IT'S TIME FOR CHEKHOV NOW The Second Annual Chekhov NOW Festival, presented by the LITE Company, begins Wednesday, November 1st and runs through Sunday, ...
Anatoly Antohin
ffaga@...
Oct 6, 2000 1:47 pm
238
Anatoly, have you posted examples of Actor's Texts yet? I'd feel much, much, MUCH more comfortable doing one if I had a reference to look at... -- -- Brandon...
Brandon Seifert
looney@...
Oct 8, 2000 7:09 am
239
AA Test Part I. Terminology 1. What do we call "objective"? 2. Who is Stanislavsky? 3. What are the functions of exposition? (for actor) 4. What is difference...
Anatoly Antohin
ffaga@...
Oct 9, 2000 4:17 pm
240
My scanner at home isn't working. I'll try in the office on Mon. or bring the copies to class. Anatoly G. Antohin Virtual Theatre http://etheatre.tripod.com ...
Anatoly Antohin
ffaga@...
Oct 9, 2000 4:22 pm
241
How long do we have to finish this? -- Brandon Seifert <looney@...> | UIN: 4170467 Your friendly neighborhood Angst-Ridden Snowcone ...
Brandon Seifert
looney@...
Oct 9, 2000 5:48 pm
242
I get the feeling from everything ole' Wilfred Shakespear put in his plays that he wanted to be what Stanislavsky became a couple hundred years later. All of...
Micah Borer
azash_master@...
Oct 12, 2000 8:08 am
243
I think that, with all the things old Will said about acting in his plays, that he had a definite plan. I believe that he dearly wanted to tell future ...
Tiffany Guinn
tguinn@...
Oct 12, 2000 4:04 pm
244
The scripts are in my box, please get them on Mon. -- read before the class on TU. Actors on Acting: Antonin Artud Recommended: Theatre of Cruelty Anatoly...
Anatoly Antohin
ffaga@...
Oct 14, 2000 2:14 pm
245
There isn't much information left over from the days of Elizabethan acting, but there are some references contained inside of plays that help us try and...
Ben Thompson
bst300@...
Oct 17, 2000 7:49 pm
246
There are two things I found interesting about Msr. Artuad. One: His comments on the feelings of a woman, such as "...surrender, anguish, plea, invocation,..."...
Tiffany Guinn
tguinn@...
Oct 23, 2000 7:29 am
247
"Athlete of the Heart" is one of the oddest descriptions I think I have ever heard, and also one of the best, for what we as actors do. I can remember coming...
Micah Borer
azash_master@...
Oct 23, 2000 7:49 am
248
I think that this one out of all we've read begins to tie together biomechanics and method acting by the use of breath. Just by breathing you can bring up...
jonnacrane@...
Oct 30, 2000 3:59 am
249
Ben Thompson Adv. Acting class Antonin Artaud:Theatre and its double, Theatre of the absurd, and the actor and his double. After being exposed to all three of...
Ben Thompson
bst300@...
Oct 31, 2000 5:52 am
250
The Alienation Effect is, I have to say, very alien to me. It goes against everything I have ever been taught about theatre, which is very unfortunate because...
jonnacrane@...
Nov 7, 2000 10:58 pm
251
Ben Thompson Adv. Acting class Brecht: Acting in The Epic Theatre Epic Theatre is a style where the audience is aware that they are still sitting in an...
Ben Thompson
bst300@...
Nov 13, 2000 4:58 am
252
At the moment I organize the International Chekhov Fund (including Chekhov Lab and Chekhov Magazine). I would like to give you a snapshot of these projects...
Anatoly Antohin
ffaga@...
Nov 26, 2000 4:27 pm
253
Ben Thompson Adv. Acting class Gordon Craig: The Actor and the Ueber-Marionette I am an Actor Acting is not an art Therefore I am not an artist I am an Actor I...
Ben Thompson
bst300@...
Nov 27, 2000 5:23 am
254
Ben Thompson Adv. Acting Class Peter Brook: The Act of Possession The smallest little hint of acting begins like a virus: A single tiny thing rooted deep down...
Ben Thompson
bst300@...
Nov 30, 2000 7:52 pm
255
Brecht seems to think that each thing within the performance should be above all others. What I mean by this is that each part of it, each scene, character,...
Tiffany Guinn
tguinn@...
Dec 3, 2000 11:46 pm
256
Craig seems to me to be the "art for art's sake" type of guy, but more dynamic. He really wanted everything he did to mean something, but didn't like relying...
Tiffany Guinn
tguinn@...
Dec 5, 2000 8:19 am
257
In this play, the actor's mannerisms were what really made them great. For example, Gwendolyn had the implicit behavior of making fan-like movements with her...
Tiffany Guinn
tguinn@...
Dec 9, 2000 12:42 am
258
I saw the show on the friday opening night and thought that it was a wonderful show. Everyone weemed to have their characters set and knew what was supposed to...
Micah Borer
azash_master@...
Dec 9, 2000 2:02 am
259
All righty- posting on acting in The Importance of Being Earnest. First of all, let me say that the influence of biomechanics is very obvious in the show....
jonnacrane@...
Dec 12, 2000 9:24 am
260
Ben Thompson Adv. Acting class Beyond therapy: Dress rehearsal Well, I don't know if having light cues has anything to do with the mood or with my comfort...
Ben Thompson
bst300@...
Dec 16, 2000 6:46 am
261
Ben Thompson Adv. Acting Class Stanislavsky: Why he went to such extremes to find a new method for acting Early on in his life Stanislavsky went from acting...
Ben Thompson
bst300@...
Dec 17, 2000 7:40 pm
262
Ben Thompson Adv. Acting Class Acting in The Importance of Being Earnest Since I was too busy performing in this play most of this will be on me. This was a...
Ben Thompson
bst300@...
Dec 17, 2000 9:48 pm
263
My theatre resume has been uploaded as an HTML file along with a small grayscale headshot, to the Files section of this eGroup. The URL is ...
Brandon Seifert
fsbts1@...
Dec 17, 2000 11:30 pm
264
Brecht, After reading Brecht's riting on acting (see deciphering) I understand what he was trying to get across...I think? His stance that the most effective...
Micah Borer
azash_master@...
Dec 18, 2000 8:45 am
265
On Brook: This guy has is down. Everything he was writing about sounds exactly like what I have been hearing from all my acting instructors, particularly...
Tiffany Guinn
tguinn@...
Dec 18, 2000 9:05 am
266
On Chekov: Another guy who seems to be heard from in my experience. Basically, he believes that emotion gets drawn out of you, that you are not realy in...