direction or
are related, any help is appreciated!
http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/list

#5997 From: "kdragt" <kdragt@...>
Date: Thu Nov 22, 2012 10:55 pm
Subject: Re: please help identifying sculpture
kdragt
Send Email Send Email
 
I know, Im very shallow:) and thinking he never went anywhere besides basic
training and then Africa, I couldnt imagine he brought it home from some exotic
land. But I appreciate your thoughts and will now follow up on what I can find
about New Guinea or Asiatic art  or just add it on top of the wood pile. It
honestly does not appeal to me, I was just hoping it would to someone!
Rich

--- In African_Arts@yahoogroups.com, Ed Jones <bucit@...> wrote:
>
> What makes you think it is African?   Looks to me as if it may have a "Paupa
New Guinea" (Sepik), or Asiatic appeal...  
>
>
>
> From: kdragt <kdragt@...>
> To: African_Arts@yahoogroups.com
> Sent: Tuesday, November 20, 2012 10:52 AM
> Subject: [African_Arts] please help identifying sculpture
>
>  
>
http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/1768432738\
/view
>
> this is listed in group under pvl mask. it was in our home in storage probably
since WW2 when my father came home from Africa, but I have no way to know for
sure. ANy help identifying would be appreciated- also advice if I should put it
in the fire place or drop off at NMAA would also be appreciated. It is about 2
1/2 feet tall 10 inches wide solid piece of wood with bone or ivory eyes.
> Richard
>

#5998 From: Ed Jones <bucit@...>
Date: Fri Nov 23, 2012 6:25 pm
Subject: Re: Re: please help identifying sculpture
bucit
Send Email Send Email
 
Rich,
I certainly do not think you are shallow.  I simply do not think this bust / facial sculpture has an African tribal affiliation
Perhaps, Papa New Guinea (Sepik), Oceanic, or Asiatic works may be a closer target of attribution.
 
You might also try taking the item to a local tribal art retail shop or dealer, or sending a photo of it to known Oceanic, Asiatic dealers for their opinion(s).
Someone out there can get you relatively close on this one.
 
Ed
 

From: kdragt <kdragt@...>
To: African_Arts@yahoogroups.com
Sent: Thursday, November 22, 2012 3:55 PM
Subject: [African_Arts] Re: please help identifying sculpture
 
I know, Im very shallow:) and thinking he never went anywhere besides basic training and then Africa, I couldnt imagine he brought it home from some exotic land. But I appreciate your thoughts and will now follow up on what I can find about New Guinea or Asiatic art or just add it on top of the wood pile. It honestly does not appeal to me, I was just hoping it would to someone!
Rich

--- In mailto:African_Arts%40yahoogroups.com, Ed Jones <bucit@...> wrote:
>
> What makes you think it is African? Â  Looks to me as if it may have a "Paupa New Guinea" (Sepik), or Asiatic appeal... Â 
>
>
>
> From: kdragt <kdragt@...>
> To: mailto:African_Arts%40yahoogroups.com
> Sent: Tuesday, November 20, 2012 10:52 AM
> Subject: [African_Arts] please help identifying sculpture
>
>  
> http://groups.yahoo.com/group/African_Arts/photos/album/366296514/pic/1768432738/view
>
> this is listed in group under pvl mask. it was in our home in storage probably since WW2 when my father came home from Africa, but I have no way to know for sure. ANy help identifying would be appreciated- also advice if I should put it in the fire place or drop off at NMAA would also be appreciated. It is about 2 1/2 feet tall 10 inches wide solid piece of wood with bone or ivory eyes.
> Richard
>

 

#5999 From: "Jocelyn" <harriojv@...>
Date: Sat Nov 24, 2012 10:48 pm
Subject: Identifying African Art Collection
harriojv
Send Email Send Email
 
Good Day Group:

My husband and I have several pieces that we need some help identifying and
getting specific information on.  The items are submitted on the following link:
http://groups.yahoo.com/group/African_Arts/photos/album/1632441943/pic/list

View under photos as - "Harrios African Art".
Any and all information provided will be greatly appreciated!

The 'Female figure' weighs 46 lbs - height 57 1/4"; the 'Couple' weighs 15 lbs -
height 28 1/4"; 'Brass holders' - both weigh one lb each, height 6 1/4";
'Helmet' 8" diameter, weight 5 lbs; Staff with carving on top - 61" length;
Patterned staff - 72" length.

Sincere thanks,
Jocelyn

#6000 From: "Lawrence" <lawrence_owens@...>
Date: Sun Nov 25, 2012 8:54 am
Subject: Re: Identifying African Art Collection
lawrence_owens
Send Email Send Email
 
I think...

Maternity figure...has characteristics of various groups including the Dogon,
but also Niger River Delta populations...
Dogon ancestor couple, Mali
Brass kuduos, Ashanti, Ghana
Helmet...perhaps Dogon?
Staff is Senufo

For my money the nicest items are the kuduos, although the staff is also very
nice!

Lawrence


--- In African_Arts@yahoogroups.com, "Jocelyn" <harriojv@...> wrote:
>
> Good Day Group:
>
> My husband and I have several pieces that we need some help identifying and
getting specific information on.  The items are submitted on the following link:
> http://groups.yahoo.com/group/African_Arts/photos/album/1632441943/pic/list
>
> View under photos as - "Harrios African Art".
> Any and all information provided will be greatly appreciated!
>
> The 'Female figure' weighs 46 lbs - height 57 1/4"; the 'Couple' weighs 15 lbs
- height 28 1/4"; 'Brass holders' - both weigh one lb each, height 6 1/4";
'Helmet' 8" diameter, weight 5 lbs; Staff with carving on top - 61" length;
Patterned staff - 72" length.
>
> Sincere thanks,
> Jocelyn
>

#6001 From: dwolf22@...
Date: Sun Nov 25, 2012 7:22 pm
Subject: Re: Re: Identifying African Art Collection
nighti2ider
Send Email Send Email
 
I would agree with Lawrence on all counts .... he did however overlook the piece you have labled 'trophy' 1,2, and 3 .... which is a headdress of the Bamana peoples known as a Chiwara or Chi Wara ... a  Google search of Chiwara headdress will give you plenty of material to explore. dwolf



-----Original Message-----
From: Lawrence <lawrence_owens@...>
To: African_Arts <African_Arts@yahoogroups.com>
Sent: Sun, Nov 25, 2012 7:58 am
Subject: [African_Arts] Re: Identifying African Art Collection

 
I think...

Maternity figure...has characteristics of various groups including the Dogon, but also Niger River Delta populations...
Dogon ancestor couple, Mali
Brass kuduos, Ashanti, Ghana
Helmet...perhaps Dogon?
Staff is Senufo

For my money the nicest items are the kuduos, although the staff is also very nice!

Lawrence

--- In African_Arts@yahoogroups.com, "Jocelyn" <harriojv@...> wrote:
>
> Good Day Group:
>
> My husband and I have several pieces that we need some help identifying and getting specific information on. The items are submitted on the following link:
> http://groups.yahoo.com/group/African_Arts/photos/album/1632441943/pic/list
>
> View under photos as - "Harrios African Art".
> Any and all information provided will be greatly appreciated!
>
> The 'Female figure' weighs 46 lbs - height 57 1/4"; the 'Couple' weighs 15 lbs - height 28 1/4"; 'Brass holders' - both weigh one lb each, height 6 1/4"; 'Helmet' 8" diameter, weight 5 lbs; Staff with carving on top - 61" length; Patterned staff - 72" length.
>
> Sincere thanks,
> Jocelyn
>


#6002 From: "Adrian.Lesher@..." <adrian.lesher@...>
Date: Mon Nov 26, 2012 2:11 pm
Subject: Expert for tax purposes
daarinhelser
Send Email Send Email
 
Can anyone recommend a New York area expert for evaluating donated African Art for tax purposes?

Sent from my HTC smartphone on the Now Network from Sprint!


#6003 From: Karl - Suzy Norton <exquisite_african_art@...>
Date: Mon Nov 26, 2012 2:21 pm
Subject: Re: Re: Identifying African Art Collection
exquisite_af...
Send Email Send Email
 
I agree with the Bamana  Chi Wara headdress, The Dogon Ancestral couple, the Senufo Staff, Dogon crown but not the part about the maternity figure having characteristics of other tribes including the Dogon! this is definately a Senufo maternity figure / statue as we have a few which we bought back from a Senufo village.
Karl
E.A.A


From: "dwolf22@..." <dwolf22@...>
To: African_Arts@yahoogroups.com
Sent: Sunday, 25 November 2012, 19:22
Subject: Re: [African_Arts] Re: Identifying African Art Collection

 
I would agree with Lawrence on all counts .... he did however overlook the piece you have labled 'trophy' 1,2, and 3 .... which is a headdress of the Bamana peoples known as a Chiwara or Chi Wara ... a  Google search of Chiwara headdress will give you plenty of material to explore. dwolf



-----Original Message-----
From: Lawrence <lawrence_owens@...>
To: African_Arts <African_Arts@yahoogroups.com>
Sent: Sun, Nov 25, 2012 7:58 am
Subject: [African_Arts] Re: Identifying African Art Collection

 
I think...

Maternity figure...has characteristics of various groups including the Dogon, but also Niger River Delta populations...
Dogon ancestor couple, Mali
Brass kuduos, Ashanti, Ghana
Helmet...perhaps Dogon?
Staff is Senufo

For my money the nicest items are the kuduos, although the staff is also very nice!

Lawrence

--- In African_Arts@yahoogroups.com, "Jocelyn" <harriojv@...> wrote:
>
> Good Day Group:
>
> My husband and I have several pieces that we need some help identifying and getting specific information on. The items are submitted on the following link:
> http://groups.yahoo.com/group/African_Arts/photos/album/1632441943/pic/list
>
> View under photos as - "Harrios African Art".
> Any and all information provided will be greatly appreciated!
>
> The 'Female figure' weighs 46 lbs - height 57 1/4"; the 'Couple' weighs 15 lbs - height 28 1/4"; 'Brass holders' - both weigh one lb each, height 6 1/4"; 'Helmet' 8" diameter, weight 5 lbs; Staff with carving on top - 61" length; Patterned staff - 72" length.
>
> Sincere thanks,
> Jocelyn
>




#6004 From: "Lawrence" <lawrence_owens@...>
Date: Mon Nov 26, 2012 2:26 pm
Subject: Re: Expert for tax purposes
lawrence_owens
Send Email Send Email
 
There are various dealers in NYC who would be happy to do it, but it might be
good to get it generally checked first to make sure it's worth the effort - and
probable expense - of getting it professionally valued. That would perhaps be a
task for the inhabitants of this page...just a suggestion. Lawrence

--- In African_Arts@yahoogroups.com, "Adrian.Lesher@..."
<adrian.lesher@...> wrote:
>
> Can anyone recommend a New York area expert for evaluating donated African Art
for tax purposes?
>
> Sent from my HTC smartphone on the Now Network from Sprint!
>

#6005 From: "Quintanilla, Faustino" <fquintanilla@...>
Date: Mon Nov 26, 2012 3:04 pm
Subject: RE: Expert for tax purposes
faustinoq
Send Email Send Email
 

I recommend Mr. Leonard Kahan - 973 342 4341

Faustino

 

From: African_Arts@yahoogroups.com [mailto:African_Arts@yahoogroups.com] On Behalf Of Adrian.Lesher@...
Sent: Monday, November 26, 2012 9:11 AM
To: African_Arts@yahoogroups.com
Subject: [African_Arts] Expert for tax purposes

 

 

Can anyone recommend a New York area expert for evaluating donated African Art for tax purposes?

Sent from my HTC smartphone on the Now Network from Sprint!


#6006 From: "stellatebronze" <stellatebronze@...>
Date: Fri Nov 30, 2012 4:30 pm
Subject: Re: Large Gold weight object‏, value unknown british mus...
stellatebronze
Send Email Send Email
 
From what I can see this assemblage looks just like a series of Replica
Goldweights produced under a series named ALVA MUSEUM REPLICAS. You can find
quite a a few with a similar figurative style on eBay right now. What catches my
eyes are are the regular sharply demarcated edges of the platform which this
assemblage sits on. Compare this to the figures found in Margaret Plass' AFRICAN
MINIATURES Goldweights of the Ashanti.

--- In African_Arts@yahoogroups.com, GARYGLS2000@... wrote:
>
> Ignore my comment that its not African. I was looking at a different
> object. It is indeed African and its definitely from Ghana, most likely
Ashanti.
> I've seen very large goldweights similar to this one and they're quite
> rare.
>
>
> In a message dated 11/21/2012 12:12:50 A.M. Eastern Standard Time,
> jamo1987@... writes:
>
>
>
>
> I have a Sculpture/figure, this object is older than me but true age is
> unknown, at first guesses we believed it to be of African origin.
>
> My  father dug this up in a family garden in Guyana 25+ years ago.
>
> The  British museum have recently replied confirming our object may well
> indeed be  of African origin, and is a good example of what may be large
> goldweight  almost certainly made in Ghana by the Fante or Asante and depicts
a
> chief  being carried in a palanquin surrounded by attendants and musicians.
> It is  similar in form to other goldweights which show activities such as
> drumming or  trading which date from 1700-1900 AD.
>
> I do not know its true value but  are open to selling it, could you point
> us in the right direction or could  this be an object in which you would be
> interested in? The British Museum have  stated their intent on me bringing
> the object into them with the possibility  of them making me an offer and
> purchasing it. I would like to get more than  one opinion.
>
> _http://groups.yahoo.com/group/African_Arts/photos/album/584678089/pic/list_
>
> (http://groups.yahoo.com/group/African_Arts/photos/album/584678089/pic/list)
>
> Kind  regards
>
> James Harrison Sears
>

#6007 From: "beepeawee1@..." <beepeawee1@...>
Date: Mon Dec 3, 2012 2:53 am
Subject: Scam "artists"
beepeawee1...
Send Email Send Email
 
This is a shout-out to those of us on this list who may interest themselves in
collecting contemporary traditional Yoruba Ifa tools and objects, and may have
Facebook account: A young man from Oyo, son of the Baale Sango (Shango High
Priest) of Oyo, sadly,  trolls Facebook and offers services or offers to sell
objects shown on his Facebook pages. The photo galleries also always show
pictures of the Baale Sango, his father, as do the pages made under his aliases.
They also show photos of objects which he does not own. These objects include
ones made by the eminent Fakeye family of Ibadan, Idowu Afolabi Ayinde, son of
the Baale Esu of Osogbo, and other artisans personally known to me.

  Sangodele Sangomayowa, is known to use at least 10 aliases. He spent some time
in jail in Osogbo, about two weeks ago, thanks to his fraudulent activities, and
initiated by friends of mine whose arts were being used as a lure by the
scammer.  Unfortunately he was let go. I am not repeating a rumour. I have
firsthand knowledge of activities, and documented conversation with him using
one of his aliases, where objects not in the possession of the 'seller' and made
and/or owned by people I know, were offered to me to buy.

Their activities are well-known in traditional Yoruba Religion circles, perhaps
not as well known among collectors of well-made, modern, traditional art.

Forewarned is forearmed. It's best to buy direct from the maker.

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